Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Personal Recollections of Joan of Arc — Volume 1 by Mark Twain (reading women .TXT) 📖
- Author: Mark Twain
Book online «Personal Recollections of Joan of Arc — Volume 1 by Mark Twain (reading women .TXT) 📖». Author Mark Twain
“I will give you a sign, and you shall no more doubt. There is a secret trouble in your heart which you speak of to none—a doubt which wastes away your courage, and makes you dream of throwing all away and fleeing from your realm. Within this little while you have been praying, in your own breast, that God of his grace would resolve that doubt, even if the doing of it must show you that no kingly right is lodged in you.”
It was that that amazed the King, for it was as she had said: his prayer was the secret of his own breast, and none but God could know about it. So he said:
“The sign is sufficient. I know now that these Voices are of God. They have said true in this matter; if they have said more, tell it me—I will believe.”
“They have resolved that doubt, and I bring their very words, which are these: Thou art lawful heir to the King thy father, and true heir of France. God has spoken it. Now lift up thy head, and doubt no more, but give me men-at-arms and let me get about my work.”
Telling him he was of lawful birth was what straightened him up and made a man of him for a moment, removing his doubts upon that head and convincing him of his royal right; and if any could have hanged his hindering and pestiferous council and set him free, he would have answered Joan’s prayer and set her in the field. But no, those creatures were only checked, not checkmated; they could invent some more delays.
We had been made proud by the honors which had so distinguished Joan’s entrance into that place—honors restricted to personages of very high rank and worth—but that pride was as nothing compared with the pride we had in the honor done her upon leaving it. For whereas those first honors were shown only to the great, these last, up to this time, had been shown only to the royal. The King himself led Joan by the hand down the great hall to the door, the glittering multitude standing and making reverence as they passed, and the silver trumpets sounding those rich notes of theirs. Then he dismissed her with gracious words, bending low over her hand and kissing it. Always—from all companies, high or low—she went forth richer in honor and esteem than when she came.
And the King did another handsome thing by Joan, for he sent us back to Courdray Castle torch-lighted and in state, under escort of his own troop—his guard of honor—the only soldiers he had; and finely equipped and bedizened they were, too, though they hadn’t seen the color of their wages since they were children, as a body might say. The wonders which Joan had been performing before the King had been carried all around by this time, so the road was so packed with people who wanted to get a sight of her that we could hardly dig through; and as for talking together, we couldn’t, all attempts at talk being drowned in the storm of shoutings and huzzas that broke out all along as we passed, and kept abreast of us like a wave the whole way.
Chapter 7 Our Paladin in His Glory
WE WERE doomed to suffer tedious waits and delays, and we settled ourselves down to our fate and bore it with a dreary patience, counting the slow hours and the dull days and hoping for a turn when God should please to send it. The Paladin was the only exception—that is to say, he was the only one who was happy and had no heavy times. This was partly owing to the satisfaction he got out of his clothes. He bought them at second hand—a Spanish cavalier’s complete suit, wide-brimmed hat with flowing plumes, lace collar and cuffs, faded velvet doublet and trunks, short cloak hung from the shoulder, funnel-topped buskins, long rapier, and all that—a graceful and picturesque costume, and the Paladin’s great frame was the right place to hang it for effect. He wore it when off duty; and when he swaggered by with one hand resting on the hilt of his rapier, and twirling his new mustache with the other, everybody stopped to look and admire; and well they might, for he was a fine and stately contrast to the small French gentlemen of the day squeezed into the trivial French costume of the time.
He was king bee of the little village that snuggled under the shelter of the frowning towers and bastions of Courdray Castle, and acknowledged lord of the tap-room of the inn. When he opened his mouth there, he got a hearing. Those simple artisans and peasants listened with deep and wondering interest; for he was a traveler and had seen the world—all of it that lay between Chinon and Domremy, at any rate—and that was a wide stretch more of it than they might ever hope to see; and he had been in battle, and knew how to paint its shock and struggle, its perils and surprises, with an art that was all his own. He was cock of that walk, hero of that hostelry; he drew custom as honey draws flies; so he was the pet of the innkeeper, and of his wife and daughter, and they were his obliged and willing servants.
Most people who have the narrative gift—that great and rare endowment—have with it the defect of telling their choice things over the same way every time, and this injures them and causes them to sound stale and wearisome after several repetitions; but it was not so with the Paladin, whose art was of a finer sort; it was more stirring and interesting to hear him tell about a battle the tenth time than it was the first time, because he did not tell it twice the same way, but always made a new battle of it and a better one, with more casualties on the enemy’s side each time, and more general wreck and disaster all around, and more widows and orphans and suffering in the neighborhood where it happened. He could not tell his battles apart himself, except by their names; and by the time he had told one of then ten times it had grown so that there wasn’t room enough in France for it any more, but was lapping over the edges. But up to that point the audience would not allow him to substitute a new battle, knowing that the old ones were the best, and sure to improve as long as France could hold them; and so, instead of saying to him as they would have said to another, “Give us something fresh, we are fatigued with that old thing,” they would say, with one voice and with a strong interest, “Tell about the surprise at Beaulieu again—tell it three or four times!” That is a compliment which few narrative experts have heard in their lifetime.
At first when the Paladin heard us tell about the glories of the Royal Audience he was broken-hearted because he was not taken with us to it; next, his talk was full of what he would have done if he had been there; and within two days he was telling what he did do when he was there. His mill was fairly started, now, and could be trusted to take care of its affair. Within three nights afterward all his battles were taking a rest, for
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