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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Home Again by George MacDonald (audio ebook reader TXT) 📖

Book online «Home Again by George MacDonald (audio ebook reader TXT) 📖». Author George MacDonald



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am not going to deal with you. This time you would not think it worth a penny! Why are you so inquisitive about my thoughts?"

"I want to know what you meant when you said the other day that thoughts were better than things."

Walter hesitated. The question was an inclined plane leading to unknown depths of argument!

"See, Walter," said Molly, "here is a narcissus -a pheasant's eye: tell me the thought that is better than this thing!"

How troublesome girls were when they asked questions!

"Well," he said, not very logically, "that narcissus has nothing but air around it; my thought of the narcissus has mind around it."

"Then a thought is better than a thing because it has thought round about it?"

"Well, yes"

"Did the thing come there of itself, or did it come of God's thinking?"

"Of God's thinking."

"And God is always the same?"

"Yes."

"Then God's thought is about the narcissus still-and the narcissus is better than your thought of it!"

Walter was silent.

"I should so like to understand!" said Molly. "If you have a thought more beautiful than the narcissus, Walter, I should like to see it! Only if I could see it, it would be a thing, would it not? A thing must be a think before it be a thing. A thing is a ripe think, and must be better than a think-except it lose something in ripening-which may very well be with man's thoughts, but hardly with God's! I will keep in front of the things, and look through them to the thoughts behind them. I want to understand! If a thing were not a thought first, it would not be worth anything! And everything has to be thought about, else we don't see what it is! I haven't got it quite!"

Instead of replying, Walter rose, and they walked to the house side by side in silence.

"Could a thought be worth anything that God had never cared to think?" said Molly to herself as they went.


CHAPTER V.


FLUTTERBIES.

Mr. Colman and his adopted daughter were fast friends-so fast and so near that they could talk together about Walter, though but the adoptive brother of the one, and the real son of the other. Richard had inherited, apparently, his wife's love to Molly, and added to it his own; but their union had its root in the perfect truthfulness of the two. Real approximation, real union must ever be in proportion to mutual truthfulness. It was quite after the usual fashion, therefore, between them, when Molly began, to tell her father about the conversation she had had with Walter.

"What first made you think, Molly, of such a difference between thoughts and things?" asked Mr. Colman.

"I know quite well," answered Molly. "You remember our visit to your old school-friend, Mr. Dobson?"

"Of course; perfectly."

Mr. Dobson was a worthy clergyman, doing his weary best in a rural parish.

"And you remember Mrs. Evermore?"

"Yes."

"You thought her name a funny one; but you said it ought to have been
'Nevermore,' because she seemed never to get any further!"

"Come, come, Molly! that won't do! It was you, not I, that said such a spiteful thing!" "It was true any way!" answered Molly; "and you agreed with me; so if I said it first, you said it last! Well, I had to study this Mrs. Evermore. From morning to night she was evermore on the hunt after new fancies. She watched for them, stalked them, followed them like a boy with a butterfly-net She caught them too, of the sort she wanted, plentifully. But none ever came to anything, so far as I could see. She never did anything with one of them. Whatever she caught had a cage to itself, where it sat on 'the all-alone-stone.' Every other moment, while you and Mr. Dobson were talking, she would cry 'oh! oh! o-o-oh!' and pull out her note-book, which was the cork-box in which she pinned her butterflies. She must have had a whole museum of ideas! The most accidental resemblance between words would suffice to start one: after it she would go, catch it, pin it down, and call it a correspondence. Now and then a very pretty notion would fall to her net, and often a silly one; but all were equally game to her. I found her amusing and interesting for two days, but then began to see she only led nothing nowhere. She was touchy, and jealous, and said things that disgusted me; never did anything for anybody; and though she hunted religious ideas most, never seemed to imagine they could have anything to do with her life. It was only the fineness of a good thought even that she seemed to prize. She would startle you any moment by an exclamation of delight at some religious fancy or sentimentality, and down it most go in her book, but it went no further than her book: she was just as common as before, vulgar even, in her judgments of motives and actions. She seemed made for a refined and delicate woman, but not to take the trouble to be what she was made for. You told me, you know, that God makes us, but we have to be. She talked about afflictions as one might of manure: by these afflictions, of which she would complain bitterly, she was being fashioned for life eternal! It was all the most dreary, noisome rubbish I had ever come across. I used to lie awake thinking what could ever rouse such a woman to see that she had to do something; that man nor woman can become anything without having a hand in the matter. She seemed to expect the spirit of God to work in her like yeast in flour, although there was not a sign of the dough rising. That is how I came to see that one may have any number of fine thoughts and fancies and be nothing the better, any more than the poor woman in the gospel with her doctors! And when Walter, the next time he came home, talked as he did about thoughts, and quoted Keats to the same effect, as if the finest thing in the universe were a fine thought, I could not bear it, and that made me speak to him as I did."

"You have made it very clear, Molly; and I quite agree with you: thinks are of no use except they be turned into things."

"But perhaps, after all, I may have been unfair to her!" said Molly. "People are so queer! They seem sometimes to be altogether made up of odd bits of different people. There's Aunt Ann now! she would not do a tradesman out of a ha'penny, but she will cheat at backgammon!"

"I know she will, and that is why I never play with her. It is so seldom she will give herself any recreation, that it makes me sorry to refuse her."

"There is one thing that troubles me," said Molly, after a little pause.

"What is it, my child? I always like to hear something troubles you, for then I know you are going to have something. To miss is the preparation for receiving."

"I can't care-much-about poetry-and Walter says such fine things about it! Walter is no fool!"

"Far from one, I am glad to think!" said Richard, laughing. Molly's straightforward, humble confidence, he found as delightful as amusing.

"It seems to me so silly to scoff at things because you can't go in for them! I sometimes hear people make insulting remarks about music, and music I know to be a good and precious and lovely thing. Then I think with myself, they must be in the same condition with regard to music, that I am in with regard to poetry. So I take care not to be a fool in talking about what I don't know. That I am stupid is no reason for being a fool. Any one whom God has made stupid, has a right to be stupid, but no right to call others fool because they are not stupid."

"I thought you liked poetry, Molly!"

"So I do when you read it, or talk about it. It seems as if you made your way of it grow my way of it. I hear the poetry and feel your feeling of it. But when I try to read it myself, then I don't care for it. Sometimes I turn it into prose, and then I get a hold of it."

"That is about the best and hardest test you could put it to, Molly! But perhaps you have been trying to like what ought not, because it does not deserve to be liked. There is much in the shape of poetry that set in gold and diamonds would be worth nothing."

"I think the difficulty is in myself. Sometimes I am in the fit mood, and other times not. A single line will now and then set something churning, churning in me, so that I can not understand myself. It will make me think of music, and sunrise, and the wind, and the song of the lark, and all lovely things. But sometimes prose will serve me the same. And the next minute, perhaps, either of them will be boring me more than I can bear! I know it is my own fault, but-"

"Stop there, Molly! It may sometimes be your own fault, but certainly not always! You are fastidious, little one; and in exquisite things how can one be too fastidious! When Walter is gone, suppose we read a little more poetry together?"

Richard Colman had made some money in one of the good farming times, but of late had not been increasing his store. But he was a man too genuinely practical to set his mind upon making money.

There are parents who, notwithstanding they have found possession powerless for their own peace, not the less heap up for the sons coming after, in the weak but unquestioned fancy that possession will do for them what it could not do for their fathers and mothers. Richard was above such stupidity. He had early come to see that the best thing money could do for his son, was to help in preparing him for some work fit to employ what faculty had been given him, in accordance with the tastes also given him. He saw, the last thing a foolish father will see, that the best a father can do, is to enable his son to earn his livelihood in the exercise of a genial and righteous labor. He saw that possession generates artificial and enfeebling wants, overlaying and smothering the God-given necessities of our nature, whence alone issue golden hopes and manly endeavors.

He had therefore been in no haste to draw from his son a declaration of choice as to profession. When every man shall feel in himself a call to this or that, and scarce needs make a choice, the generations will be well served; but that is not yet, and what Walter was fit for was not yet quite manifest. It was only clear to the father that his son must labor for others with a labor, if possible, whose reflex action should be life to himself. Agriculture seemed inadequate to the full employment of the gifts which, whether from paternal partiality or genuine insight, he believed his son to possess; neither had Walter shown inclination or aptitude for any department of it. All Richard could do, therefore, was to give him
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