Rise and Fall of Cesar Birotteau by Honoré de Balzac (classic books to read .TXT) 📖

you."

Birotteau was so intoxicated by compliments that he did not comprehend her meaning; but his wife colored, and was at a loss how to reply.

"This is a national fete which does you honor," said Camusot.

"I have seldom seen such a ball," said Monsieur de la Billardiere, to whom an official falsehood was of no consequence.

Birotteau took all these compliments seriously.

"What an enchanting scene! What a fine orchestra! Will you often give us a ball?" said Madame Lebas.

"What a charming appartement! Is this your own taste?" said Madame Desmarets.

Birotteau ventured on a fib, and allowed her to suppose that he had designed it.

Cesarine, who was asked, of course, for all the dances, understood very well Anselme's delicacy in that matter.

"If I thought only of my own wishes," he had whispered as they left the dinner-table, "I should beg you to grant me the favor of a quadrille; but my happiness would be too costly to our mutual self-love."

Cesarine, who thought all men walked ungracefully if they stood straight on their legs, was resolved to open the ball with Popinot. Popinot, emboldened by his aunt, who told him to dare all, ventured to tell his love to the charming girl, during the pauses of the quadrille, using, however, the roundabout terms of a timid lover.

"My fortune depends on you, mademoiselle."

"And how?"

"There is but one hope that can enable me to make it."

"Then hope."

"Do you know what you have said to me in those two words?" murmured Popinot.

"Hope for fortune," said Cesarine, with an arch smile.

"Gaudissart! Gaudissart!" exclaimed Anselme, when the quadrille was over, pressing the arm of his friend with Herculean force. "Succeed, or I'll blow my brains out! Success, and I shall marry Cesarine! she has told me so: see how lovely she is!"

"Yes, she is prettily tricked out," said Gaudissart, "and rich. We'll fry her in oil."

The good understanding between Mademoiselle Lourdois and Alexandre Crottat, the promised successor to Roguin, was noticed by Madame Birotteau, who could not give up without a pang the hope of seeing her daughter the wife of a notary of Paris.

Uncle Pillerault, who had exchanged bows with little Molineux, seated himself in an armchair near the bookshelves. He looked at the card-players, listened to the conversations, and went to the doorway every now and then to watch the oscillating bouquet of flowers formed by the circling heads of the dancers in the _moulinet_. The expression of his face was that of a true philosopher. The men were dreadful,--all, that is, except du Tillet, who had acquired the manners of the great world, little La Billardiere, a budding fashionable, Monsieur Desmarets, and the official personages. But among all the faces, more or less comical, from which the assemblage took its character, there was one that was particularly washed-out, like a five-franc piece of the Republic, and whose owner's apparel rendered him a curiosity. We guess at once the little tyrant of the Cour Batave, arrayed with linen yellowed by lying by in a cupboard, and exhibiting to the eye a shirt-frill of lace that had been an heirloom, fastened with a bluish cameo set as a pin; he wore short black-silk breeches which revealed the skinny legs on which he boldly stood. Cesar showed him, triumphantly, the four rooms constructed by the architect out of the first floors of the two houses.

"Hey! hey! Well, it is your affair, Monsieur Birotteau," said Molineux. "My first floor thus improved will be worth more than three thousand francs to me."

Birotteau answered with a jest; but he was pricked as if with a pin at the tone in which the little old man had pronounced the words.

"I shall soon have my first floor back again; the man will ruin himself." Such was the real meaning of the speech which Molineux delivered like the scratch of a claw.

The sallow face and vindictive eye of the old man struck du Tillet, whose attention had first been attracted by a watch-chain from which hung a pound of jingling gew-gaws, and by a green coat with a collar whimsically cocked up, which gave the old man the semblance of a rattlesnake. The banker approached the usurer to find out how and why he had thus bedizened himself.

"There, monsieur," said Molineux, planting one foot in the boudoir, "I stand upon the property of Monsieur le Comte de Grandville; but here," he added, showing the other, "I stand upon my own. I am the owner of this house."

Molineux was so ready to lend himself to any one who would listen to him, and so delighted by du Tillet's attentive manner, that he gave a sketch of his life, related his habits and customs, told the improper conduct of the Sieur Gendrin, and, finally, explained all his arrangements with the perfumer, without which, he said, the ball could not have been given.

"Ah! Monsieur Cesar let you settle the lease?" said du Tillet. "It is contrary to his habits."

"Oh! I asked it of him. I am good to my tenants."

"If Pere Birotteau fails," thought du Tillet, "this little imp would make an excellent assignee. His sharpness is invaluable; when he is alone he must amuse himself by catching flies, like Domitian."

Du Tillet went to the card-table, where Claparon was already stationed, under orders; Ferdinand thought that under shelter of a game of _bouillotte_ his counterfeit banker might escape notice. Their demeanor to each other was that of two strangers, and the most suspicious man could have detected nothing that betrayed an understanding between them. Gaudissart, who knew the career of Claparon, dared not approach him after receiving a solemnly frigid glance from the promoted commercial traveller which warned him that the upstart banker was not to be recognized by any former comrade. The ball, like a brilliant rocket, was extinguished by five o'clock in the morning. At that hour only some forty hackney-coaches remained, out of the hundred or more which had crowded the Rue Saint-Honore. Within, they were dancing the _boulangere_, which has since been dethroned by the cotillon and the English galop. Du Tillet, Roguin, Cardot junior, the Comte de Grandville, and Jules Desmarets were playing at _bouillotte_. Du Tillet won three thousand francs. The day began to dawn, the wax lights paled, the players joined the dancers for a last quadrille. In such houses the final scenes of a ball never pass off without some impropriety. The dignified personages have departed; the intoxication of dancing, the heat of the atmosphere, the spirits concealed in the most innocent drinks, have mellowed the angularities of the old women, who good-naturedly join in the last quadrille and lend themselves to the excitement of the moment; the men are heated, their hair, lately curled, straggles down their faces, and gives them a grotesque expression which excites laughter; the young women grow volatile, and a few flowers drop from their garlands. The bourgeois Momus appears, followed by his revellers. Laughs ring loudly; all present surrender to the amusement of the moment, knowing that on the morrow toil will resume its sway. Matifat danced with a woman's bonnet on his head; Celestin called the figures of the interminable country dance, and some of the women beat their hands together excitedly at the words of command.

"How they do amuse themselves!" cried the happy Birotteau.

"I hope they won't break anything," said Constance to her uncle.

"You have given the most magnificent ball I have ever seen, and I have seen many," said du Tillet, bowing to his old master.

Among the eight symphonies of Beethoven there is a theme, glorious as a poem, which dominates the finale of the symphony in C minor. When, after slow preparations by the sublime magician, so well understood by Habeneck, the enthusiastic leader of an orchestra raises the rich veil with a motion of his hand and calls forth the transcendent theme towards which the powers of music have all converged, poets whose hearts have throbbed at those sounds will understand how the ball of Cesar Birotteau produced upon his simple being the same effect that this fecund harmony wrought in theirs,--an effect to which the symphony in C minor owes its supremacy over its glorious sisters. A radiant fairy springs forward, lifting high her wand. We hear the rustle of the violet silken curtains which the angels raise. Sculptured golden doors, like those of the baptistery at Florence, turn on their diamond hinges. The eye is lost in splendid vistas: it sees a long perspective of rare palaces where beings of a loftier nature glide. The incense of all prosperities sends up its smoke, the altar of all joy flames, the perfumed air circulates! Beings with divine smiles, robed in white tunics bordered with blue, flit lightly before the eyes and show us visions of supernatural beauty, shapes of an incomparable delicacy. The Loves hover in the air and waft the flames of their torches! We feel ourselves beloved; we are happy as we breathe a joy we understand not, as we bathe in the waves of a harmony that flows for all, and pours out to all the ambrosia that each desires. We are held in the grasp of our secret hopes which are realized, for an instant, as we listen. When he has led us through the skies, the great magician, with a deep mysterious transition of the basses, flings us back into the marshes of cold reality, only to draw us forth once more when, thirsting for his divine melodies, our souls cry out, "Again! Again!" The psychical history of that rare moment in the glorious finale of the C minor symphony is also that of the emotions excited by this fete in the souls of Cesar and of Constance. The flute of Collinet sounded the last notes of their commercial symphony.

Weary, but happy, the Birotteaus fell asleep in the early morning amid echoes of the fete,--which for building, repairs, furnishing, suppers, toilets, and the library (repaid to Cesarine), cost not less, though Cesar was little aware of it, than sixty thousand francs. Such was the price of the fatal red ribbon fastened by the king to the buttonhole of an honest perfumer. If misfortunes were to overtake Cesar Birotteau, this mad extravagance would be sufficient to arraign him before the criminal courts. A merchant is amenable to the laws if, in the event of bankruptcy, he is shown to have been guilty of "excessive expenditure." It is perhaps more dreadful to go before the lesser courts charged with folly or blundering mistakes, than before the Court of Assizes for an enormous fraud. In the eyes of some people, it is better to be criminal than a fool.



PART II. CESAR GRAPPLING WITH MISFORTUNE

I

Eight days after his ball, the last dying flash of a prosperity of eighteen years now about to be extinguished, Cesar Birotteau watched the passers-by from the windows of his shop, thinking over the expansion of his affairs, and beginning to find them burdensome. Until then all had been simple in his life; he manufactured and sold, or bought to sell again. To-day the land speculation, his share in the house of A. Popinot and Company, the repayment of the hundred and sixty thousand francs thrown upon the market, which necessitated either a traffic in promissory notes (of which his wife would disapprove), or else some unheard-of success in Cephalic Oil, all fretted the poor man by the multiplicity of ideas which they involved; he felt he had more irons in the fire than he could lay hold of. How would Anselme guide