Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Stolen Bacillus and Other Incidents by H. G. Wells (best books to read now .TXT) 📖
- Author: H. G. Wells
Book online «The Stolen Bacillus and Other Incidents by H. G. Wells (best books to read now .TXT) 📖». Author H. G. Wells
“Have I not served my Lord?” said Azuma-zi inaudibly, from his shadow, and the note of the great dynamo rang out full and clear. As he looked at the big whirling mechanism the strange fascination of it that had been a little in abeyance since Holroyd’s death resumed its sway.
Never had Azuma-zi seen a man killed so swiftly and pitilessly. The big humming machine had slain its victim without wavering for a second from its steady beating. It was indeed a mighty god.
The unconscious scientific manager stood with his back to him, scribbling on a piece of paper. His shadow lay at the foot of the monster.
“Was the Lord Dynamo still hungry? His servant was ready.”
Azuma-zi made a stealthy step forward; then stopped. The scientific manager suddenly stopped writing, and walked down the shed to the endmost of the dynamos, and began to examine the brushes.
Azuma-zi hesitated, and then slipped across noiselessly into the shadow by the switch. There he waited. Presently the manager’s footsteps could be heard returning. He stopped in his old position, unconscious of the stoker crouching ten feet away from him. Then the big dynamo suddenly fizzled, and in another moment Azuma-zi had sprung out of the darkness upon him.
First, the scientific manager was gripped round the body and swung towards the big dynamo, then, kicking with his knee and forcing his antagonist’s head down with his hands, he loosened the grip on his waist and swung round away from the machine. Then the black grasped him again, putting a curly head against his chest, and they swayed and panted as it seemed for an age or so. Then the scientific manager was impelled to catch a black ear in his teeth and bite furiously. The black yelled hideously.
They rolled over on the floor, and the black, who had apparently slipped from the vice of the teeth or parted with some ear—the scientific manager wondered which at the time—tried to throttle him. The scientific manager was making some ineffectual efforts to claw something with his hands and to kick, when the welcome sound of quick footsteps sounded on the floor. The next moment Azuma-zi had left him and darted towards the big dynamo. There was a splutter amid the roar.
The officer of the company who had entered, stood staring as Azuma-zi caught the naked terminals in his hands, gave one horrible convulsion, and then hung motionless from the machine, his face violently distorted.
“I’m jolly glad you came in when you did,” said the scientific manager, still sitting on the floor.
He looked at the still quivering figure. “It is not a nice death to die, apparently—but it is quick.”
The official was still staring at the body. He was a man of slow apprehension.
There was a pause.
The scientific manager got up on his feet rather awkwardly. He ran his fingers along his collar thoughtfully, and moved his head to and fro several times.
“Poor Holroyd! I see now.” Then almost mechanically he went towards the switch in the shadow and turned the current into the railway circuit again. As he did so the singed body loosened its grip upon the machine and fell forward on its face. The core of the dynamo roared out loud and clear, and the armature beat the air.
So ended prematurely the Worship of the Dynamo Deity, perhaps the most short-lived of all religions. Yet withal it could at least boast a Martyrdom and a Human Sacrifice.
THE HAMMERPOND PARK BURGLARY
It is a moot point whether burglary is to be considered as a sport, a trade, or an art. For a trade, the technique is scarcely rigid enough, and its claims to be considered an art are vitiated by the mercenary element that qualifies its triumphs. On the whole it seems to be most justly ranked as sport, a sport for which no rules are at present formulated, and of which the prizes are distributed in an extremely informal manner. It was this informality of burglary that led to the regrettable extinction of two promising beginners at Hammerpond Park.
The stakes offered in this affair consisted chiefly of diamonds and other personal bric-`-brac belonging to the newly married Lady Aveling. Lady Aveling, as the reader will remember, was the only daughter of Mrs Montague Pangs, the well-known hostess. Her marriage to Lord Aveling was extensively advertised in the papers, the quantity and quality of her wedding presents, and the fact that the honeymoon was to be spent at Hammerpond. The announcement of these valuable prizes created a considerable sensation in the small circle in which Mr Teddy Watkins was the undisputed leader, and it was decided that, accompanied by a duly qualified assistant, he should visit the village of Hammerpond in his professional capacity.
Being a man of naturally retiring and modest disposition, Mr Watkins determined to make this visit incog., and after due consideration of the conditions of his enterprise, he selected the role of a landscape artist and the unassuming surname of Smith. He preceded his assistant, who, it was decided, should join him only on the last afternoon of his stay at Hammerpond. Now the village of Hammerpond is perhaps one of the prettiest little corners in Sussex; many thatched houses still survive, the flint-built church with its tall spire nestling under the down is one of the finest and least restored in the county, and the beech-woods and bracken jungles through which the road runs to the great house are singularly rich in what the vulgar artist and photographer call “bits.” So that Mr Watkins, on his arrival with two virgin canvases, a brand-new easel, a paint-box, portmanteau, an ingenious little ladder made in sections (after the pattern of the late lamented master Charles Peace), crowbar, and wire coils, found himself welcomed with effusion and some curiosity by half-a-dozen other brethren of the brush. It rendered the disguise he had chosen unexpectedly plausible, but it inflicted upon him a considerable amount of aesthetic conversation for which he was very imperfectly prepared.
“Have you exhibited very much?” said Young Porson in the bar-parlour of the “Coach and Horses,” where Mr Watkins was skilfully accumulating local information on the night of his arrival.
“Very little,” said Mr Watkins, “just a snack here and there.”
“Academy?”
“In course. And the Crystal Palace.”
“Did they hang you well?” said Porson.
“Don’t rot,” said Mr Watkins; “I don’t like it.”
“I mean did they put you in a good place?”
“Whadyer mean?” said Mr Watkins suspiciously. “One ‘ud think you were trying to make out I’d been put away.”
Porson had been brought up by aunts, and was a gentlemanly young man even for an artist; he did not know what being “put away” meant, but he thought it best to explain that he
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