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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you donā€™t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online Ā» Fiction Ā» Anne of Avonlea by Lucy Maud Montgomery (best ebook for manga .TXT) šŸ“–

Book online Ā«Anne of Avonlea by Lucy Maud Montgomery (best ebook for manga .TXT) šŸ“–Ā». Author Lucy Maud Montgomery



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I didnā€™t pretend things. Iā€™m not often caught at it though, and Charlotta the Fourth never tells. But Iā€™m glad to be caught today, for you have really come and I have tea all ready for you. Will you go up to the spare room and take off your hats? Itā€™s the white door at the head of the stairs. I must run out to the kitchen and see that Charlotta the Fourth isnā€™t letting the tea boil. Charlotta the Fourth is a very good girl but she WILL let the tea boil.ā€

Miss Lavendar tripped off to the kitchen on hospitable thoughts intent and the girls found their way up to the spare room, an apartment as white as its door, lighted by the ivy-hung dormer window and looking, as Anne said, like the place where happy dreams grew.

ā€œThis is quite an adventure, isnā€™t it?ā€ said Diana. ā€œAnd isnā€™t Miss Lavendar sweet, if she IS a little odd? She doesnā€™t look a bit like an old maid.ā€

ā€œShe looks just as music sounds, I think,ā€ answered Anne.

When they went down Miss Lavendar was carrying in the teapot, and behind her, looking vastly pleased, was Charlotta the Fourth, with a plate of hot biscuits.

ā€œNow, you must tell me your names,ā€ said Miss Lavendar. ā€œIā€™m so glad you are young girls. I love young girls. Itā€™s so easy to pretend Iā€™m a girl myself when Iā€™m with them. I do hateā€ . . . with a little grimace . . . ā€œto believe Iā€™m old. Now, who are you . . . just for convenienceā€™ sake? Diana Barry? And Anne Shirley? May I pretend that Iā€™ve known you for a hundred years and call you Anne and Diana right away?ā€

ā€œYou, mayā€ the girls said both together.

ā€œThen just letā€™s sit comfily down and eat everything,ā€ said Miss Lavendar happily. ā€œCharlotta, you sit at the foot and help with the chicken. It is so fortunate that I made the sponge cake and doughnuts. Of course, it was foolish to do it for imaginary guests . . . I know Charlotta the Fourth thought so, didnā€™t you, Charlotta? But you see how well it has turned out. Of course they wouldnā€™t have been wasted, for Charlotta the Fourth and I could have eaten them through time. But sponge cake is not a thing that improves with time.ā€

That was a merry and memorable meal; and when it was over they all went out to the garden, lying in the glamor of sunset.

ā€œI do think you have the loveliest place here,ā€ said Diana, looking round her admiringly.

ā€œWhy do you call it Echo Lodge?ā€ asked Anne.

ā€œCharlotta,ā€ said Miss Lavendar, ā€œgo into the house and bring out the little tin horn that is hanging over the clock shelf.ā€

Charlotta the Fourth skipped off and returned with the horn.

ā€œBlow it, Charlotta,ā€ commanded Miss Lavendar.

Charlotta accordingly blew, a rather raucous, strident blast. There was momentā€™s stillness . . . and then from the woods over the river came a multitude of fairy echoes, sweet, elusive, silvery, as if all the ā€œhorns of elflandā€ were blowing against the sunset. Anne and Diana exclaimed in delight.

ā€œNow laugh, Charlotta . . . laugh loudly.ā€

Charlotta, who would probably have obeyed if Miss Lavendar had told her to stand on her head, climbed upon the stone bench and laughed loud and heartily. Back came the echoes, as if a host of pixy people were mimicking her laughter in the purple woodlands and along the fir-fringed points.

ā€œPeople always admire my echoes very much,ā€ said Miss Lavendar, as if the echoes were her personal property. ā€œI love them myself. They are very good company . . . with a little pretending. On calm evenings Charlotta the Fourth and I often sit out here and amuse ourselves with them. Charlotta, take back the horn and hang it carefully in its place.ā€

ā€œWhy do you call her Charlotta the Fourth?ā€ asked Diana, who was bursting with curiosity on this point.

ā€œJust to keep her from getting mixed up with other Charlottas in my thoughts,ā€ said Miss Lavendar seriously. ā€œThey all look so much alike thereā€™s no telling them apart. Her name isnā€™t really Charlotta at all. It is . . . let me see . . . what is it? I THINK itā€™s Leonora . . . yes, it IS Leonora. You see, it is this way. When mother died ten years ago I couldnā€™t stay here alone . . . and I couldnā€™t afford to pay the wages of a grown-up girl. So I got little Charlotta Bowman to come and stay with me for board and clothes. Her name really was Charlotta . . . she was Charlotta the First. She was just thirteen. She stayed with me till she was sixteen and then she went away to Boston, because she could do better there. Her sister came to stay with me then. Her name was Julietta . . . Mrs. Bowman had a weakness for fancy names I think . . . but she looked so like Charlotta that I kept calling her that all the time . . .and she didnā€™t mind. So I just gave up trying to remember her right name. She was Charlotta the Second, and when she went away Evelina came and she was Charlotta the Third. Now I have Charlotta the Fourth; but when she is sixteen . . . sheā€™s fourteen now . . . she will want to go to Boston too, and what I shall do then I really do not know. Charlotta the Fourth is the last of the Bowman girls, and the best. The other Charlottas always let me see that they thought it silly of me to pretend things but Charlotta the Fourth never does, no matter what she may really think. I donā€™t care what people think about me if they donā€™t let me see it.ā€

ā€œWell,ā€ said Diana looking regretfully at the setting sun. ā€œI suppose we must go if we want to get to Mr. Kimballā€™s before dark. Weā€™ve had a lovely time, Miss Lewis.ā€

ā€œWonā€™t you come again to see me?ā€ pleaded Miss Lavendar.

Tall Anne put her arm about the little lady.

ā€œIndeed we shall,ā€ she promised. ā€œNow that we have discovered you weā€™ll wear out our welcome coming to see you. Yes, we must go . . . ā€˜we must tear ourselves away,ā€™ as Paul Irving says every time he comes to Green Gables.ā€

ā€œPaul Irving?ā€ There was a subtle change in Miss Lavendarā€™s voice. ā€œWho is he? I didnā€™t think there was anybody of that name in Avonlea.ā€

Anne felt vexed at her own heedlessness. She had forgotten about Miss Lavendarā€™s old romance when Paulā€™s name slipped out.

ā€œHe is a little pupil of mine,ā€ she explained slowly. ā€œHe came from Boston last year to live with his grandmother, Mrs. Irving of the shore road.ā€

ā€œIs he Stephen Irvingā€™s son?ā€ Miss Lavendar asked, bending over her namesake border so that her face was hidden.

ā€œYes.ā€

ā€œIā€™m going to give you girls a bunch of lavendar apiece,ā€ said Miss Lavendar brightly, as if she had not heard the answer to her question. ā€œItā€™s very sweet, donā€™t you think? Mother always loved it. She planted these borders long ago. Father named me Lavendar because he was so fond of it. The very first time he saw mother was when he visited her home in East Grafton with her brother. He fell in love with her at first sight; and they put him in the spare room bed to sleep and the sheets were scented with lavendar and he lay awake all night and thought of her. He always loved the scent of lavendar after that . . . and that was why he gave me the name. Donā€™t forget to come back soon, girls dear. Weā€™ll be looking for you, Charlotta the Fourth and I.ā€

She opened the gate under the firs for them to pass through. She looked suddenly old and tired; the glow and radiance had faded from her face; her parting smile was as sweet with ineradicable youth as ever, but when the girls looked back from the first curve in the lane they saw her sitting on the old stone bench under the silver poplar in the middle of the garden with her head leaning wearily on her hand.

ā€œShe does look lonely,ā€ said Diana softly. ā€œWe must come often to see her.ā€

ā€œI think her parents gave her the only right and fitting name that could possibly be given her,ā€ said Anne. ā€œIf they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. Itā€™s so suggestive of sweetness and old-fashioned graces and ā€˜silk attire.ā€™ Now, my name just smacks of bread and butter, patchwork and chores.ā€

ā€œOh, I donā€™t think so,ā€ said Diana. ā€œAnne seems to me real stately and like a queen. But Iā€™d like Kerrenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I canā€™t bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.ā€

ā€œThatā€™s a lovely idea, Diana,ā€ said Anne enthusiastically. ā€œLiving so that you beautify your name, even if it wasnā€™t beautiful to begin with . . . making it stand in peopleā€™s thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.ā€





XXII Odds and Ends

ā€œSo you had tea at the stone house with Lavendar Lewis?ā€ said Marilla at the breakfast table next morning. ā€œWhat is she like now? Itā€™s over fifteen years since I saw her last . . . it was one Sunday in Grafton church. I suppose she has changed a great deal. Davy Keith, when you want something you canā€™t reach, ask to have it passed and donā€™t spread yourself over the table in that fashion. Did you ever see Paul Irving doing that when he was here to meals?ā€

ā€œBut Paulā€™s arms are longerā€™n mine,ā€ brumbled Davy. ā€œTheyā€™ve had eleven years to grow and mineā€™ve only had seven. ā€˜Sides, I DID ask, but you and Anne was so busy talking you didnā€™t pay any ā€˜tention. ā€˜Sides, Paulā€™s never been here to any meal escept tea, and itā€™s easier to be pā€™lite at tea than at breakfast. You ainā€™t half as hungry. Itā€™s an awful long while between supper and breakfast. Now, Anne, that spoonful ainā€™t any bigger than it was last year and Iā€™M ever so much bigger.ā€

ā€œOf course, I donā€™t know what Miss Lavendar used to look like but I donā€™t fancy somehow that she has changed a great deal,ā€ said Anne, after she had helped Davy to maple syrup, giving him two spoonfuls to pacify him. ā€œHer hair is snow-white but her face is fresh and almost girlish, and she has the sweetest brown eyes . . . such a pretty shade of wood-brown with little golden glints in them . . . and her voice makes you think of white satin and tinkling water and fairy bells all mixed up together.ā€

ā€œShe was reckoned a great beauty when she was a girl,ā€ said Marilla. ā€œI never knew her very well but I liked her as far as I did know her. Some folks thought her peculiar even then. DAVY, if ever I catch you at such a trick again youā€™ll be made to wait for your meals till everyone else is done, like the French.ā€

Most conversations between Anne and Marilla in the presence of the twins, were punctuated by these rebukes Davy-ward. In this instance, Davy, sad to relate, not being able to scoop up the last drops of his syrup with his spoon, had solved the difficulty by lifting his plate in both hands and applying his small pink tongue to it. Anne looked at him with such horrified eyes that the little sinner turned red and said, half shamefacedly, half defiantly,

ā€œThere ainā€™t any wasted that way.ā€

ā€œPeople who are

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