Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Leave it to Psmith by Pelham Grenville Wodehouse (best motivational books of all time TXT) 📖
- Author: Pelham Grenville Wodehouse
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Book online «Leave it to Psmith by Pelham Grenville Wodehouse (best motivational books of all time TXT) 📖». Author Pelham Grenville Wodehouse
“You must be mad!”
“Well, as I was saying, the days will go by, you will have ample opportunity of studying my personality, and it is quite possible that in due season the love of an honest heart may impress you as worth having. I may add that I have loved you since the moment when I saw you sheltering from the rain under that awning in Dover Street, and I recall saying as much to Comrade Walderwick when he was chatting with me some short time later on the subject of his umbrella. I do not press you for an answer now . . .”
“I should hope not!”
“I merely say ‘Think it over.’ It is nothing to cause you mental distress. Other men love you. Freddie Threepwood loves you. Just add me to the list. That is all I ask. Muse on me from time to time. Reflect that I may be an acquired taste. You probably did not like olives the first time you tasted them. Now you probably do. Give me the same chance you would an olive. Consider, also, how little you actually have against me. What, indeed, does it amount to, when you come to examine it narrowly? All you have against me is the fact that I am not Ralston McTodd. Think how comparatively few people are Ralston McTodd. Let your meditations proceed along these lines and . . .”
He broke off, for at this moment the individual who had come out of the front door a short while back loomed beside them, and the glint of starlight on glass revealed him as the Efficient Baxter.
“Everybody is waiting, Mr. McTodd,” said the Efficient Baxter. He spoke the name, as always, with a certain sardonic emphasis.
“Of course,” said Psmith affably, “of course. I was forgetting. I will get to work at once. You are quite sure you do not wish to hear a scuttleful of modern poetry, Miss Halliday?”
“Quite sure.”
“And yet even now, so our genial friend here informs us, a bevy of youth and beauty is crowding the drawing-room, agog for the treat. Well, well! It is these strange clashings of personal taste which constitute what we call Life. I think I will write a poem about it some day. Come, Comrade Baxter, let us be up and doing. I must not disappoint my public.”
For some moments after the two had left her—Baxter silent and chilly, Psmith, all debonair chumminess, kneading the other’s arm and pointing out as they went objects of interest by the wayside—Eve remained on the terrace wall, thinking. She was laughing now, but behind her amusement there was another feeling, and one that perplexed her. A good many men had proposed to her in the course of her career, but none of them had ever left her with this odd feeling of exhilaration. Psmith was different from any other man who had come her way, and difference was a quality which Eve esteemed. . . .
She had just reached the conclusion that life for whatever girl might eventually decide to risk it in Psmith’s company would never be dull, when strange doings in her immediate neighbourhood roused her from her meditations.
The thing happened as she rose from her seat on the wall and started to cross the terrace on her way to the front door. She had stopped for an instant beneath the huge open window of the drawing-room to listen to what was going on inside. Faintly, with something of the quality of a far-off phonograph, the sound of Psmith reading came to her; and even at this distance there was a composed blandness about his voice which brought a smile to her lips.
And then, with a startling abruptness, the lighted window was dark. And she was aware that all the lighted windows on that side of the castle had suddenly become dark. The lamp that shone over the great door ceased to shine. And above the hubbub of voices in the drawing-room she heard Psmith’s patient drawl.
“Ladies and gentlemen, I think the lights have gone out.”
The night air was rent by a single piercing scream. Something flashed like a shooting star and fell at her feet; and, stooping, Eve found in her hands Lady Constance Keeble’s diamond necklace.
To be prepared is everything in this life. Ever since her talk with Mr. Joseph Keeble in the High Street of Market Blandings that afternoon Eve’s mind had been flitting nimbly from one scheme to another, all designed to end in this very act of seizing the necklace in her hands and each rendered impracticable by some annoying flaw. And now that Fate in its impulsive way had achieved for her what she had begun to feel she could never accomplish for herself, she wasted no time in bewildered inaction. The miracle found her ready for it.
For an instant she debated with herself the chances of a dash through the darkened hall up the stairs to her room. But the lights might go on again, and she might meet someone. Memories of sensational novels read in the past told her that on occasions such as this people were detained and searched. . . .
Suddenly, as she stood there, she found the way. Close beside her, lying on its side, was the flower-pot which Psmith had overturned as he came to join her on the terrace wall. It might have defects as a cache, but at the moment she could perceive none. Most flower-pots are alike, but this was a particularly easily-remembered flower-pot: for in its journeying from the potting shed to the terrace it had acquired on its side a splash of white paint. She would be able to distinguish it from its fellows when, late that night, she crept out to retrieve the spoil. And surely nobody would ever think of suspecting . . .
She plunged her fingers into the soft mould, and straightened herself, breathing quickly. It was not an ideal piece of work, but it would serve.
She rubbed her fingers on the turf, put the flower-pot back in the row with the others, and then, like a flying white phantom, darted across the terrace and into the house. And so with beating heart, groping her way, to the bathroom to wash her hands.
The twenty-thousand-pound flower-pot looked placidly up at the winking stars.
It was perhaps two minutes later that Mr. Cootes, sprinting lustily, rounded the corner of the house and burst on to the terrace. Late as usual.
ALMOST ENTIRELY ABOUT FLOWER-POTS
§ 1T
The Efficient Baxter prowled feverishly up and down the yielding carpet of the big drawing-room. His eyes gleamed behind their spectacles, his dome-like brow was corrugated. Except for himself, the room was empty. As far as the scene of the disaster was concerned, the tumult and the shouting had died. It was going on vigorously in practically every other part of the house, but in the drawing-room there was stillness, if not peace.
Baxter paused, came to a decision, went to the wall and pressed the bell.
“Thomas,” he said when that footman presented himself a few moments later.
“Sir?”
“Send Susan to me.”
“Susan, sir?”
“Yes, Susan,” snapped the Efficient One, who had always a short way with the domestic staff. “Susan, Susan, Susan. . . . The new parlourmaid.”
“Oh, yes, sir. Very good, sir.”
Thomas withdrew, outwardly all grave respectfulness, inwardly piqued, as was his wont, at the airy manner in which the secretary flung his orders about at the castle. The domestic staff at Blandings lived in a perpetual state of smouldering discontent under Baxter’s rule.
“Susan,” said Thomas when he arrived in the lower regions, “you’re to go up to the drawing-room. Nosey Parker wants you.”
The pleasant-faced young woman whom he addressed laid down her knitting.
“Who?” she asked.
“Mister Blooming Baxter. When you’ve been here a little longer you’ll know that he’s the feller that owns the place. How he got it I don’t know. Found it,” said Thomas satirically, “in his Christmas stocking, I expect. Anyhow, you’re to go up.”
Thomas’s fellow-footman, Stokes, a serious-looking man with a bald forehead, shook that forehead solemnly.
“Something’s the matter,” he asserted. “You can’t tell me that wasn’t a scream we heard when them lights was out. Or,” he added weightily, for he was a man who looked at every side of a question, “a shriek. It was a shriek or scream. I said so at the time. ‘There,’ I said, ‘listen!’ I said. ‘That’s somebody screaming,’ I said. ‘Or shrieking.’ Something’s up.”
“Well, Baxter hasn’t been murdered, worse luck,” said Thomas. “He’s up there screaming or shrieking for Susan. ‘Send Susan to me!’” proceeded Thomas, giving an always popular imitation. “‘Susan, Susan, Susan.’ So you’d best go, my girl, and see what he wants.”
“Very well.”
“And, Susan,” said Thomas, a tender note creeping into his voice, for already, brief as had been her sojourn at Blandings, he had found the new parlourmaid making a deep impression on him, “if it’s a row of any kind . . .”
“Or description,” interjected Stokes.
“Or description,” continued Thomas, accepting the word, “if ’e’s ’arsh with you for some reason or other, you come right back to me and sob out your troubles on my chest, see? Lay your little ’ead on my shoulder and tell me all about it.”
The new parlourmaid, primly declining to reply to this alluring invitation, started on her journey upstairs; and Thomas, with a not unmanly sigh, resumed his interrupted game of halfpenny nap with colleague Stokes.
* * * * *
The Efficient Baxter had gone to the open window and was gazing out into the night when Susan entered the drawing-room.
“You wished to see me, Mr. Baxter?”
The secretary spun round. So softly had she opened the door, and so noiselessly had she moved when inside the room, that it was not until she spoke that he had become aware of her arrival. It was a characteristic of this girl Susan that she was always apt to be among those present some time before the latter became cognisant of the fact.
“Oh, good evening, Miss Simmons. You came in very quietly.”
“Habit,” said the parlourmaid.
“You gave me quite a start.”
“I’m sorry. What was it,” she asked, dismissing in a positively unfeeling manner the subject of her companion’s jarred nerves, “that you wished to see me about?”
“Shut that door.”
“I have. I always shut doors.”
“Please sit down.”
“No, thank you, Mr. Baxter. It might look odd if anyone should come in.”
“Of course. You think of everything.”
“I always do.”
Baxter stood for a moment, frowning.
“Miss Simmons,” he said, “when I thought it expedient to install a private detective in this house, I insisted on Wragge’s sending you. We had worked together before . . .”
“Sixteenth of December, 1918, to January twelve, 1919, when you were secretary to Mr. Horace Jevons, the American millionaire,” said Miss Simmons as promptly as if he had touched a spring. It was her hobby to remember dates with precision.
“Exactly. I insisted upon your being sent because I knew from experience that you
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