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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Serapis — Complete by Georg Ebers (books to read in your 20s .txt) 📖

Book online «Serapis — Complete by Georg Ebers (books to read in your 20s .txt) 📖». Author Georg Ebers



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stone is the object of our adoration. The god does not descend to inform the statue; but the statue is made after the Idea figured forth by the divinity it is intended to represent; and through that Idea the image is as intimately connected with the Godhead, as, by the bond of Soul, everything else that is manifest to our senses is connected with the phenomena of the supersensuous World. But this is beyond you; it will be enough for you if I assure you that the statue of Demeter, with the sheaf in her arms, is only intended to remind us to be grateful to the Divinity for our daily bread—a hymn of praise to Apollo expresses our thanks to the Primal One for the wings of music and song, on which our soul is borne upwards till it feels the very presence of the Most High. These are names, mere names that divide us; but if you were called anything else than Agne—Ismene, for instance, or Eudoxia—would you be at all different from what you are?—There you see—no, stay where you are—you must listen while I tell you that Isis, the much—maligned Isis, is nothing and represents nothing but the kindly influences of the Divinity, on nature and on human life. What she embodies to us is the abstraction which you call the loving-kindness of the Father, revealed in his manifold gifts, wherever we turn our eyes. The image of Isis reminds us of the lavish bounties of the Creator, just as you are reminded by the cross, the fish, and the lamb, of your Redeemer. Isis is the earth from whose maternal bosom the creative God brings forth food and comfort for man and beast; she is the tender yearning which He implants in the hearts of the lover and the beloved one; she is the bond of affection which unites husband and wife, brother and sister, which is rapture to the mother with a child at her breast and makes her ready and able for any sacrifice for the darling she has brought into the world. She shines, a star in the midnight sky, giving comfort to the sorrowing heart; she, who has languished in grief, pours balm into the wounded souls of the desolate and bereaved, and gives health and refreshment to the suffering. When nature pines in winter cold or in summer drought and lacks power to revive, when the sun is darkened, when lies and evil instincts alienate the soul from its pure first cause, then Isis uplifts her complaint, calling on her husband, Osiris, to return, to take her once more in his arms and fill her with new powers, to show the benevolence of God once more to the earth and to us men. You have learnt that lament; and when you sing it at her festival, picture yourself as standing with the Mother of Sorrows—the mother of your crucified divinity, by his open grave, and cry to your God that he may let him rise from the dead.”

Olympius spoke the last words with excited enthusiasm as though he were certain of the young girl’s consent; but the effect was not what he counted on; for Agne, who had listened to him, so far, with increasing agitation, setting herself against his arguments like a bird under the fascinating glare of the snake’s eye, at this last address seemed suddenly to shake off the spell of his seductive eloquence as the leaves drop from the crown of a tree shaken by the blast; the ideas of her Saviour and of the hymn she was to sing were utterly irreconcilable in her mind; she remembered the struggle she had fought out during the night, and the determination with which she had come to the house this morning. All the insidious language she had just heard was forgotten, swept away like dust from a rocky path, and her voice was firmly repellent as she said:

“Your Isis has nothing in common with the Mother of our God, and how can you dare to compare your Osiris with the Lord who redeemed the world from death?”

Olympius, startled at the decision of her tone, rose from his seat, but he went on, as though he had expected this refusal:

“I will tell you—I will show you. Osiris—we will take him as being an Egyptian god, instead of Serapis in whose mysterious attributes you would find much to commend itself even to a Christian soul—Osiris, like your Master, voluntarily passed through death—to redeem the world from death—in this resembling your Christ. He, the Risen One, gives new light, and life, and blossom, and verdure to all that is darkened, dead and withered. All that seems to have fallen a prey to death is, by him, restored to a more beautiful existence; he, who has risen again, can bring even the departed soul to a resurrection; and when during this life its high aims have kept it unspotted by the dust of the sensual life, and he, as the judge, sees that it has preserved itself worthy of its pure First Cause, he allows it to return to the eternal and supreme Spirit whence it originally proceeded.

“And do not you, too, strive after purification, to the end that your soul may find an everlasting home in the radiant realms? Again and again do we meet with the same ideas, only they bear different forms and names. Try to feel the true bearing of my words, and then you will gladly join in the pathetic appeal to the sublime god to return. How like he is to your Lord! Is he not, like your Christ, a Saviour, and risen from the dead? The Temple or the Church—both are the sanctuaries of the Deity. By the ivy-wreathed altar of the weeping goddess, at the foot of the tall cypresses which cast their mysterious shadows on the snowy whiteness of the marble steps on which lies the bier of the god, you will feel the sacred awe which falls upon every pure soul when it is conscious of the presence of the Deity—call Him what you will.

“Isis, whom you now know, and who is neither more nor less than a personification of divine mercy, will make you a return by restoring you to the freedom for which you pine. She will allow you to find a home in some Christian house through our intervention, in acknowledgment of the pious service you are rendering, not to her but to the faith in divine goodness. There you may live with your little brother, as free as heart can desire. To-morrow you will go with Gorgo to the temple of the goddess ...”

But Agne broke in on his speech: “No, I will not go with her!”

Her cheeks were scarlet and her breath came short and fast with excitement as she went on:

“I will not, I must not, I cannot! Do what you will with me: sell me and my brother, put us to turn a mill—but I will not sing in the temple!”

Olympius knit his brows; his beard quivered and his lips parted in wrath, but he controlled himself and going close to the girl he laid his hand on her shoulder and said in a deep grave tone of fatherly admonition:

“Reflect, child, pause; think over what I have been saying to you; remember, too, what you owe the little one you love, and to-morrow morning tell us that you have duly weighed your answer. Give me your hand, my daughter; believe me, Olympius is one of your sincerest well-wishers.”

He turned his back on her and was going in doors. In front of the house Porphyrius and Karnis were standing in eager colloquy. The news that Marcus’ mother Mary had sent for Herse had reached the singer, and his vivid fancy painted his wife as surrounded by a thousand perils, threatened by the widow, and carried before the judges. The merchant advised him to wait and see what came of it, as did Damia and Gorgo who

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