Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Coming Race by Baron Edward Bulwer Lytton Lytton (best non fiction books of all time txt) 📖
Book online «The Coming Race by Baron Edward Bulwer Lytton Lytton (best non fiction books of all time txt) 📖». Author Baron Edward Bulwer Lytton Lytton
Continuing my walk, I started,—from a bush that resembled a great tangle of sea-weeds, interspersed with fern-like shrubs and plants of large leafage shaped like that of the aloe or prickly-pear,—a curious animal about the size and shape of a deer. But as, after bounding away a few paces, it turned round and gazed at me inquisitively, I perceived that it was not like any species of deer now extant above the earth, but it brought instantly to my recollection a plaster cast I had seen in some museum of a variety of the elk stag, said to have existed before the Deluge. The creature seemed tame enough, and, after inspecting me a moment or two, began to graze on the singular herbiage around undismayed and careless.
Chapter IV.
I now came in full sight of the building. Yes, it had been made by hands, and hollowed partly out of a great rock. I should have supposed it at the first glance to have been of the earliest form of Egyptian architecture. It was fronted by huge columns, tapering upward from massive plinths, and with capitals that, as I came nearer, I perceived to be more ornamental and more fantastically graceful that Egyptian architecture allows. As the Corinthian capital mimics the leaf of the acanthus, so the capitals of these columns imitated the foliage of the vegetation neighbouring them, some aloe-like, some fern-like. And now there came out of this building a form—human;—was it human? It stood on the broad way and looked around, beheld me and approached. It came within a few yards of me, and at the sight and presence of it an indescribable awe and tremor seized me, rooting my feet to the ground. It reminded me of symbolical images of Genius or Demon that are seen on Etruscan vases or limned on the walls of Eastern sepulchres—images that borrow the outlines of man, and are yet of another race. It was tall, not gigantic, but tall as the tallest man below the height of giants.
Its chief covering seemed to me to be composed of large wings folded over its breast and reaching to its knees; the rest of its attire was composed of an under tunic and leggings of some thin fibrous material. It wore on its head a kind of tiara that shone with jewels, and carried in its right hand a slender staff of bright metal like polished steel. But the face! it was that which inspired my awe and my terror. It was the face of man, but yet of a type of man distinct from our known extant races. The nearest approach to it in outline and expression is the face of the sculptured sphinx—so regular in its calm, intellectual, mysterious beauty. Its colour was peculiar, more like that of the red man than any other variety of our species, and yet different from it—a richer and a softer hue, with large black eyes, deep and brilliant, and brows arched as a semicircle. The face was beardless; but a nameless something in the aspect, tranquil though the expression, and beauteous though the features, roused that instinct of danger which the sight of a tiger or serpent arouses. I felt that this manlike image was endowed with forces inimical to man. As it drew near, a cold shudder came over me. I fell on my knees and covered my face with my hands.
Chapter V.
A voice accosted me—a very quiet and very musical key of voice—in a language of which I could not understand a word, but it served to dispel my fear. I uncovered my face and looked up. The stranger (I could scarcely bring myself to call him man) surveyed me with an eye that seemed to read to the very depths of my heart. He then placed his left hand on my forehead, and with the staff in his right, gently touched my shoulder. The effect of this double contact was magical. In place of my former terror there passed into me a sense of contentment, of joy, of confidence in myself and in the being before me. I rose and spoke in my own language. He listened to me with apparent attention, but with a slight surprise in his looks; and shook his head, as if to signify that I was not understood. He then took me by the hand and led me in silence to the building. The entrance was open—indeed there was no door to it. We entered an immense hall, lighted by the same kind of lustre as in the scene without, but diffusing a fragrant odour. The floor was in large tesselated blocks of precious metals, and partly covered with a sort of matlike carpeting. A strain of low music, above and around, undulated as if from invisible instruments, seeming to belong naturally to the place, just as the sound of murmuring waters belongs to a rocky landscape, or the warble of birds to vernal groves.
A figure in a simpler garb than that of my guide, but of similar fashion, was standing motionless near the threshold. My guide touched it twice with his staff, and it put itself into a rapid and gliding movement, skimming noiselessly over the floor. Gazing on it, I then saw that it was no living form, but a mechanical automaton. It might be two minutes after it vanished through a doorless opening, half screened by curtains at the other end of the hall, when through the same opening advanced a boy of about twelve years old, with features closely resembling those of my guide, so that they seemed to me evidently son and father. On seeing me the child uttered a cry, and lifted a staff like that borne by my guide, as if in menace. At a word from the elder he dropped it. The two then conversed for some moments, examining me while they spoke. The child touched my garments, and stroked my face with evident curiosity, uttering a sound like a laugh, but with an hilarity more subdued that the mirth of our laughter. Presently the roof of the hall opened, and a platform descended, seemingly constructed on the same principle as the ‘lifts’ used in hotels and warehouses for mounting from one story to another.
The stranger placed himself and the child on the platform, and motioned to me to do the same, which I did. We ascended quickly and safely, and alighted in the midst of a
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