Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Time and Time Again by H. Beam Piper (suggested reading .TXT) 📖
- Author: H. Beam Piper
Book online «Time and Time Again by H. Beam Piper (suggested reading .TXT) 📖». Author H. Beam Piper
"Oh, Allan, you just had a nightmare to end nightmares!" his father assured him, laughing a trifle too heartily. "That's all!"
"That was one of the first things I thought of. I had to reject it; it just wouldn't fit the facts. Look; a normal dream is part of the dreamer's own physical brain, isn't it? Well, here is a part about two thousand per cent greater than the whole from which it was taken. Which is absurd."
"You mean all this Battle of Buffalo stuff? That's easy. All the radio commentators have been harping on the horrors of World War III, and you couldn't have avoided hearing some of it. You just have an undigested chunk of H. V. Kaltenborn raising hell in your subconscious."
"It wasn't just World War III; it was everything. My four years at high school, and my four years at Penn State, and my seven years as a reporter on the Philadelphia Record. And my novels: 'Children of the Mist,' 'Rose of Death,' 'Conqueror's Road.' They were no kid stuff. Why, yesterday I'd never even have thought of some of the ideas I used in my detective stories, that I published under a nom-de-plume. And my hobby, chemistry; I was pretty good at that. Patented a couple of processes that made me as much money as my writing. You think a thirteen-year-old just dreamed all that up? Or, here; you speak French, don't you?" He switched languages and spoke at some length in good conversational slang-spiced Parisian. "Too bad you don't speak Spanish, too," he added, reverting to English. "Except for a Mexican accent you could cut with a machete, I'm even better there than in French. And I know some German, and a little Russian."
Blake Hartley was staring at his son, stunned. It was some time before he could make himself speak.
"I could barely keep up with you, in French," he admitted. "I can swear that in the last thirteen years of your life, you had absolutely no chance to learn it. All right; you lived till 1975, you say. Then, all of a sudden, you found yourself back here, thirteen years old, in 1945. I suppose you remember everything in between?" he asked. "Did you ever read James Branch Cabell? Remember Florian de Puysange, in 'The High Place'?"
"Yes. You find the same idea in 'Jurgen' too," Allan said. "You know, I'm beginning to wonder if Cabell mightn't have known something he didn't want to write."
"But it's impossible!" Blake Hartley hit the table with his hand, so hard that the heavy pistol bounced. The loose round he had ejected from the chamber toppled over and started to roll, falling off the edge. He stooped and picked it up. "How can you go back, against time? And the time you claim you came from doesn't exist, now; it hasn't happened yet." He reached for the pistol magazine, to insert the cartridge, and as he did, he saw the books in front of his son. "Dunne's 'Experiment with Time,'" he commented. "And J. N. M. Tyrrell's 'Science and Psychical Phenomena.' Are you trying to work out a theory?"
"Yes." It encouraged Allan to see that his father had unconsciously adopted an adult-to-adult manner. "I think I'm getting somewhere, too. You've read these books? Well, look, Dad; what's your attitude on precognition? The ability of the human mind to exhibit real knowledge, apart from logical inference, of future events? You think Dunne is telling the truth about his experiences? Or that the cases in Tyrrell's book are properly verified, and can't be explained away on the basis of chance?"
Blake Hartley frowned. "I don't know," he confessed. "The evidence is the sort that any court in the world would accept, if it concerned ordinary, normal events. Especially the cases investigated by the Society for Psychical Research: they have been verified. But how can anybody know of something that hasn't happened yet? If it hasn't happened yet, it doesn't exist, and you can't have real knowledge of something that has no real existence."
"Tyrrell discusses that dilemma, and doesn't dispose of it. I think I can. If somebody has real knowledge of the future, then the future must be available to the present mind. And if any moment other than the bare present exists, then all time must be totally present; every moment must be perpetually coexistent with every other moment," Allan said.
"Yes. I think I see what you mean. That was Dunne's idea, wasn't it?"
"No. Dunne postulated an infinite series of time dimensions, the entire extent of each being the bare present moment of the next. What I'm postulating is the perpetual coexistence of every moment of time in this dimension, just as every graduation on a yardstick exists equally with every other graduation, but each at a different point in space."
"Well, as far as duration and sequence go, that's all right," the father agreed. "But how about the 'Passage of Time'?"
"Well, time does appear to pass. So does the landscape you see from a moving car window. I'll suggest that both are illusions of the same kind. We imagine time to be dynamic, because we've never viewed it from a fixed point, but if it is totally present, then it must be static, and in that case, we're moving through time."
"That seems all right. But what's your car window?"
"If all time is totally present, then you must exist simultaneously at every moment along your individual life span," Allan said. "Your physical body, and your mind, and all the thoughts contained in your mind, each at its appropriate moment in sequence. But what is it that exists only at the bare moment we think of as now?"
Blake Hartley grinned. Already, he was accepting his small son as an intellectual equal.
"Please, teacher; what?"
"Your consciousness. And don't say, 'What's that?' Teacher doesn't know. But we're only conscious of one moment; the illusory now. This is 'now,' and it was 'now' when you asked that question, and it'll be 'now' when I stop talking, but each is a different moment. We imagine that all those nows are rushing past us. Really, they're standing still, and our consciousness is whizzing past them."
His father thought that over for some time. Then he sat up. "Hey!" he cried, suddenly. "If some part of our ego is time-free and passes from moment to moment, it must be extraphysical, because the physical body exists at every moment through which the consciousness passes. And if it's extraphysical, there's no reason whatever for assuming that it passes out of existence when it reaches the moment of the death of the body. Why, there's logical evidence for survival, independent of any alleged spirit communication! You can toss out Patience Worth, and Mrs. Osborne Leonard's Feda, and Sir Oliver Lodge's son, and Wilfred Brandon, and all the other spirit-communicators, and you still have evidence."
"I hadn't thought of that," Allan confessed. "I think you're right. Well, let's put that at the bottom of the agenda and get on with this time business. You 'lose consciousness' as in sleep; where does your consciousness go? I think it simply detaches from the moment at which you go to sleep, and moves backward or forward along the line of moment-sequence, to some prior or subsequent moment, attaching there."
"Well, why don't we know anything about that?" Blake Hartley asked. "It never seems to happen. We go to sleep tonight, and it's always tomorrow morning when we wake; never day-before-yesterday, or last month, or next year."
"It never ... or almost never ... seems to happen; you're right there. Know why? Because if the consciousness goes forward, it attaches at a moment when the physical brain contains memories of the previous, consciously unexperienced, moment. You wake, remembering the evening before, because that's the memory contained in your mind at that moment, and back of it are memories of all the events in the interim. See?"
"Yes. But how about backward movement, like this experience of yours?"
"This experience of mine may not be unique, but I never heard of another case like it. What usually happens is that the memories carried back by the consciousness are buried in the subconscious mind. You know how thick the wall between the subconscious and the conscious mind is. These dreams of Dunne's, and the cases in Tyrrell's book, are leakage. That's why precognitions are usually incomplete and distorted, and generally trivial. The wonder isn't that good cases are so few; it's surprising that there are any at all." Allan looked at the papers in front of him. "I haven't begun to theorize about how I managed to remember everything. It may have been the radiations from the bomb, or the effect of the narcotic, or both together, or something at this end, or a combination of all three. But the fact remains that my subconscious barrier didn't function, and everything got through. So, you see, I am obsessed—by my own future identity."
"And I'd been afraid that you'd been, well, taken-over by some ... some outsider." Blake Hartley grinned weakly. "I don't mind admitting, Allan, that what's happened has been a shock. But that other ... I just couldn't have taken that."
"No. Not and stayed sane. But really, I am your son; the same entity I was yesterday. I've just had what you might call an educational short cut."
"I'll say you have!" His father laughed in real amusement. He discovered that his cigar had gone out, and re-lit it. "Here; if you can remember the next thirty years, suppose you tell me when the War's going to end. This one, I mean."
"The Japanese surrender will be announced at exactly 1901—7:01 P. M. present style—on August 14. A week from Tuesday. Better make sure we have plenty of grub in the house by then. Everything will be closed up tight till Thursday morning; even the restaurants. I remember, we had nothing to eat in the house but some scraps."
"Well! It is handy, having a prophet in the family! I'll see to it Mrs. Stauber gets plenty of groceries in.... Tuesday a week? That's pretty sudden, isn't it?"
"The Japs are going to think so," Allan replied. He went on to describe what was going to happen.
His father swore softly. "You know, I've heard talk about atomic energy, but I thought it was just Buck Rogers stuff. Was that the sort of bomb that got you?"
"That was a firecracker to the bomb that got me. That thing exploded a good ten miles away."
Blake Hartley whistled softly. "And that's going to happen in thirty years! You know, son, if I were you, I wouldn't like to have to know about a thing like that." He looked at Allan for a moment. "Please, if you know, don't ever tell me when I'm going to die."
Allan smiled. "I can't. I had a letter from you just before I left for the front. You were seventy-eight, then, and you were still hunting, and fishing, and flying your own plane. But I'm not going to get killed in any Battle of Buffalo, this time, and if I can prevent it, and I think I can, there won't be any World War III."
"But—You say all time exists, perpetually coexistent and totally present," his father said. "Then it's right there in front of you, and you're getting closer to it, every watch tick."
Allan Hartley shook his head. "You know what I remembered, when Frank Gutchall came to borrow a gun?" he asked. "Well, the other time, I hadn't been home: I'd been swimming at the Canoe Club, with Larry Morton. When I got home, about half an hour from now, I found the house full of cops. Gutchall talked the .38 officers' model out of you, and gone home; he'd shot his wife four times through the body, finished her off with another one back of the ear, and then used his sixth shot to blast his brains out. The cops traced the gun; they took a very poor view of your lending it to him. You never got it back."
"Trust that gang to keep a good gun," the lawyer said.
"I didn't want us to lose it, this time, and I didn't want to see you lose face around City Hall. Gutchalls, of course, are expendable," Allan said. "But my main reason for fixing Frank Gutchall up with a padded cell was that I wanted to know whether or not the future could be altered. I have it on experimental authority that it can
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