The Story of the Amulet by E. Nesbit (librera reader txt) đ
- Author: E. Nesbit
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âWhat everâs this for?âlunatics?â asked Cyril.
The lady looked very shocked.
âNo! Itâs for the children, of course,â she said. âDonât tell me that in your country there are no childrenâs rooms.â
âThere are nurseries,â said Anthea doubtfully, âbut the furnitureâs all cornery and hard, like other rooms.â
âHow shocking!â said the lady; âyou must be very much behind the times in your country! Why, the children are more than half of the people; itâs not much to have one room where they can have a good time and not hurt themselves.â
âBut thereâs no fireplace,â said Anthea.
âHot-air pipes, of course,â said the lady. âWhy, how could you have a fire in a nursery? A child might get burned.â
âIn our country,â said Robert suddenly, âmore than 3,000 children are burned to death every year. Father told me,â he added, as if apologizing for this piece of information, âonce when Iâd been playing with fire.â
The lady turned quite pale.
âWhat a frightful place you must live in!â she said.
âWhatâs all the furniture padded for?â Anthea asked, hastily turning the subject.
âWhy, you couldnât have little tots of two or three running about in rooms where the things were hard and sharp! They might hurt themselves.â
Robert fingered the scar on his forehead where he had hit it against the nursery fender when he was little.
âBut does everyone have rooms like this, poor people and all?â asked Anthea.
âThereâs a room like this wherever thereâs a child, of course,â said the lady. âHow refreshingly ignorant you are!âno, I donât mean ignorant, my dear. Of course, youâre awfully well up in ancient History. But I see you havenât done your Duties of Citizenship Course yet.â
âBut beggars, and people like that?â persisted Anthea âand tramps and people who havenât any homes?â
âPeople who havenât any homes?â repeated the lady. âI really donât understand what youâre talking about.â
âItâs all different in our country,â said Cyril carefully; and I have read it used to be different in London. Usednât people to have no homes and beg because they were hungry? And wasnât London very black and dirty once upon a time? And the Thames all muddy and filthy? And narrow streets, andââ
âYou must have been reading very old-fashioned books,â said the lady. âWhy, all that was in the dark ages! My husband can tell you more about it than I can. He took Ancient History as one of his special subjects.â
âI havenât seen any working people,â said Anthea.
âWhy, weâre all working people,â said the lady; âat least my husbandâs a carpenter.â
âGood gracious!â said Anthea; âbut youâre a lady!â
âAh,â said the lady, âthat quaint old word! Well, my husband will enjoy a talk with you. In the dark ages everyone was allowed to have a smoky chimney, and those nasty horses all over the streets, and all sorts of rubbish thrown into the Thames. And, of course, the sufferings of the people will hardly bear thinking of. Itâs very learned of you to know it all. Did you make Ancient History your special subject?â
âNot exactly,â said Cyril, rather uneasily. âWhat is the Duties of Citizenship Course about?â
âDonât you really know? Arenât you pretendingâjust for fun? Really not? Well, that course teaches you how to be a good citizen, what you must do and what you maynât do, so as to do your full share of the work of making your town a beautiful and happy place for people to live in. Thereâs a quite simple little thing they teach the tiny children. How does it go...?
âI must not steal and I must learn,
Nothing is mine that I do not earn.
I must try in work and play
To make things beautiful every day.
I must be kind to everyone,
And never let cruel things be done.
I must be brave, and I must try
When I am hurt never to cry,
And always laugh as much as I can,
And be glad that Iâm going to be a man
To work for my living and help the rest
And never do less than my very best.â
âThatâs very easy,â said Jane. âI could remember that.â
âThatâs only the very beginning, of course,â said the lady; âthere are heaps more rhymes. Thereâs the one beginningâ
âI must not litter the beautiful street
With bits of paper or things to eat;
I must not pick the public flowers,
They are not mine, but they are ours.â
âAnd âthings to eatâ reminds meâare you hungry? Wells, run and get a tray of nice things.â
âWhy do you call him âWellsâ?â asked Robert, as the boy ran off.
âItâs after the great reformerâsurely youâve heard of him? He lived in the dark ages, and he saw that what you ought to do is to find out what you want and then try to get it. Up to then people had always tried to tinker up what theyâd got. Weâve got a great many of the things he thought of. Then âWellsâ means springs of clear water. Itâs a nice name, donât you think?â
Here Wells returned with strawberries and cakes and lemonade on a tray, and everybody ate and enjoyed.
âNow, Wells,â said the lady, ârun off or youâll be late and not meet your Daddy.â
Wells kissed her, waved to the others, and went.
âLook here,â said Anthea suddenly, âwould you like to come to our country, and see what itâs like? It wouldnât take you a minute.â
The lady laughed. But Jane held up the charm and said the word.
âWhat a splendid conjuring trick!â cried the lady, enchanted with the beautiful, growing arch.
âGo through,â said Anthea.
The lady went, laughing. But she did not laugh when she found herself, suddenly, in the dining-room at Fitzroy Street.
âOh, what a horrible trick!â she cried. âWhat a hateful, dark, ugly place!â
She ran to the window and looked out. The sky was grey, the street was foggy, a dismal organ-grinder was standing opposite the door, a beggar and a man who sold matches were quarrelling at the edge of the pavement on whose greasy black surface people hurried along, hastening to get to the shelter of their houses.
âOh, look at their faces, their horrible faces!â she cried. âWhatâs the matter with them all?â
âTheyâre poor people, thatâs all,â said Robert.
âBut itâs not all! Theyâre ill, theyâre unhappy, theyâre wicked! Oh, do stop it, thereâs dear children. Itâs very, very clever. Some sort of magic-lantern trick, I suppose, like Iâve read of. But do stop it. Oh! their poor, tired, miserable, wicked faces!â
The tears were in her eyes. Anthea signed to Jane. The arch grew, they spoke the words, and pushed the lady through it into her own time and place, where London is clean and beautiful, and the Thames runs clear and bright, and the green trees grow, and no one is afraid, or anxious, or in a hurry.
There was a silence. Thenâ
âIâm glad we went,â said Anthea, with a deep breath.
âIâll never throw paper about again as long as I live,â said Robert.
âMother always told us not to,â said Jane.
âI would like to take up the Duties of Citizenship for a special subject,â said Cyril. âI wonder if Father could put me through it. I shall ask him when he comes home.â
âIf weâd found the Amulet, Father could be home now,â said Anthea, âand Mother and The Lamb.â
âLetâs go into the future again,â suggested Jane brightly. âPerhaps we could remember if it wasnât such an awful way off.â
So they did. This time they said, âThe future, where the Amulet is, not so far away.â
And they went through the familiar arch into a large, light room with three windows. Facing them was the familiar mummy-case. And at a table by the window sat the learned gentleman. They knew him at once, though his hair was white. He was one of the faces that do not change with age. In his hand was the Amuletâcomplete and perfect.
He rubbed his other hand across his forehead in the way they were so used to.
âDreams, dreams!â he said; âold age is full of them!â
âYouâve been in dreams with us before now,â said Robert, âdonât you remember?â
âI do, indeed,â said he. The room had many more books than the Fitzroy Street room, and far more curious and wonderful Assyrian and Egyptian objects. âThe most wonderful dreams I ever had had you in them.â
âWhere,â asked Cyril, âdid you get that thing in your hand?â
âIf you werenât just a dream,â he answered, smiling, youâd remember that you gave it to me.â
âBut where did we get it?â Cyril asked eagerly.
âAh, you never would tell me that,â he said, âYou always had your little mysteries. You dear children! What a difference you made to that old Bloomsbury house! I wish I could dream you oftener. Now youâre grown up youâre not like you used to be.â
âGrown up?â said Anthea.
The learned gentleman pointed to a frame with four photographs in it.
âThere you are,â he said.
The children saw four grown-up peopleâs portraitsâtwo ladies, two gentlemenâand looked on them with loathing.
âShall we grow up like that?â whispered Jane. âHow perfectly horrid!â
âIf weâre ever like that, we shaânnât know itâs horrid, I expect,â Anthea with some insight whispered back. âYou see, you get used to yourself while youâre changing. Itâsâitâs being so sudden makes it seem so frightful now.â
The learned gentleman was looking at them with wistful kindness. âDonât let me undream you just yet,â he said. There was a pause.
âDo you remember when we gave you that Amulet?â Cyril asked suddenly.
âYou know, or you would if you werenât a dream, that it was on the 3rd December, 1905. I shall never forget that day.â
âThank you,â said Cyril, earnestly; âoh, thank you very much.â
âYouâve got a new room,â said Anthea, looking out of the window, âand what a lovely garden!â
âYes,â said he, âIâm too old now to care even about being near the Museum. This is a beautiful place. Do you knowâI can hardly believe youâre just a dream, you do look so exactly real. Do you know...â his voice dropped, âI can say it to you, though, of course, if I said it to anyone that wasnât a dream theyâd call me mad; there was something about that Amulet you gave meâsomething very mysterious.â
âThere was that,â said Robert.
âAh, I donât mean your pretty little childish mysteries about where you got it. But about the thing itself. First, the wonderful dreams I used to have, after youâd shown me the first half of it! Why, my book on Atlantis, that I did, was the beginning of my fame and my fortune, too. And I got it all out of a dream! And then, âBritain at the Time of the Roman Invasionââthat was only a pamphlet, but it explained a lot of things people hadnât understood.â
âYes,â said Anthea, âit would.â
âThat was the beginning. But after youâd given me the whole of the Amuletâah, it was generous of you!âthen, somehow, I didnât need to theorize, I seemed to know about the old Egyptian civilization. And they canât upset my theoriesââhe rubbed his thin hands and laughed triumphantlyââthey canât, though theyâve tried. Theories, they call them, but theyâre more likeâI donât knowâmore like memories. I know Iâm right about the secret rites of the Temple of Amen.â
âIâm so glad youâre rich,â said Anthea. âYou werenât, you know, at Fitzroy Street.â
âIndeed I wasnât,â said he, âbut I am now. This beautiful house and this lovely gardenâI dig in it sometimes; you remember, you used to tell me to take more exercise? Well, I feel I owe it all to youâand the Amulet.â
âIâm so glad,â said Anthea, and kissed him. He started.
âThat didnât feel like a dream,â he said, and his voice trembled.
âIt isnât exactly a dream,â said Anthea softly, âitâs all part of the Amuletâitâs a sort of extra special, real dream, dear Jimmy.â
âAh,â said he, âwhen you call me that, I know Iâm dreaming. My little sisterâI dream of her sometimes. But itâs not real like this. Do you remember the day I dreamed you brought me the Babylonish ring?â
âWe remember it all,â said Robert. âDid you leave Fitzroy Street because you were too rich for it?â
âOh, no!â he said reproachfully. âYou know I should never have done such a thing as that. Of course,
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