Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Devereux — Complete by Baron Edward Bulwer Lytton Lytton (best free novels txt) 📖
Book online «Devereux — Complete by Baron Edward Bulwer Lytton Lytton (best free novels txt) 📖». Author Baron Edward Bulwer Lytton Lytton
“With all my heart—and in return you shall accompany me to Master Powell’s puppet-show.”
“You speak as wisely as Solomon himself in the puppet-show. I own that I love that sight: ‘tis a pleasure to the littleness of human nature to see great things abased by mimicry; kings moved by bobbins, and the pomps of the earth personated by Punch.”
“But how do you like sharing the mirth of the groundlings, the filthy plebeians, and letting them see how petty are those distinctions which you value so highly, by showing them how heartily you can laugh at such distinctions yourself? Allow, my superb Coriolanus, that one purchases pride by the loss of consistency.”
“Ah, Devereux, you poison my enjoyment by the mere word ‘plebeian’! Oh, what a beastly thing is a common person!—a shape of the trodden clay without any alloy; a compound of dirty clothes, bacon breaths, villanous smells, beggarly cowardice, and cattish ferocity. Pah, Devereux! rub civet on the very thought!”
“Yet they will laugh to-day at the same things you will, and consequently there would be a most flattering congeniality between you. Emotion, whether of ridicule, anger, or sorrow; whether raised at a puppet-show, a funeral, or a battle,—is your grandest of levellers. The man who would be always superior should be always apathetic.”
“Oracular, as usual, Count,—but, hark, the clock gives tongue. One, by the Lord!—will you not dress?”
And I rose and dressed. We passed through the anteroom; my attendant assistants in the art of wasting money drew up in a row.
“Pardon me, gentlemen,” said I (“gentlemen, indeed!” cried Tarleton), “for keeping you so long. Mr. Snivelship, your waistcoats are exquisite: favour me by conversing with my valet on the width of the lace for my liveries; he has my instructions. Mr. Jockelton, your horses shall be tried to-morrow at one. Ay, Mr. Rymer, I beg you a thousand pardons; I beseech you to forgive the ignorance of my rascals in suffering a gentleman of your merit to remain for a moment unattended to. I have read your ode; it is splendid,—the ease of Horace with the fire of Pindar; your Pegasus never touches the earth, and yet in his wildest excesses you curb him with equal grace and facility: I object, sir, only to your dedication; it is too flattering.”
“By no means, my Lord Count, it fits you to a hair.”
“Pardon me,” interrupted I, “and allow me to transfer the honour to Lord Halifax; he loves men of merit; he loves also their dedications. I will mention it to him to-morrow: everything you say of me will suit him exactly. You will oblige me with a copy of your poem directly it is printed, and suffer me to pay your bookseller for it now, and through your friendly mediation; adieu!”
“Oh, Count, this is too generous.”
“A letter for me, my pretty page? Ah! tell her ladyship I shall wait upon her commands at Powell’s: time will move with a tortoise speed till I kiss her hands. Mr. Fribbleden, your gloves would fit the giants at Guildhall: my valet will furnish you with my exact size; you will see to the legitimate breadth of the fringe. My little beauty, you are from Mrs. Bracegirdle: the play shall succeed; I have taken seven boxes; Mr. St. John promised his influence. Say, therefore, my Hebe, that the thing is certain, and let me kiss thee: thou hast dew on thy lip already. Mr. Thumpen, you are a fine fellow, and deserve to be encouraged; I will see that the next time your head is broken it shall be broken fairly: but I will not patronize the bear; consider that peremptory. What, Mr. Bookworm, again! I hope you have succeeded better this time: the old songs had an autumn fit upon them, and had lost the best part of their leaves; and Plato had mortgaged one half his ‘Republic,’ to pay, I suppose, the exorbitant sum you thought proper to set upon the other. As for Diogenes Laertius, and his philosophers—”
“Pish!” interrupted Tarleton; “are you going, by your theoretical treatises on philosophy, to make me learn the practical part of it, and prate upon learning while I am supporting myself with patience?”
“Pardon me! Mr. Bookworm; you will deposit your load, and visit me to-morrow at an earlier hour. And now, Tarleton, I am at your service.”
CHAPTER II.
GAY SCENES AND CONVERSATIONS.—THE NEW EXCHANGE AND THE PUPPET-SHOW.—THE ACTOR, THE SEXTON, AND THE BEAUTY.
“WELL, Tarleton,” said I, looking round that mart of millinery and love-making, which, so celebrated in the reign of Charles II., still preserved the shadow of its old renown in that of Anne,—“well, here we are upon the classical ground so often commemorated in the comedies which our chaste grandmothers thronged to see. Here we can make appointments, while we profess to buy gloves, and should our mistress tarry too long, beguile our impatience by a flirtation with her milliner. Is there not a breathing air of gayety about the place?—does it not still smack of the Ethereges and Sedleys?”
“Right,” said Tarleton, leaning over a counter and amorously eying the pretty coquette to whom it belonged; while, with the coxcombry then in fashion, he sprinkled the long curls that touched his shoulders with a fragrant shower from a bottle of jessamine water upon the counter,—“right; saw you ever such an eye? Have you snuff of the true scent, my beauty—foh! this is for the nostril of a Welsh parson—choleric and hot, my beauty,—pulverized horse-radish,—why, it would make a nose of the coldest constitution imaginable sneeze like a washed school-boy on a Saturday night.—Ah, this is better, my princess: there is some courtesy in this snuff; it flatters the brain like a poet’s dedication. Right, Devereux, right, there is something infectious in the atmosphere; one catches good humour as easily as if it were cold. Shall we stroll on?—my Clelia is on the other side of the Exchange.—You were speaking of the play-writers: what a pity that our Ethereges and Wycherleys should be so frank in their gallantry that the prudish public already begins to look shy on them. They have a world of wit!”
“Ay,” said I; “and, as my good uncle would say, a world of knowledge of human nature, namely, of the worst part of it. But they are worse than merely licentious: they are positively villanous; pregnant with the most redemptionless scoundrelism,—cheating, lying, thieving, and fraud; their humour debauches the whole moral system; they are like the Sardinian herb,—they make you laugh, it is true, but they poison you in the act. But who comes here?”
“Oh, honest Coll!—Ah, Cibber, how goes it with you?”
The person thus addressed was a man of about the middle age, very grotesquely attired, and with a periwig preposterously long. His countenance (which, in its features, was rather comely) was stamped with an odd mixture of liveliness, impudence, and a coarse yet not unjoyous spirit of reckless debauchery. He approached us with a saunter, and saluted Tarleton with an air servile enough, in spite of an affected
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