The Beautiful and the Damned by F. Scott Fitzgerald (summer beach reads .txt) 📖

maps plastered his walls; atlases were piled deep on tables convenient to his hand together with “Photographic Histories of the World War,” official Explain-alls, and the “Personal Impressions” of war correspondents and of Privates X, Y, and Z. Several times during Anthony’s visit his grandfather’s secretary, Edward Shuttleworth, the one-time “Accomplished Gin-physician” of “Pat’s Place” in Hoboken, now shod with righteous indignation, would appear with an extra. The old man attacked each paper with untiring fury, tearing out those columns which appeared to him of sufficient pregnancy for preservation and thrusting them into one of his already bulging files.

“Well, what have you been doing?” he asked Anthony blandly. “Nothing? Well, I thought so. I’ve been intending to drive over and see you, all summer.”

“I’ve been writing. Don’t you remember the essay I sent you—the one I sold to The Florentine last winter?”

“Essay? You never sent me any essay.”

“Oh, yes, I did. We talked about it.”

Adam Patch shook his head mildly.

“Oh, no. You never sent me any essay. You may have thought you sent it but it never reached me.”

“Why, you read it, Grampa,” insisted Anthony, somewhat exasperated, “you read it and disagreed with it.”

The old man suddenly remembered, but this was made apparent only by a partial falling open of his mouth, displaying rows of gray gums. Eying Anthony with a green and ancient stare he hesitated between confessing his error and covering it up.

“So you’re writing,” he said quickly. “Well, why don’t you go over and write about these Germans? Write something real, something about what’s going on, something people can read.”

“Anybody can’t be a war correspondent,” objected Anthony. “You have to have some newspaper willing to buy your stuff. And I can’t spare the money to go over as a freelance.”

“I’ll send you over,” suggested his grandfather surprisingly. “I’ll get you over as an authorized correspondent of any newspaper you pick out.”

Anthony recoiled from the idea—almost simultaneously he bounded toward it.

“I—don’t—know—”

He would have to leave Gloria, whose whole life yearned toward him and enfolded him. Gloria was in trouble. Oh, the thing wasn’t feasible—yet—he saw himself in khaki, leaning, as all war correspondents lean, upon a heavy stick, portfolio at shoulder—trying to look like an Englishman. “I’d like to think it over,” he, confessed. “It’s certainly very kind of you. I’ll think it over and I’ll let you know.”

Thinking it over absorbed him on the journey to New York. He had had one of those sudden flashes of illumination vouchsafed to all men who are dominated by a strong and beloved woman, which show them a world of harder men, more fiercely trained and grappling with the abstractions of thought and war. In that world the arms of Gloria would exist only as the hot embrace of a chance mistress, coolly sought and quickly forgotten….

These unfamiliar phantoms were crowding closely about him when he boarded his train for Marietta, in the Grand Central Station. The car was crowded; he secured the last vacant seat and it was only after several minutes that he gave even a casual glance to the man beside him. When he did he saw a heavy lay of jaw and nose, a curved chin and small, puffed-under eyes. In a moment he recognized Joseph Bloeckman.

Simultaneously they both half rose, were half embarrassed, and exchanged what amounted to a half handshake. Then, as though to complete the matter, they both half laughed.

“Well,” remarked Anthony without inspiration, “I haven’t seen you for a long time.” Immediately he regretted his words and started to add: “I didn’t know you lived out this way.” But Bloeckman anticipated him by asking pleasantly:

“How’s your wife? …”

“She’s very well. How’ve you been?”

“Excellent.” His tone amplified the grandeur of the word.

It seemed to Anthony that during the last year Bloeckman had grown tremendously in dignity. The boiled look was gone, he seemed “done” at last. In addition he was no longer overdressed. The inappropriate facetiousness he had affected in ties had given way to a sturdy dark pattern, and his right hand, which had formerly displayed two heavy rings, was now innocent of ornament and even without the raw glow of a manicure.

This dignity appeared also in his personality. The last aura of the successful travelling-man had faded from him, that deliberate ingratiation of which the lowest form is the bawdy joke in the Pullman smoker. One imagined that, having been fawned upon financially, he had attained aloofness; having been snubbed socially, he had acquired reticence. But whatever had given him weight instead of bulk, Anthony no longer felt a correct superiority in his presence.

“D’you remember Caramel, Richard Caramel? I believe you met him one night.”

“I remember. He was writing a book.”

“Well, he sold it to the movies. Then they had some scenario man named Jordan work on it. Well, Dick subscribes to a clipping bureau and he’s furious because about half the movie reviewers speak of the ‘power and strength of William Jordan’s “Demon Lover.”’ Didn’t mention old Dick at all. You’d think this fellow Jordan had actually conceived and developed the thing.”

Bloeckman nodded comprehensively.

“Most of the contracts state that the original writer’s name goes into all the paid publicity. Is Caramel still writing?”

“Oh, yes. Writing hard. Short stories.”

“Well, that’s fine, that’s fine…. You on this train often?”

“About once a week. We live in Marietta.”

“Is that so? Well, well! I live near Cos Cob myself. Bought a place there only recently. We’re only five miles apart.”

“You’ll have to come and see us.” Anthony was surprised at his own courtesy. “I’m sure Gloria’d be delighted to see an old friend. Anybody’ll tell you where the house is—it’s our second season there.”

“Thank you.” Then, as though returning a complementary politeness: “How is your grandfather?”

“He’s been well. I had lunch with him to-day.”

“A great character,” said Bloeckman severely. “A fine example of an American.”

THE TRIUMPH OF LETHARGY

Anthony found his wife deep in the porch hammock voluptuously engaged with a lemonade and a tomato sandwich and carrying on an apparently cheery conversation with Tana upon one of Tana’s complicated themes.

“In my countree,” Anthony recognized his invariable preface, “all time—peoples—eat rice—because haven’t got. Cannot eat what no have got.” Had his nationality not been desperately apparent one would have thought he had acquired his knowledge of his native land from American primary-school geographies.

When the Oriental had been squelched and dismissed to the kitchen, Anthony turned questioningly to Gloria:

“It’s all right,” she announced, smiling broadly. “And it surprised me more than it does you.”

“There’s no doubt?”

“None! Couldn’t be!”

They rejoiced happily, gay again with reborn irresponsibility. Then he told her of his opportunity to go abroad, and that he was almost ashamed to reject it.

“What do you think? Just tell me frankly.”

“Why, Anthony!” Her eyes were startled. “Do you want to go? Without me?”

His face fell—yet he knew, with his wife’s question, that it was too late. Her arms, sweet and strangling, were around him, for he had made all such choices back in that room in the Plaza the year before. This was an anachronism from an age of such dreams.

“Gloria,” he lied, in a great burst of comprehension, “of course I don’t. I was thinking you might go as a nurse or something.” He wondered dully if his grandfather would consider this.

As she smiled he realized again how beautiful she was, a gorgeous girl of miraculous freshness and sheerly honorable eyes. She embraced his suggestion with luxurious intensity, holding it aloft like a sun of her own making and basking in its beams. She strung together an amazing synopsis for an extravaganza of martial adventure.

After supper, surfeited with the subject, she yawned. She wanted not to talk but only to read “Penrod,” stretched upon the lounge until at midnight she fell asleep. But Anthony, after he had carried her romantically up the stairs, stayed awake to brood upon the day, vaguely angry with her, vaguely dissatisfied.

“What am I going to do?” he began at breakfast. “Here we’ve been married a year and we’ve just worried around without even being efficient people of leisure.”

“Yes, you ought to do something,” she admitted, being in an agreeable and loquacious humor. This was not the first of these discussions, but as they usually developed Anthony in the r�le of protagonist, she had come to avoid them.

“It’s not that I have any moral compunctions about work,” he continued, “but grampa may die to-morrow and he may live for ten years. Meanwhile we’re living above our income and all we’ve got to show for it is a farmer’s car and a few clothes. We keep an apartment that we’ve only lived in three months and a little old house way off in nowhere. We’re frequently bored and yet we won’t make any effort to know any one except the same crowd who drift around California all summer wearing sport clothes and waiting for their families to die.”

“How you’ve changed!” remarked Gloria. “Once you told me you didn’t see why an American couldn’t loaf gracefully.”

“Well, damn it, I wasn’t married. And the old mind was working at top speed and now it’s going round and round like a cog-wheel with nothing to catch it. As a matter of fact I think that if I hadn’t met you I would have done something. But you make leisure so subtly attractive—”

“Oh, it’s all my fault—”

“I didn’t mean that, and you know I didn’t. But here I’m almost twenty-seven and—”

“Oh,” she interrupted in vexation, “you make me tired! Talking as though I were objecting or hindering you!”

“I was just discussing it, Gloria. Can’t I discuss—”

“I should think you’d be strong enough to settle—”

“—something with you without—”

“—your own problems without coming to me. You talk a lot about going to work. I could use more money very easily, but I’m not complaining. Whether you work or not I love you.” Her last words were gentle as fine snow upon hard ground. But for the moment neither was attending to the other—they were each engaged in polishing and perfecting his own attitude.

“I have worked—some.” This by Anthony was an imprudent bringing up of raw reserves. Gloria laughed, torn between delight and derision; she resented his sophistry as at the same time she admired his nonchalance. She would never blame him for being the ineffectual idler so long as he did it sincerely, from the attitude that nothing much was worth doing.

“Work!” she scoffed. “Oh, you sad bird! You bluffer! Work—that means a great arranging of the desk and the lights, a great sharpening of pencils, and ‘Gloria, don’t sing!’ and ‘Please keep that damn Tana away from me,’ and ‘Let me read you my opening sentence,’ and ‘I won’t be through for a long time, Gloria, so don’t stay up for me,’ and a tremendous consumption of tea or coffee. And that’s all. In just about an hour I hear the old pencil stop scratching and look over. You’ve got out a book and you’re ‘looking up’ something. Then you’re reading. Then yawns—then bed and a great tossing about because you’re all full of caffeine and can’t sleep. Two weeks later the whole performance over again.”

With much difficulty Anthony retained a scanty breech-clout of dignity.

“Now that’s a slight exaggeration. You know darn well I sold an essay to The Florentine—and it attracted a lot of attention considering the circulation of The Florentine. And what’s more, Gloria, you know I sat up till five o’clock in the morning finishing it.”

She lapsed into silence, giving him rope. And if he had not hanged himself he had certainly come to the end of it.

“At