Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (reading an ebook .TXT) 📖
Book online «The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (reading an ebook .TXT) 📖». Author Baron Edward Bulwer Lytton Lytton
“Ha, ha!” cried their leader, “see the gallant and the witch-leman! The glamour has done its work! Foul is fair! foul is fair! and the devil will have his own!”
But these creatures, whose bold license the ancient chronicler records, were rarely seen alone. They haunted parties of pomp and pleasure; they linked together the extremes of life,—the grotesque Chorus that introduced the terrible truth of foul vice and abandoned wretchedness in the midst of the world’s holiday and pageant. So now, as they wheeled into the silent, squalid street, they heralded a goodly company of dames and cavaliers on horseback, who were passing through the neighbouring plains into the park of Marybone to enjoy the sport of falconry. The splendid dresses of this procession, and the grave and measured dignity with which it swept along, contrasted forcibly with the wild movements and disorderly mirth of the timbrel-players. These last darted round and round the riders, holding out their instruments for largess, and retorting, with laugh and gibe, the disdainful look or sharp rebuke with which their salutations were mostly received.
Suddenly, as the company, two by two, paced up the street, Sibyll uttered a faint exclamation, and strove to snatch her hand from the Nevile’s grasp. Her eye rested upon one of the horsemen, who rode last, and who seemed in earnest conversation with a dame, who, though scarcely in her first youth, excelled all her fair companions in beauty of face and grace of horsemanship, as well as in the costly equipments of the white barb that caracoled beneath her easy hand. At the same moment the horseman looked up and gazed steadily at Sibyll, whose countenance grew pale, and flushed, in a breath. His eye then glanced rapidly at Marmaduke; a half-smile passed his pale, firm lips; he slightly raised the plumed cap from his brow, inclined gravely to Sibyll, and, turning once more to his companion, appeared to answer some question she addressed to him as to the object of his salutation, for her look, which was proud, keen, and lofty, was raised to Sibyll, and then dropped somewhat disdainfully, as she listened to the words addressed her by the cavalier.
The lynx eyes of the tymbesteres had seen the recognition; and their leader, laying her bold hand on the embossed bridle of the horseman, exclaimed, in a voice shrill and loud enough to be heard in the balcony above, “Largess! noble lord, largess! for the sake of the lady thou lovest best!”
The fair equestrian turned away her head at these words; the nobleman watched her a moment, and dropped some coins into the timbrel.
“Ha, ha!” cried the tymbestere, pointing her long arm to Sibyll, and springing towards the balcony,—
“The cushat would mate Above her state, And she flutters her wings round the falcon’s beak; But death to the dove Is the falcon’s love! Oh, sharp is the kiss of the falcon’s beak!”Before this rude song was ended, Sibyll had vanished from the place; the cavalcade had disappeared. The timbrel-players, without deigning to notice Marmaduke, darted elsewhere to ply their discordant trade, and the Nevile, crossing himself devoutly, muttered, “Jesu defend us! Those she Will-o’-the-wisps are eno’ to scare all the blood out of one’s body. What—a murrain on them!—do they portend, flitting round and round, and skirting off, as if the devil’s broomstick was behind them! By the Mass! they have frighted away the damozel, and I am not sorry for it. They have left me small heart for the part of Sir Launval.”
His meditations were broken off by the sudden sight of Nicholas Alwyn, mounted on a small palfrey, and followed by a sturdy groom on horseback, leading a steed handsomely caparisoned. In another moment, Marmaduke had descended, opened the door, and drawn Alwyn into the hall.
CHAPTER IX. MASTER MARMADUKE NEVILE LEAVES THE WIZARD’S HOUSE FOR THE GREAT WORLD.
“Right glad am I,” said Nicholas, “to see you so stout and hearty, for I am the bearer of good news. Though I have been away, I have not forgotten you; and it so chanced that I went yesterday to attend my Lord of Warwick with some nowches [buckles and other ornaments] and knackeries, that he takes out as gifts and exemplars of English work. They were indifferently well wrought, specially a chevesail, of which the—”
“Spare me the fashion of thy mechanicals, and come to the point,” interrupted Marmaduke, impatiently.
“Pardon me, Master Nevile. I interrupt thee not when thou talkest of bassinets and hauberks,—every cobbler to his last. But, as thou sayest, to the point: the stout earl, while scanning my workmanship, for in much the chevesail was mine, was pleased to speak graciously of my skill with the bow, of which he had heard; and he then turned to thyself, of whom my Lord Montagu had already made disparaging mention. When I told the earl somewhat more about thy qualities and disposings, and when I spoke of thy desire to serve him, and the letter of which thou art the bearer, his black brows smoothed mighty graciously, and he bade me tell thee to come to him this afternoon, and he would judge of thee with his own eyes and ears. Wherefore I have ordered the craftsman to have all thy gauds and gear ready at thine hostelrie, and I have engaged thee henchmen and horses for thy fitting appearance. Be quick: time and the great wait for no man. So take whatever thou needest for present want from thy mails, and I will send a porter for the rest ere sunset.”
“But the gittern for the damozel?”
“I have provided that for thee, as is meet.” And Nicholas, stepping back, eased the groom of a case which contained a gittern, whose workmanship and ornaments delighted the Nevile.
“It is of my lord the young Duke of Gloucester’s own musical-vendor; and the duke, though a lad yet, is a notable judge of all appertaining to the gentle craft. [For Richard III.‘s love of music, and patronage of musicians and minstrels, see the discriminating character of that prince in Sharon Turner’s “History of England,” vol. IV. p. 66.] So despatch, and away!”
Marmaduke retired to his chamber, and Nicholas, after a moment spent in silent thought, searched the room for the hand-bell, which then made the mode of communication between the master and domestics. Not finding this necessary luxury, he contrived at last to make Madge hear his voice from her subterranean retreat; and on her arrival, sent her in quest of Sibyll.
The answer he received was, that Mistress Sibyll was ill, and unable to see him. Alwyn looked disconcerted at this intelligence, but, drawing from his girdle a small gipsire, richly broidered, he prayed Madge to deliver it to her young mistress, and inform her that it was the fruit of the commission with which she had honoured him.
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