The ''Genius'' by Theodore Dreiser (romantic novels to read .TXT) 📖

don't think you'd be happy married. You might not always love me. I might not always love you. You might come to regret. If we could be happy now you might reach the point where you wouldn't care any more. Then you see I wouldn't be remorseful thinking that we had never known happiness."

"What logic!" he exclaimed. "Do you mean to say you wouldn't care any more?"

"Oh, I'd care, but not in the same way. Don't you see, Eugene, I would have the satisfaction of knowing that even if we did separate you had had the best of me."

It seemed astounding to Eugene that she should talk in this way—reason this way. What a curious, sacrificial, fatalistic turn of mind. Could a young, beautiful, talented girl really be like this? Would anybody on earth really believe it if they knew? He looked at her and shook his head sorrowfully.

"To think that the quintessence of life should not stay with us always." He sighed.

"No, honey boy," she replied, "you want too much. You think you want it to stay, but you don't. You want it to go. You wouldn't be satisfied to live with me always, I know it. Take what the gods provide and have no regrets. Refuse to think; you can, you know."

Eugene gathered her up in his arms. He kissed her over and over, forgetting in her embrace all the loves he had ever known. She yielded herself to him gladly, joyously, telling him over and over that it made her happy.

"If you could only see how nice you are to me you wouldn't wonder," she explained.

He concluded she was the most wonderful being he had ever known. No woman had ever revealed herself to him so unselfishly in love. No woman he had ever known appeared to have the courage and the insight to go thus simply and directly to what she desired. To hear an artist of her power, a girl of her beauty, discussing calmly whether she should sacrifice her virtue to love; whether marriage in the customary form was good for her art; whether she should take him now when they were young or bow to the conventions and let youth pass, was enough to shock his still trammelled soul. For after all, and despite his desire for personal freedom, his intellectual doubts and mental exceptions, he still had a profound reverence for a home such as that maintained by Jotham Blue and his wife, and for its results in the form of normal, healthy, dutiful children. Nature had no doubt attained to this standard through a long series of difficulties and experiments, and she would not readily relinquish it. Was it really necessary to abandon it entirely? Did he want to see a world in which a woman would take him for a little while as Christina was doing now, and then leave him? His experience here was making him think, throwing his theories and ideas up in the air, making a mess of all the notions he had ever formed about things. He racked his brain over the intricacies of sex and life, sitting on the great verandas of the hotel and wondering over and over just what the answer was, and why he could not like other men be faithful to one woman and be happy. He wondered whether this was really so, and whether he could not. It seemed to him then that he might. He knew that he did not understand himself very clearly; that he had no grasp on himself at all as yet—his tendencies, his possibilities.

These days, under such halcyon conditions, made a profound impression on him. He was struck with the perfection life could reach at odd moments. These great quiet hills, so uniform in their roundness, so green, so peaceful, rested his soul. He and Christina climbed, one day, two thousand feet to a ledge which jutted out over a valley and commanded what seemed to him the kingdoms and the powers of the earth—vast stretches of green land and subdivided fields, little cottage settlements and towns, great hills that stood up like friendly brothers to this one in the distance.

"See that man down in that yard," said Christina, pointing to a speck of a being chopping wood in a front space serving as a garden to a country cottage fully a mile distant.

"Where?" asked Eugene.

"See where that red barn is, just this side of that clump of trees?—don't you see? there, where the cows are in that field."

"I don't see any cows."

"Oh, Eugene, what's the matter with your eyes?"

"Oh, now I see," he replied, squeezing her fingers. "He looks like a cockroach, doesn't he?"

"Yes," she laughed.

"How wide the earth is and how small we are. Now think of that speck with all his hopes and ambitions—all the machinery of his brain and nerves and tell me whether any God can care. How can He, Christina?"

"He can't care for any one particular speck much, sweet. He might care for the idea of man or a race of men as a whole. Still, I'm not sure, honey. All I know is that I'm happy now."

"And I," he echoed.

Still they dug at this problem, the question of the origin of life—its why. The tremendous and wearisome age of the earth; the veritable storms of birth and death that seemed to have raged at different periods, held them in discussion.

"We can't solve it, Eugenio mio," she laughed. "We might as well go home. Poor, dear mamma will be wondering where her Christina is. You know I think she suspects that I'm falling in love with you. She doesn't care how many men fall in love with me, but if I show the least sign of a strong preference she begins to worry."

"Have there been many preferences?" he inquired.

"No, but don't ask. What difference does it make? Oh, Eugene, what difference does it make? I love you now."

"I don't know what difference it makes," he replied, "only there is an ache that goes with the thought of previous experience. I can't tell you why it is. It just is."

She looked thoughtfully away.

"Anyhow, no man ever was to me before what you have been. Isn't that enough? Doesn't that speak?"

"Yes, yes, sweet, it does. Oh, yes it does. Forgive me. I won't grieve any more."

"Don't, please," she said, "you hurt me as much as you hurt yourself."

There were evenings when he sat on some one of the great verandas and watched them trim and string the interspaces between the columns with soft, glowing, Chinese lanterns, preparatory to the evening's dancing. He loved to see the girls and men of the summer colony arrive, the former treading the soft grass in filmy white gowns and white slippers, the latter in white ducks and flannels, gaily chatting as they came. Christina would come to these affairs with her mother and brother, beautifully clad in white linen or lawns and laces, and he would be beside himself with chagrin that he had not practised dancing to the perfection of the art. He could dance now, but not like her brother or scores of men he saw upon the waxen floor. It hurt him. At times he would sit all alone after his splendid evenings with his love, dreaming of the beauty of it all. The stars would be as a great wealth of diamond seed flung from the lavish hand of an aimless sower. The hills would loom dark and tall. There was peace and quiet everywhere.

"Why may not life be always like this?" he would ask, and then he would answer himself out of his philosophy that it would become deadly after awhile, as does all unchanging beauty. The call of the soul is for motion, not peace. Peace after activity for a little while, then activity again. So must it be. He understood that.

Just before he left for New York, Christina said to him:

"Now, when you see me again I will be Miss Channing of New York. You will be Mr. Witla. We will almost forget that we were ever here together. We will scarcely believe that we have seen what we have seen and done what we have done."

"But, Christina, you talk as though everything were over. It isn't, is it?"

"We can't do anything like this in New York," she sighed. "I haven't time and you must work."

There was a shade of finality in her tone.

"Oh, Christina, don't talk so. I can't think that way. Please don't."

"I won't," she said. "We'll see. Wait till I get back."

He kissed her a dozen farewells and at the door held her close once more.

"Will you forsake me?" he asked.

"No, you will forsake me. But remember, dear! Don't you see? You've had all. Let me be your wood nymph. The rest is commonplace."

He went back to his hotel with an ache in his heart, for he knew they had gone through all they ever would. She had had her summer with him. She had given him of herself fully. She wanted to be free to work now. He could not understand it, but he knew it to be so.

CHAPTER XXV

It is a rather dreary thing to come back into the hot city in the summer after a period of beauty in the mountains. The quiet of the hills was in Eugene's mind, the glisten and babble of mountain streams, the soar and poise of hawks and buzzards and eagles sailing the crystal blue. He felt lonely and sick for awhile, out of touch with work and with practical life generally. There were little souvenirs of his recent happiness in the shape of letters and notes from Christina, but he was full of the premonition of the end which had troubled him on leaving.

He must write to Angela. He had not thought of her all the time he had been gone. He had been in the habit of writing to her every third or fourth day at least; while of late his letters had been less passionate they had remained fairly regular. But now this sudden break coming—it was fully three weeks—made her think he must be ill, although she had begun to feel also that he might be changing. His letters had grown steadily less reminiscent of the joys they had experienced together and of the happiness they were anticipating, and more inclined to deal with the color and character of city life and of what he hoped to achieve. Angela was inclined to excuse much of this on the grounds of the special effort he was making to achieve distinction and a living income for themselves. But it was hard to explain three weeks of silence without something quite serious having happened.

Eugene understood this. He tried to explain it on the grounds of illness, stating that he was now up and feeling much better. But when his explanation came, it had the hollow ring of insincerity. Angela wondered what the truth could be. Was he yielding to the temptation of that looser life that all artists were supposed to lead? She wondered and worried, for time was slipping away and he was setting no definite date for their much discussed nuptials.

The trouble with Angela's position was that the delay involved practically everything which was important in her life. She was five years older than Eugene. She had long since lost that atmosphere of youth and buoyancy which is so characteristic of a girl between eighteen and twenty-two. Those few short years following, when the body of maidenhood blooms like a rose and there is about it the freshness and color of all rich, new, lush life, were behind her. Ahead was that persistent decline towards something harder, shrewder and less beautiful. In the case of some persons the decline is slow