Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Les Misérables by Victor Hugo (top novels .txt) 📖
- Author: Victor Hugo
Book online «Les Misérables by Victor Hugo (top novels .txt) 📖». Author Victor Hugo
They were of those dwarfed natures which, if a dull fire chances to warm them up, easily become monstrous. There was in the woman a substratum of the brute, and in the man the material for a blackguard. Both were susceptible, in the highest degree, of the sort of hideous progress which is accomplished in the direction of evil. There exist crab-like souls which are continually retreating towards the darkness, retrograding in life rather than advancing, employing experience to augment their deformity, growing incessantly worse, and becoming more and more impregnated with an ever-augmenting blackness. This man and woman possessed such souls.
Thénardier, in particular, was troublesome for a physiognomist. One can only look at some men to distrust them; for one feels that they are dark in both directions. They are uneasy in the rear and threatening in front. There is something of the unknown about them. One can no more answer for what they have done than for what they will do. The shadow which they bear in their glance denounces them. From merely hearing them utter a word or seeing them make a gesture, one obtains a glimpse of sombre secrets in their past and of sombre mysteries in their future.
This Thénardier, if he himself was to be believed, had been a soldier—a sergeant, he said. He had probably been through the campaign of 1815, and had even conducted himself with tolerable valor, it would seem. We shall see later on how much truth there was in this. The sign of his hostelry was in allusion to one of his feats of arms. He had painted it himself; for he knew how to do a little of everything, and badly.
It was at the epoch when the ancient classical romance which, after having been Clélie, was no longer anything but Lodoïska, still noble, but ever more and more vulgar, having fallen from Mademoiselle de Scudéri to Madame Bournon-Malarme, and from Madame de Lafayette to Madame Barthélemy-Hadot, was setting the loving hearts of the portresses of Paris aflame, and even ravaging the suburbs to some extent. Madame Thénardier was just intelligent enough to read this sort of books. She lived on them. In them she drowned what brains she possessed. This had given her, when very young, and even a little later, a sort of pensive attitude towards her husband, a scamp of a certain depth, a ruffian lettered to the extent of the grammar, coarse and fine at one and the same time, but, so far as sentimentalism was concerned, given to the perusal of Pigault-Lebrun, and “in what concerns the sex,” as he said in his jargon—a downright, unmitigated lout. His wife was twelve or fifteen years younger than he was. Later on, when her hair, arranged in a romantically drooping fashion, began to grow gray, when the Megæra began to be developed from the Pamela, the female Thénardier was nothing but a coarse, vicious woman, who had dabbled in stupid romances. Now, one cannot read nonsense with impunity. The result was that her eldest daughter was named Éponine; as for the younger, the poor little thing came near being called Gulnare; I know not to what diversion, effected by a romance of Ducray-Dumenil, she owed the fact that she merely bore the name of Azelma.
However, we will remark by the way, everything was not ridiculous and superficial in that curious epoch to which we are alluding, and which may be designated as the anarchy of baptismal names. By the side of this romantic element which we have just indicated there is the social symptom. It is not rare for the neatherd’s boy nowadays to bear the name of Arthur, Alfred, or Alphonse, and for the vicomte—if there are still any vicomtes—to be called Thomas, Pierre, or Jacques. This displacement, which places the “elegant” name on the plebeian and the rustic name on the aristocrat, is nothing else than an eddy of equality. The irresistible penetration of the new inspiration is there as everywhere else. Beneath this apparent discord there is a great and a profound thing,—the French Revolution.
It is not all in all sufficient to be wicked in order to prosper. The cook-shop was in a bad way.
Thanks to the traveller’s fifty-seven francs, Thénardier had been able to avoid a protest and to honor his signature. On the following month they were again in need of money. The woman took Cosette’s outfit to Paris, and pawned it at the pawnbroker’s for sixty francs. As soon as that sum was spent, the Thénardiers grew accustomed to look on the little girl merely as a child whom they were caring for out of charity; and they treated her accordingly. As she had no longer any clothes, they dressed her in the cast-off petticoats and chemises of the Thénardier brats; that is to say, in rags. They fed her on what all the rest had left—a little better than the dog, a little worse than the cat. Moreover, the cat and the dog were her habitual table-companions; Cosette ate with them under the table, from a wooden bowl similar to theirs.
The mother, who had established herself, as we shall see later on, at M. sur M., wrote, or, more correctly, caused to be written, a letter every month, that she might have news of her child. The Thénardiers replied invariably, “Cosette is doing wonderfully well.”
At the expiration of the first six months the mother sent seven francs for the seventh month, and continued her remittances with tolerable regularity from month to month. The year was not completed when Thénardier said: “A fine favor she is doing us, in sooth! What does she expect us to do with her seven francs?” and he wrote to demand twelve francs. The mother, whom they had persuaded into the belief that her child was happy, “and was coming on well,” submitted, and forwarded the twelve francs.
Certain natures cannot love on the one hand without hating on the other. Mother Thénardier loved her two daughters passionately, which caused her to hate the stranger.
It is sad to think that the love of a mother can possess villainous aspects. Little as was the space occupied by Cosette, it seemed to her as though it were taken from her own, and that that little child diminished the air which her daughters breathed. This woman, like many women of her sort, had a load of caresses and a burden of blows and injuries to dispense each day. If she had not had Cosette, it is certain that her daughters, idolized as they were, would have received the whole of it; but the stranger did them the service to divert the blows to herself. Her daughters received nothing but caresses. Cosette could not make a motion which did not draw down upon her head a heavy shower of violent blows and unmerited chastisement. The sweet, feeble being, who should not have understood anything of this world or of God, incessantly punished, scolded, ill-used, beaten, and seeing beside her two little creatures like herself, who lived in a ray of dawn!
Madame Thénardier was vicious with Cosette. Éponine and Azelma were vicious. Children at that age are only copies of their mother. The size is smaller; that is all.
A year passed; then another.
People in the village said:—
“Those Thénardiers are good people. They are not rich, and yet they are bringing up a poor child who was abandoned on their hands!”
They thought that Cosette’s mother had forgotten her.
In the meanwhile, Thénardier, having learned, it is impossible to say by what obscure means, that the child was probably a bastard, and that the mother could not acknowledge it, exacted fifteen francs a month, saying that “the creature” was growing and “eating,” and threatening to send her away. “Let her not bother me,” he exclaimed, “or I’ll fire her brat right into the middle of her secrets. I must have an increase.” The mother paid the fifteen francs.
From year to year the child grew, and so did her wretchedness.
As long as Cosette was little, she was the scape-goat of the two other children; as soon as she began to develop a little, that is to say, before she was even five years old, she became the servant of the household.
Five years old! the reader will say; that is not probable. Alas! it is true. Social suffering begins at all ages. Have we not recently seen the trial of a man named Dumollard, an orphan turned bandit, who, from the age of five, as the official documents state, being alone in the world, “worked for his living and stole”?
Cosette was made to run on errands, to sweep the rooms, the courtyard, the street, to wash the dishes, to even carry burdens. The Thénardiers considered themselves all the more authorized to behave in this manner, since the mother, who was still at M. sur M., had become irregular in her payments. Some months she was in arrears.
If this mother had returned to Montfermeil at the end of these three years, she would not have recognized her child. Cosette, so pretty and rosy on her arrival in that house, was now thin and pale. She had an indescribably uneasy look. “The sly creature,” said the Thénardiers.
Injustice had made her peevish, and misery had made her ugly. Nothing remained to her except her beautiful eyes, which inspired pain, because, large as they were, it seemed as though one beheld in them a still larger amount of sadness.
It was a heart-breaking thing to see this poor child, not yet six years old, shivering in the winter in her old rags of linen, full of holes, sweeping the street before daylight, with an enormous broom in her tiny red hands, and a tear in her great eyes.
She was called the Lark in the neighborhood. The populace, who are fond of these figures of speech, had taken a fancy to bestow this name on this trembling, frightened, and shivering little creature, no bigger than a bird, who was awake every morning before any one else in the house or the village, and was always in the street or the fields before daybreak.
Only the little lark never sang.
And in the meantime, what had become of that mother who according to the people at Montfermeil, seemed to have abandoned her child? Where was she? What was she doing?
After leaving her little Cosette with the Thénardiers, she had continued her journey, and had reached M. sur M.
This, it will be remembered, was in 1818.
Fantine had quitted her province ten years before. M. sur M. had changed its aspect. While Fantine had been slowly descending from wretchedness to wretchedness, her native town had prospered.
About two years previously one of those industrial facts which are the grand events of small districts had taken place.
This detail is important, and we regard it as useful to develop it at length; we should almost say, to underline it.
From time immemorial, M. sur M. had had for its special industry the imitation of English jet and the black glass trinkets of Germany. This industry had always vegetated, on account of the high price of the raw material, which reacted on the manufacture. At the moment when Fantine returned to M. sur M., an unheard-of transformation had taken place in the production of “black goods.” Towards the close of 1815 a man, a stranger, had established himself in the town, and had been inspired with the idea of substituting, in this manufacture, gum-lac for resin, and, for bracelets in particular, slides of sheet-iron simply laid together, for slides of soldered sheet-iron.
This very small change had effected a revolution.
This very small change had, in fact, prodigiously reduced the cost of the raw material, which had rendered it possible in the first place, to raise the price of manufacture, a benefit to the country; in the second place, to improve the workmanship, an advantage to the consumer; in the third place, to sell at a lower price, while trebling the profit, which was a benefit to the manufacturer.
Thus three results ensued from one idea.
In less than three years the inventor of this process had become rich, which is good, and had made every one about him rich, which is better. He was a stranger in the Department. Of his origin, nothing was known; of the beginning of his career, very little. It was rumored that he had come to town with very little money, a few hundred francs at the most.
It was from this slender capital, enlisted
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