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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Tom Tiddler's Ground by Charles Dickens (manga ereader .txt) 📖

Book online «Tom Tiddler's Ground by Charles Dickens (manga ereader .txt) 📖». Author Charles Dickens



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man--even behind bars, in a blanket and skewer--should tell me that he can see, from day to day, any orders or conditions of men, women, or children, who can by any possibility teach him that it is anything but the miserablest drivelling for a human creature to quarrel with his social nature--not to go so far as to say, to renounce his common human decency, for that is an extreme case; or who can teach him that he can in any wise separate himself from his kind and the habits of his kind, without becoming a deteriorated spectacle calculated to give the Devil (and perhaps the monkeys) pleasure,--is something wonderful! I repeat," said Mr. Traveller, beginning to smoke, "the unreasoning hardihood of it is something wonderful--even in a man with the dirt upon him an inch or two thick--behind bars--in a blanket and skewer!"

The Hermit looked at him irresolutely, and retired to his soot and cinders and lay down, and got up again and came to the bars, and again looked at him irresolutely, and finally said with sharpness: "I don't like tobacco."

"I don't like dirt," rejoined Mr. Traveller; "tobacco is an excellent disinfectant. We shall both be the better for my pipe. It is my intention to sit here through this summer day, until that blessed summer sun sinks low in the west, and to show you what a poor creature you are, through the lips of every chance wayfarer who may come in at your gate."

"What do you mean?" inquired the Hermit, with a furious air.

"I mean that yonder is your gate, and there are you, and here am I; I mean that I know it to be a moral impossibility that any person can stray in at that gate from any point of the compass, with any sort of experience, gained at first hand, or derived from another, that can confute me and justify you."

"You are an arrogant and boastful hero," said the Hermit. "You think yourself profoundly wise."

"Bah!" returned Mr. Traveller, quietly smoking. "There is little wisdom in knowing that every man must be up and doing, and that all mankind are made dependent on one another."

"You have companions outside," said the Hermit. "I am not to be imposed upon by your assumed confidence in the people who may enter."

"A depraved distrust," returned the visitor, compassionately raising his eyebrows, "of course belongs to your state, I can't help that."

"Do you mean to tell me you have no confederates?"

"I mean to tell you nothing but what I have told you. What I have told you is, that it is a moral impossibility that any son or daughter of Adam can stand on this ground that I put my foot on, or on any ground that mortal treads, and gainsay the healthy tenure on which we hold our existence."

"Which is," sneered the Hermit, "according to you--"

"Which is," returned the other, "according to Eternal Providence, that we must arise and wash our faces and do our gregarious work and act and re- act on one another, leaving only the idiot and the palsied to sit blinking in the corner. Come!" apostrophising the gate. "Open Sesame! Show his eyes and grieve his heart! I don't care who comes, for I know what must come of it!"

With that, he faced round a little on his billet of wood towards the gate; and Mr. Mopes, the Hermit, after two or three ridiculous bounces of indecision at his bed and back again, submitted to what he could not help himself against, and coiled himself on his window-ledge, holding to his bars and looking out rather anxiously.


CHAPTER VI--PICKING UP MISS KIMMEENS {1}

The day was by this time waning, when the gate again opened, and, with the brilliant golden light that streamed from the declining sun and touched the very bars of the sooty creature's den, there passed in a little child; a little girl with beautiful bright hair. She wore a plain straw hat, had a door-key in her hand, and tripped towards Mr. Traveller as if she were pleased to see him and were going to repose some childish confidence in him, when she caught sight of the figure behind the bars, and started back in terror.

"Don't be alarmed, darling!" said Mr. Traveller, taking her by the hand.

"Oh, but I don't like it!" urged the shrinking child; "it's dreadful."

"Well! I don't like it either," said Mr. Traveller.

"Who has put it there?" asked the little girl. "Does it bite?"

"No,--only barks. But can't you make up your mind to see it, my dear?" For she was covering her eyes.

"O no no no!" returned the child. "I cannot bear to look at it!"

Mr. Traveller turned his head towards his friend in there, as much as to ask him how he liked that instance of his success, and then took the child out at the still open gate, and stood talking to her for some half an hour in the mellow sunlight. At length he returned, encouraging her as she held his arm with both her hands; and laying his protecting hand upon her head and smoothing her pretty hair, he addressed his friend behind the bars as follows:

* * * * *


Miss Pupford's establishment for six young ladies of tender years, is an establishment of a compact nature, an establishment in miniature, quite a pocket establishment. Miss Pupford, Miss Pupford's assistant with the Parisian accent, Miss Pupford's cook, and Miss Pupford's housemaid, complete what Miss Pupford calls the educational and domestic staff of her Lilliputian College.

Miss Pupford is one of the most amiable of her sex; it necessarily follows that she possesses a sweet temper, and would own to the possession of a great deal of sentiment if she considered it quite reconcilable with her duty to parents. Deeming it not in the bond, Miss Pupford keeps it as far out of sight as she can--which (God bless her!) is not very far.

Miss Pupford's assistant with the Parisian accent, may be regarded as in some sort an inspired lady, for she never conversed with a Parisian, and was never out of England--except once in the pleasure-boat Lively, in the foreign waters that ebb and flow two miles off Margate at high water. Even under those geographically favourable circumstances for the acquisition of the French language in its utmost politeness and purity, Miss Pupford's assistant did not fully profit by the opportunity; for the pleasure-boat, Lively, so strongly asserted its title to its name on that occasion, that she was reduced to the condition of lying in the bottom of the boat pickling in brine--as if she were being salted down for the use of the Navy--undergoing at the same time great mental alarm, corporeal distress, and clear-starching derangement.

When Miss Pupford and her assistant first foregathered, is not known to men, or pupils. But, it was long ago. A belief would have established itself among pupils that the two once went to school together, were it not for the difficulty and audacity of imagining Miss Pupford born without mittens, and without a front, and without a bit of gold wire among her front teeth, and without little dabs of powder on her neat little face and nose. Indeed, whenever Miss Pupford gives a little lecture on the mythology of the misguided heathens (always carefully excluding Cupid from recognition), and tells how Minerva sprang, perfectly equipped, from the brain of Jupiter, she is half supposed to hint, "So I myself came into the world, completely up in Pinnock, Mangnall, Tables, and the use of the Globes."

Howbeit, Miss Pupford and Miss Pupford's assistant are old old friends. And it is thought by pupils that, after pupils are gone to bed, they even call one another by their christian names in the quiet little parlour. For, once upon a time on a thunderous afternoon, when Miss Pupford fainted away without notice, Miss Pupford's assistant (never heard, before or since, to address her otherwise than as Miss Pupford) ran to her, crying out, "My dearest Euphemia!" And Euphemia is Miss Pupford's christian name on the sampler (date picked out) hanging up in the College- hall, where the two peacocks, terrified to death by some German text that is waddling down-hill after them out of a cottage, are scuttling away to hide their profiles in two immense bean-stalks growing out of flower-pots.

Also, there is a notion latent among pupils, that Miss Pupford was once in love, and that the beloved object still moves upon this ball. Also, that he is a public character, and a personage of vast consequence. Also, that Miss Pupford's assistant knows all about it. For, sometimes of an afternoon when Miss Pupford has been reading the paper through her little gold eye-glass (it is necessary to read it on the spot, as the boy calls for it, with ill-conditioned punctuality, in an hour), she has become agitated, and has said to her assistant "G!" Then Miss Pupford's assistant has gone to Miss Pupford, and Miss Pupford has pointed out, with her eye-glass, G in the paper, and then Miss Pupford's assistant has read about G, and has shown sympathy. So stimulated has the pupil-mind been in its time to curiosity on the subject of G, that once, under temporary circumstances favourable to the bold sally, one fearless pupil did actually obtain possession of the paper, and range all over it in search of G, who had been discovered therein by Miss Pupford not ten minutes before. But no G could be identified, except one capital offender who had been executed in a state of great hardihood, and it was not to be supposed that Miss Pupford could ever have loved _him_. Besides, he couldn't be always being executed. Besides, he got into the paper again, alive, within a month.

On the whole, it is suspected by the pupil-mind that G is a short chubby old gentleman, with little black sealing-wax boots up to his knees, whom a sharply observant pupil, Miss Linx, when she once went to Tunbridge Wells with Miss Pupford for the holidays, reported on her return (privately and confidentially) to have seen come capering up to Miss Pupford on the Promenade, and to have detected in the act of squeezing Miss Pupford's hand, and to have heard pronounce the words, "Cruel Euphemia, ever thine!"--or something like that. Miss Linx hazarded a guess that he might be House of Commons, or Money Market, or Court Circular, or Fashionable Movements; which would account for his getting into the paper so often. But, it was fatally objected by the pupil-mind, that none of those notabilities could possibly be spelt with a G.

There are other occasions, closely watched and perfectly comprehended by the pupil-mind, when Miss Pupford imparts with mystery to her assistant that there is special excitement in the morning paper. These occasions are, when Miss Pupford finds an old pupil coming out under the head of Births, or Marriages. Affectionate tears are invariably seen in Miss Pupford's meek little eyes when this is the case; and the pupil-mind, perceiving that its order has distinguished itself--though the fact is never mentioned by Miss Pupford--becomes elevated, and feels that it likewise is reserved for greatness.

Miss Pupford's assistant with the Parisian accent has a little more bone than Miss Pupford, but is of the same trim orderly diminutive cast, and, from long contemplation, admiration, and imitation of Miss Pupford, has grown like
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