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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Works of Edgar Allan Poe — Volume 4 by Edgar Allan Poe (e book reader android txt) 📖

Book online «The Works of Edgar Allan Poe — Volume 4 by Edgar Allan Poe (e book reader android txt) 📖». Author Edgar Allan Poe



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> so he never lets go of his game.

Ingenuity:—Your diddler is ingenious. He has constructiveness large. He understands plot. He invents and circumvents. Were he not Alexander he would be Diogenes. Were he not a diddler, he would be a maker of patent rat-traps or an angler for trout.

Audacity:—Your diddler is audacious.—He is a bold man. He carries the war into Africa. He conquers all by assault. He would not fear the daggers of Frey Herren. With a little more prudence Dick Turpin would have made a good diddler; with a trifle less blarney, Daniel O’Connell; with a pound or two more brains, Charles the Twelfth.

Nonchalance:—Your diddler is nonchalant. He is not at all nervous. He never had any nerves. He is never seduced into a flurry. He is never put out—unless put out of doors. He is cool—cool as a cucumber. He is calm—“calm as a smile from Lady Bury.” He is easy—easy as an old glove, or the damsels of ancient Baiæ.

Originality:—Your diddler is original—conscientiously so. His thoughts are his own. He would scorn to employ those of another. A stale trick is his aversion. He would return a purse, I am sure, upon discovering that he had obtained it by an unoriginal diddle.

Impertinence:—Your diddler is impertinent. He swaggers. He sets his arms a-kimbo. He thrusts his hands in his trowsers’ pockets. He sneers in your face. He treads on your corns. He eats your dinner, he drinks your wine, he borrows your money, he pulls your nose, he kicks your poodle, and he kisses your wife.

Grin:—Your true diddler winds up all with a grin. But this nobody sees but himself. He grins when his daily work is done—when his allotted labors are accomplished—at night in his own closet, and altogether for his own private entertainment. He goes home. He locks his door. He divests himself of his clothes. He puts out his candle. He gets into bed. He places his head upon the pillow. All this done, and your diddler grins. This is no hypothesis. It is a matter of course. I reason à priori, and a diddle would be no diddle without a grin.

The origin of the diddle is referrable to the infancy of the Human Race. Perhaps the first diddler was Adam. At all events, we can trace the science back to a very remote period of antiquity. The moderns, however, have brought it to a perfection never dreamed of by our thick-headed progenitors. Without pausing to speak of the “old saws,” therefore, I shall content myself with a compendious account of some of the more “modern instances.”

A very good diddle is this. A housekeeper in want of a sofa, for instance, is seen to go in and out of several cabinet warehouses. At length she arrives at one offering an excellent variety. She is accosted, and invited to enter, by a polite and voluble individual at the door. She finds a sofa well adapted to her views, and upon inquiring the price, is surprised and delighted to hear a sum named at least twenty per cent. lower than her expectations. She hastens to make the purchase, gets a bill and receipt, leaves her address, with a request that the article be sent home as speedily as possible, and retires amid a profusion of bows from the shopkeeper. The night arrives and no sofa. A servant is sent to make inquiry about the delay. The whole transaction is denied. No sofa has been sold—no money received—except by the diddler, who played shop-keeper for the nonce.

Our cabinet warehouses are left entirely unattended, and thus afford every facility for a trick of this kind. Visitors enter, look at furniture, and depart unheeded and unseen. Should any one wish to purchase, or to inquire the price of an article, a bell is at hand, and this is considered amply sufficient.

Again, quite a respectable diddle is this. A well-dressed individual enters a shop, makes a purchase to the value of a dollar; finds, much to his vexation, that he has left his pocket-book in another coat pocket; and so says to the shopkeeper—

“My dear sir, never mind; just oblige me, will you, by sending the bundle home? But stay! I really believe that I have nothing less than a five dollar bill, even there. However, you can send four dollars in change with the bundle, you know.”

“Very good, sir,” replies the shop-keeper, who entertains, at once, a lofty opinion of the high-mindedness of his customer. “I know fellows,” he says to himself, “who would just have put the goods under their arm, and walked off with a promise to call and pay the dollar as they came by in the afternoon.”

A boy is sent with the parcel and change. On the route, quite accidentally, he is met by the purchaser, who exclaims:

“Ah! This is my bundle, I see—I thought you had been home with it, long ago. Well, go on! My wife, Mrs. Trotter, will give you the five dollars—I left instructions with her to that effect. The change you might as well give to me—I shall want some silver for the Post Office. Very good! One, two, is this a good quarter?—three, four—quite right! Say to Mrs. Trotter that you met me, and be sure now and do not loiter on the way.”

The boy doesn’t loiter at all—but he is a very long time in getting back from his errand—for no lady of the precise name of Mrs. Trotter is to be discovered. He consoles himself, however, that he has not been such a fool as to leave the goods without the money, and re-entering his shop with a self-satisfied air, feels sensibly hurt and indignant when his master asks him what has become of the change.

A very simple diddle, indeed, is this. The captain of a ship, which is about to sail, is presented by an official looking person with an unusually moderate bill of city charges. Glad to get off so easily, and confused by a hundred duties pressing upon him all at once, he discharges the claim forthwith. In about fifteen minutes, another and less reasonable bill is handed him by one who soon makes it evident that the first collector was a diddler, and the original collection a diddle.

And here, too, is a somewhat similar thing. A steamboat is casting loose from the wharf. A traveller, portmanteau in hand, is discovered running toward the wharf, at full speed. Suddenly, he makes a dead halt, stoops, and picks up something from the ground in a very agitated manner. It is a pocket-book, and—“Has any gentleman lost a pocketbook?” he cries. No one can say that he has exactly lost a pocket-book; but a great excitement ensues, when the treasure trove is found to be of value. The boat, however, must not be detained.

“Time and tide wait for no man,” says the captain.

“For God’s sake, stay only a few minutes,” says the finder of the book—“the true claimant will presently appear.”

“Can’t wait!” replies the man in authority; “cast off there, d’ye hear?”

“What am I to do?” asks the finder, in great tribulation. “I am about to leave the country for some years, and I cannot conscientiously retain this large amount in my possession. I beg your pardon, sir,” [here he addresses a gentleman on shore,] “but you have the air of an honest man. Will you confer upon me the favor of taking charge of this pocket-book—I know I can trust you—and of advertising it? The notes, you see, amount to

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