Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Astounding Stories of Super-Science, May, 1930 by Various (novels for teenagers TXT) 📖
- Author: Various
Book online «Astounding Stories of Super-Science, May, 1930 by Various (novels for teenagers TXT) 📖». Author Various
Bowing repeatedly, the smiling old man addressed some words to Jim, and then turned to Parrish.
"He says he wants you to show him the way the Atom Smasher works," said Parrish. "Now's our chance, Dent. He thinks it's simply an apparatus for neutralizing the blue-white ray. Don't let him guess—"
"I won't let him guess," Jim answered. "Tell him we'll go and show him—"
"I've told him, and he says only you are to go. He's suspicious. Say something quickly, Dent."
"Tell him," said Jim, "that I must have my two assistants and the lady. Tell him I may also need the help of some of his people. It requires many men to operate the machine."
arrish translated, speaking in the Drilgo tongue, which was their only means of communication. The Atlantean considered. Then he spoke again.
"He says that we three men may go, but Lucille must be left behind," groaned Parrish.
"The answer is no," said Jim.
The old dignitary, who seemed somewhat crestfallen, departed with an expressive gesture. Jim and Parrish looked at each other.
"That's our end," groaned Parrish.
"No, he'll bite," answered Jim, with the first grin that had appeared on his countenance since their arrival. "Let's make our plans quickly. We must contrive to get Lucille inside the machine, under the pretense of assisting with[262] the mechanism. And Cain, of course," he added, glancing at the goggly-eyed Drilgo. "You do your best to locate the starting mechanism, Parrish, and signal me the moment you're ready. We'll both leap in, and the four of us will sail—God, I don't care where we sail to, so long as we get away from here! Into eternity, if need be. But I hope it's Long Island!"
Back came the dignitary with two of the guards. Smiling at Jim, he indicated by signs that the three others might accompany him. The Atlanteans had bitten, as Jim had forecast.
The four proceeded along the hall and over the tongue of flooring. This time the force that had previously controlled their movements was not in action. At the farther end of the bridge they saw the group of dignitaries gathered about the Atom Smasher, examining it curiously. Over their heads the hooked arms of the hideous gods were raised. The Eye was darkened, as if with a curtain, and through the glass roof, high overhead, the sunlight streamed down upon the empty amphitheatre.
n spite of their smiles, the dignitaries of Atlantis were very much on the alert, as their tense attitudes denoted. Two more guards had appeared, and Jim saw that they were uncovering some apparatus at the base of the Eye. They were swinging a camera-like object toward him, its lens focused upon the Atom Smasher. It was not difficult to understand what was in the minds of the Atlanteans. The dignitaries were uneasy and mistrustful, and at the first suspicion of treachery they meant to loose the blue-white Ray contained in the apparatus, and blow the Atom Smasher and the group about it to destruction.
Jim intercepted a sign from Parrish, indicating that he was to make pretense of assisting him. He bent over the machine, Lucille beside him. Parrish was busily examining the wheels and levers. He was adjusting the thumbscrews, moving the needles along the dials.
One of the Atlanteans spoke, and Cain translated into "Drilgo" for Parrish's benefit. Parrish answered. Then, without raising his head, the old man said quietly, "I've located the starting lever, Dent. You and Lucille get inside quickly and pretend you're doing something to the machinery."
They stepped over the bow of the boat and stood beside Parrish, who continued examining the wheels. "We mustn't forget Cain," whispered the girl to her father. "Oh, I hope he understands!"
But there was no direct evidence that Cain did understand, and Parrish dared not warn him in "Drilgo," for fear one of the Atlanteans might understand the language. Cain was standing close beside the boat. But he was not in the boat.
Again one of the Atlanteans shot a question at Parrish. Parrish beckoned to Cain, and awaited the translation. He answered.
Each moment was growing tenser. It was impossible that the Atlanteans could fail to understand what was being planned. The only saving chance was that they did not realize the possibilities of escape that the vessel offered. A full minute went by.
uddenly Parrish raised his head. "I've got it fixed, I think, Dent," he said. "I'm going to count. When I reach 'three,' seize Cain and pull him aboard."
Jim nodded. The uneasiness was increasing. The guards at the camera-like object were each holding some sort of mechanical accessory in their hands. It looked like a small sphere of glass, and it connected with the apparatus by means of a hollow tube of fibre. Jim guessed that in an instant the Ray could be made to dart out of the lens. It would be quick work—as nearly as possible instantaneous work.
"Ready, Dent?" asked Parrish in an even voice. In this crisis the old man[263] had become astonishingly calm. He seemed the calmest of the lot. "One!"
Jim beckoned to Cain, who came toward him, his eyes goggling in inquiry.
"Two!"
Jim reached out and took Cain by the arm. There was a sharp question from the Atlantean who had spoken before.
"Three!"
With all his force Jim yanked Cain over the edge of the boat. The Drilgo stumbled and fell headlong with a howl of terror. But headlong—inside.
What happened was practically instantaneous. A sudden whir of the mechanism, a violet glow from the funnel, the smell of chlorine—a flash of blinding blue-white light. The Atlantean guards had fired—a quarter-second too late!
The thump, thump of the electrical discharge died away. The four were in the boat, whirling away through space. Cain was rising to his knees, a woe-begone expression on his face. And there was a clean cut, with charred, black edges along one side of the boat, showing how near the Atlanteans had come to success.
he relief, after the hideous suspense of the past days, was almost too much for the three white people. "We're free, we're going back home!" cried Jim exultantly, as he caught Lucille in his arms. And she surrendered her lips to his, while the tears streamed down her checks. Old Parrish, at the instrument board, looked up, smiling and chuckling. Even Cain, understanding that they were not to be hacked to bits with knives, gurgled and grinned all over his black face.
"How long will it take us to get back?" Jim asked Parrish after a while.
"I—I'm not quite sure, my boy," the old man replied. "You see—I haven't quite familiarized myself with the machine as yet."
"But we'll get back all right?" asked Jim.
"Well, we—we're headed in the right direction," answered Parrish. "You see, my boy, it's rather an intricate table of logarithmic calculations that that scoundrel has pasted on this board. The great danger appears to be that of coming within the orbit of the giant planet Jupiter. Of course, I'm trying to keep within the orbit of the Earth, but there is a danger of being deflected onto Pallas, Ceres, or one of the smaller asteroids, and finding ourselves upon a rock in space."
Jim and Lucille looked at Parrish in consternation. "But you don't have to leave the Earth, do you?" Jim asked.
"Unfortunately, it's pretty hard sticking to the Earth, my lad," said Parrish. "You see, Earth has moved a good many million miles through space since the time of Atlantis."
But both Jim and Lucille noticed that Parrish was already speaking of Atlantis as if it was in the past. They drew a hopeful augury from that. And then there was nothing to do but resign themselves to that universal greyness—and to hope.
hey noticed that Cain seemed to be watching Parrish's movements with unusual interest. The Neanderthal man seemed fascinated by the play of the dials, the whir of the wheels and gyroscopes.
"Are you setting a course, dad?" asked Lucille presently. "I mean, do you know just where we are?"
"To tell you the truth, my dear," answered her father, "I don't. I'm relying on some markings that Tode made on the chart—certain combinations of figures. God only knows where they'll take us to. But I'm hoping that by following them we shall find ourselves back on Long Island in the year 1930.
"No, that rascal could hardly have written down those figures to no purpose. They seem to me to comprise a course, both going and returning. But the calculations are very intricate, especially in the time dimension. I've nearly reached the last row now. Then, we shall have arrived, or—we sha'n't."[264]
Jim and Lucille sat down again. There was nothing that they could do. But somehow their hopes of reaching Long Island in the year of grace 1930 had grown exceedingly slim. Everything depended upon whether or not Tode had meant those figures to represent the course back to the starting point or not.
A desperate hope—that was all that remained to them. They watched Parrish as his eyes wandered along the rows of figures, while his fingers moved the micrometer screws. And then he looked up.
"We're reaching the end of our course," he said. "We're going to land somewhere. God knows where it will be. We must hope—that's all that's left us."
His hands dropped from the dials. He pressed a lever. The blur of nights and days began to slow. A column of vivid violet light shot from the funnel.
"Grip tight!" shouted Parrish.
Thump, thump! The Atom Smasher was vibrating violently. A jar threw Jim against Lucille. It was coming to a standstill. Trees appeared. Jim uttered a shout. He stepped across to Parrish and wrung his hand. He put his arms about Lucille and kissed her.
They were back at the Vanishing Place, and all their sufferings seemed to be of the past....
CHAPTER VIII A Fruitless Journey
hy don't you stop the boat, Parrish?"
"I'm trying to, lad!"
The Atom Smasher was still vibrating, even more violently than before. A column of violet light was pouring from her funnel. The pool, the mud, the walls of heaped up water were discernible, but all quivering and reproduced, line after line, to infinity. It was like looking into the rear-view mirror of a car that is vibrating rapidly. It was like one of those Cubist paintings of a woman descending the stairs, where one had to puzzle out which is the woman and which is the stairs.
A dreadful thought shot through Jim's mind. He remembered what he had said to Tode: "You can't hold the boat still in four-dimensional space."
This was not quite the same. By stopping the infernal mechanism, one re-entered three-dimensional space, and landed. Certainly the Atom Smasher could land. They were not like the motorcyclist who got on a machine for the first time, and rode to the admiration of all who saw him, except that he couldn't find out how to stop.
Yet there was Parrish still fumbling with the controls, and the boat was still vibrating at a terrific rate of speed. It is impossible to dream of leaping out, for there was no solidity, no continuity in the scenery outside.
It was not like attempting to leap from a moving train, for instance. In that case one knows that there is solid earth beneath, however hard one lands. Here everything was distorted, a sort of mirror reflection. And Jim noticed a strange thing that had never occurred to him before. Everything was reversed, as in a mirror picture. That clump of trees, for instance, which should have been on the right, was on the left.
Parrish looked up. "There's some means of stopping her, of course," he said. "There must be a lever—but I don't know where to look for it in all this mess." He pointed to the revolving wheels. No, it might be a matter of days of experimenting in order to discover the elusive switch.
"It may be a combination of switches," said Parrish. "I don't know what we're going to do."
"Suppose I jumped and chanced it," Jim suggested.
Lucille caught his arm with a little cry. Parrish shook his head.
"That devil—Listen: there was a Drilgo he disliked. He threw him out of the boat just before she landed at the cave. Everything was in plain[265] sight, plainer than things are here. But he was never seen again. For God's sake, lad, sit still. I'll try—"
ours later Parrish was still trying. And gradually Jim and Lucille had ceased to hope.
Side by side they had sat, watching that glimmering scene about them. Sometimes everything receded into a
Comments (0)