Fromont and Risler by Alphonse Daudet (classic books for 12 year olds .TXT) 📖

he called standing business, his health forbidding any occupation that required him to be seated.
It seemed that, soon after his marriage, when he was in a flourishing business and had a horse and tilbury of his own, the little man had had one day a serious fall. That fall, to which he referred upon every occasion, served as an excuse for his indolence.
One could not be with M. Chebe five minutes before he would say in a confidential tone:
"You know of the accident that happened to the Duc d'Orleans?"
And then he would add, tapping his little bald pate "The same thing happened to me in my youth."
Since that famous fall any sort of office work made him dizzy, and he had found himself inexorably confined to standing business. Thus, he had been in turn a broker in wines, in books, in truffles, in clocks, and in many other things beside. Unluckily, he tired of everything, never considered his position sufficiently exalted for a former business man with a tilbury, and, by gradual degrees, by dint of deeming every sort of occupation beneath him, he had grown old and incapable, a genuine idler with low tastes, a good-for-nothing.
Artists are often rebuked for their oddities, for the liberties they take with nature, for that horror of the conventional which impels them to follow by-paths; but who can ever describe all the absurd fancies, all the idiotic eccentricities with which a bourgeois without occupation can succeed in filling the emptiness of his life? M. Chebe imposed upon himself certain rules concerning his goings and comings, and his walks abroad. While the Boulevard Sebastopol was being built, he went twice a day "to see how it was getting on."
No one knew better than he the fashionable shops and the bargains; and very often Madame Chebe, annoyed to see her husband's idiotic face at the window while she was energetically mending the family linen, would rid herself of him by giving him an errand to do. "You know that place, on the corner of such a street, where they sell such nice cakes. They would be nice for our dessert."
And the husband would go out, saunter along the boulevard by the shops, wait for the omnibus, and pass half the day in procuring two cakes, worth three sous, which he would bring home in triumph, wiping his forehead.
M. Chebe adored the summer, the Sundays, the great footraces in the dust at Clamart or Romainville, the excitement of holidays and the crowd. He was one of those who went about for a whole week before the fifteenth of August, gazing at the black lamps and their frames, and the scaffoldings. Nor did his wife complain. At all events, she no longer had that chronic grumbler prowling around her chair for whole days, with schemes for gigantic enterprises, combinations that missed fire in advance, lamentations concerning the past, and a fixed determination not to work at anything to earn money.
She no longer earned anything herself, poor woman; but she knew so well how to save, her wonderful economy made up so completely for everything else, that absolute want, although a near neighbor of such impecuniosity as theirs, never succeeded in making its way into those three rooms, which were always neat and clean, or in destroying the carefully mended garments or the old furniture so well concealed beneath its coverings.
Opposite the Chebes' door, whose copper knob gleamed in bourgeois fashion upon the landing, were two other and smaller ones.
On the first, a visiting-card, held in place by four nails, according to the custom in vogue among industrial artists, bore the name of
RISLER
DESIGNER OF PATTERNS.
On the other was a small square of leather, with these words in gilt letters:
MESDAMES DELOBELLE
BIRDS AND INSECTS FOR ORNAMENT.
The Delobelles' door was often open, disclosing a large room with a brick floor, where two women, mother and daughter, the latter almost a child, each as weary and as pale as the other, worked at one of the thousand fanciful little trades which go to make up what is called the 'Articles de Paris'.
It was then the fashion to ornament hats and ballgowns with the lovely little insects from South America that have the brilliant coloring of jewels and reflect the light like diamonds. The Delobelles had adopted that specialty.
A wholesale house, to which consignments were made directly from the Antilles, sent to them, unopened, long, light boxes from which, when the lid was removed, arose a faint odor, a dust of arsenic through which gleamed the piles of insects, impaled before being shipped, the birds packed closely together, their wings held in place by a strip of thin paper. They must all be mounted--the insects quivering upon brass wire, the humming-birds with their feathers ruffled; they must be cleansed and polished, the beak in a bright red, claw repaired with a silk thread, dead eyes replaced with sparkling pearls, and the insect or the bird restored to an appearance of life and grace. The mother prepared the work under her daughter's direction; for Desiree, though she was still a mere girl, was endowed with exquisite taste, with a fairy-like power of invention, and no one could, insert two pearl eyes in those tiny heads or spread their lifeless wings so deftly as she. Happy or unhappy, Desiree always worked with the same energy. From dawn until well into the night the table was covered with work. At the last ray of daylight, when the factory bells were ringing in all the neighboring yards, Madame Delobelle lighted the lamp, and after a more than frugal repast they returned to their work. Those two indefatigable women had one object, one fixed idea, which prevented them from feeling the burden of enforced vigils. That idea was the dramatic renown of the illustrious Delobelle. After he had left the provincial theatres to pursue his profession in Paris, Delobelle waited for an intelligent manager, the ideal and providential manager who discovers geniuses, to seek him out and offer him a role suited to his talents. He might, perhaps, especially at the beginning, have obtained a passably good engagement at a theatre of the third order, but Delobelle did not choose to lower himself.
He preferred to wait, to struggle, as he said! And this is how he awaited the struggle.
In the morning in his bedroom, often in his bed, he rehearsed roles in his former repertory; and the Delobelle ladies trembled with emotion when they heard behind the partition tirades from 'Antony' or the 'Medecin des Enfants', declaimed in a sonorous voice that blended with the thousand-and-one noises of the great Parisian bee-hive. Then, after breakfast, the actor would sally forth for the day; would go to "do his boulevard," that is to say, to saunter to and fro between the Chateau d'Eau and the Madeline, with a toothpick in the corner of his mouth, his hat a little on one side-always gloved, and brushed, and glossy.
That question of dress was of great importance in his eyes. It was one of the greatest elements of success, a bait for the manager--the famous, intelligent manager--who never would dream of engaging a threadbare, shabbily dressed man.
So the Delobelle ladies took good care that he lacked nothing; and you can imagine how many birds and insects it required to fit out a blade of that temper! The actor thought it the most natural thing in the world.
In his view, the labors, the privations of his wife and daughter were not, strictly speaking, for his benefit, but for the benefit of that mysterious and unknown genius, whose trustee he considered himself to be.
There was a certain analogy between the position of the Chebe family and that of the Delobelles. But the latter household was less depressing. The Chebes felt that their petty annuitant existence was fastened upon them forever, with no prospect of amelioration, always the same; whereas, in the actor's family, hope and illusion often opened magnificent vistas.
The Chebes were like people living in a blind alley; the Delobelles on a foul little street, where there was no light or air, but where a great boulevard might some day be laid out. And then, too, Madame Chebe no longer believed in her husband, whereas, by virtue of that single magic word, "Art!" her neighbor never had doubted hers.
And yet for years and years Monsieur Delobelle had been unavailingly drinking vermouth with dramatic agents, absinthe with leaders of claques, bitters with vaudevillists, dramatists, and the famous what's-his-name, author of several great dramas. Engagements did not always follow. So that, without once appearing on the boards, the poor man had progressed from jeune premier to grand premier roles, then to the financiers, then to the noble fathers, then to the buffoons--
He stopped there!
On two or three occasions his friends had obtained for him a chance to earn his living as manager of a club or a cafe as an inspector in great warehouses, at the 'Phares de la Bastille' or the 'Colosse de Rhodes.' All that was necessary was to have good manners. Delobelle was not lacking in that respect, God knows! And yet every suggestion that was made to him the great man met with a heroic refusal.
"I have no right to abandon the stage!" he would then assert.
In the mouth of that poor devil, who had not set foot on the boards for years, it was irresistibly comical. But one lost the inclination to laugh when one saw his wife and his daughter swallowing particles of arsenic day and night, and heard them repeat emphatically as they broke their needles against the brass wire with which the little birds were mounted:
"No! no! Monsieur Delobelle has no right to abandon the stage."
Happy man, whose bulging eyes, always smiling condescendingly, and whose habit of reigning on the stage had procured for him for life that exceptional position of a spoiled and admired child-king! When he left the house, the shopkeepers on the Rue des Francs-Bourgeois, with the predilection of the Parisian for everything and everybody connected with the theatre, saluted him respectfully. He was always so well dressed! And then he was so kind, so obliging! When you think that every Saturday night, he, Ruy Blas, Antony, Raphael in the 'Filles de Maybre,' Andres in the 'Pirates de la Savane,' sallied forth, with a bandbox under his arm, to carry the week's work of his wife and daughter to a flower establishment on the Rue St.-Denis!
Why, even when performing such a commission as that, this devil of a fellow had such nobility of bearing, such native dignity, that the young woman whose duty it was to make up the Delobelle account was sorely embarrassed to hand to such an irreproachable gentleman the paltry stipend so laboriously earned.
On those evenings, by the way, the actor did not return home to dinner. The women were forewarned.
He always met some old comrade on the boulevard, some unlucky devil like himself--there are so many of them in that sacred profession!--whom he entertained at a restaurant or cafe. Then, with scrupulous fidelity--and very grateful they were to him--he would carry the rest of the money home, sometimes with a bouquet for his wife or a little present for Desiree, a nothing, a mere trifle. What would you have? Those are the customs of the stage. It is such a simple matter in a melodrama to toss a handful of louis through the window!
"Ho! varlet, take