Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Chaplet of Pearls by Charlotte M. Yonge (have you read this book .TXT) 📖
- Author: Charlotte M. Yonge
Book online «The Chaplet of Pearls by Charlotte M. Yonge (have you read this book .TXT) 📖». Author Charlotte M. Yonge
Almost from the hour in which her sex was announced, the King had promised the Baron de Ribaumont that she should be the wife of his young son, and that all the possessions of the house should be settled upon the little couple, engaging to provide for the Chevalier’s disappointed heir in some commandery of a religious order of knighthood.
The Baron’s wife was English. He had, when on a visit to his English kindred, entirely turned the head of the lovely Annora Walwyn, and finding that her father, one of the gravest of Tudor statesmen, would not hear of her breaking her engagement to the honest Dorset squire Marmaduke Thistlewood, he had carried her off by a stolen marriage and coup de main, which, as her beauty, rank, and inheritance were all considerable, had won him great reputation at the gay court of Henri II.
Infants as the boy and girl were, the King had hurried on their marriage to secure its taking place in the lifetime of the Count. The Countess had died soon after the birth of the little girl, and if the arrangement were to take effect at all, it must be before she should fall under the guardianship of her uncle, the Chevalier. Therefore the King had caused her to be brought up from the cottage in Anjou, where she had been nursed, and in person superintended the brilliant wedding. He himself led off the dance with the tiny bride, conducting her through its mazes with fatherly kindliness and condescension; but Queen Catherine, who was strongly in the interests of the Angevin branch, and had always detested the Baron as her husband’s intimate, excused herself from dancing with the bridegroom. He therefore fell to the share of the Dauphiness Queen of Scots, a lovely, bright-eyed, laughing girl, who so completely fascinated the little fellow, that he convulsed the court by observing that he should not have objected to be married to some one like her, instead of a little baby like Eustacie.
Amid all the mirth, it was not only the Chevalier and the Queen who bore displeased looks. In truth, both were too great adepts in court life to let their dissatisfaction appear. The gloomiest face was that of him whose triumph it was—the bridegroom’s father, the Baron de Ribaumont. He had suffered severely from the sickness that prevailed in St. Quentin, when in the last August the Admiral de Coligny had been besieged there by the Spaniards, and all agreed that he had never been the same man since, either in health or in demeanour. When he came back from his captivity and found the King bent on crowning his return by the marriage of the children, he had hung back, spoken of scruples about such unconscious vows, and had finally only consented under stress of the personal friendship of the King, and on condition that he and his wife should at once have the sole custody of the little bride. Even then he moved about the gay scene with so distressed and morose an air that he was evidently either under the influence of a scruple of conscience or of a foreboding of evil.
No one doubted that it had been the latter, when, three days later, Henri II., in the prime of his strength and height of his spirits, encountered young Des Lorges in the lists, received the splinter of a lance in his eye, and died two days afterwards.
No sooner were his obsequies over than the Baron de Ribaumont set off with his wife and the little bridal pair for his castle of Leurre, in Normandy, nor was he ever seen at court again.
CHAPTER II. THE SEPARATION Parted without the least regret, Except that they had ever met. * * * * Misses, the tale that I relate, This lesson seems to carry: Choose not alone a proper mate, But proper time to marry! COWPER, PAIRING TIME ANTICIPATED
‘I will have it!’
‘Thou shalt not have it!’
‘Diane says it is mine.’
‘Diane knows nothing about it.’
‘Gentlemen always yield to ladies.’
‘Wives ought to mind their husbands.’
‘Then I will not be thy wife.’
‘Thou canst not help it.’
‘I will. I will tell my father what M. le Baron reads and sings, and then I know he will.’
‘And welcome.’
Eustacie put out her lip, and began to cry.
The ‘husband and wife,’ now eight and seven years old, were in a large room hung with tapestry, representing the history of Tobit. A great state bed, curtained with piled velvet, stood on a sort of dais at the further end; there was a toilet-table adorned with curiously shaped boxes, and coloured Venetian glasses, and filagree pouncet-boxes, and with a small mirror whose frame was inlaid with gold and ivory. A large coffer, likewise inlaid, stood against the wall, and near it a cabinet, of Dutch workmanship, a combination of ebony, ivory, wood, and looking-glass, the centre retreating, and so arranged that by the help of most ingenious attention to perspective and reflection, it appeared like the entrance to a magnificent miniature cinque-cento palace, with steps up to a vestibule paved in black and white lozenges, and with three endless corridors diverging from it. So much for show; for use, this palace was a bewildering complication of secret drawers and pigeon-holes, all depending indeed upon one tiny gold key; but unless the use of that key were well understood, all it led to was certain outer receptacles of fragrant Spanish gloves, knots of ribbon, and kerchiefs strewn over with rose leaves and lavender. However, Eustacie had secured the key, and was now far beyond these mere superficial matters. Her youthful lord had just discovered her mounted on a chair, her small person decked out with a profusion of necklaces, jewels, bracelets, chains, and rings; and her fingers, as well as they could under their stiffening load, were opening the very penetralia of the cabinet, the inner chamber of the hall, where lay a case adorned with the Ribaumont arms and containing the far-famed chaplet of pearls. It was almost beyond her reach, but she had risen on tip-toe, and was stretching out her hand for it, when he, springing behind her on the chair, availed himself of his superior height and strength to shut the door of this Arcanum and turn the key. His mortifying permission to his wife to absent herself arose from pure love of teasing, but the next moment he added, still holding his hand on the key—‘As to telling what my father reads, that would be treason. How shouldst thou know what it is?’
‘Does thou think every one is an infant but thyself?’
‘But who told thee that to talk of my father’s books would get him into
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