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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Henry Dunbar by Mary Elizabeth Braddon (top 20 books to read txt) 📖

Book online «Henry Dunbar by Mary Elizabeth Braddon (top 20 books to read txt) 📖». Author Mary Elizabeth Braddon



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her young mistress. But then it happened unfortunately that the faithful Elizabeth was very stout, and rather asthmatic; and though Miss Dunbar could not have had a more devoted duenna, she might certainly have had a more active one. And it also happened that Miss Macmahon, having received several practical illustrations of the old adage with regard to the disadvantage of a party of three persons as compared to a party of two persons, fell into the habit of carrying her books with her, and would sit and read in some shady nook near the abbey, while Laura wandered into the wilder regions of the park.

Beneath the shelter of the overarching elms, amidst the rustling of the trembling ferns, Laura Dunbar and Philip Jocelyn met very often during that bright autumnal weather. Their meetings were purely accidental of course, as such meetings always are, but they were not the less pleasant because of their uncertainty.

They were all the more pleasant, perhaps. There was that delicious fever of suspense which kept both young eager hearts in a constant glow. There were Laura's sudden blushes, which made her wonderful beauty doubly wonderful. There was Philip Jocelyn's start of glad astonishment, and the bright sparkle in his dark-brown eyes as he saw the slender, queenly figure approaching him under the shadow of the trees. How beautiful she looked, with the folds of her dress trailing over the dewy grass, and a flickering halo of sunlight tremulous upon her diadem of golden hair! Sometimes she wore a coquettish little hat, with a turned-up brim and a peacock's plume; sometimes a broad-leaved hat of yellow straw, with floating ribbon and a bunch of feathery grasses perched bewitchingly upon the brim. She had the dog Pluto with her always, and generally a volume of some new novel under her arm. I am ashamed to be obliged to confess that this young heiress was very frivolous, and liked reading novels better than improving her mind by the perusal of grave histories, or by the study of the natural sciences. She spent day after day in happy idleness--reading, sketching, playing, singing, talking, sometimes gaily sometimes seriously, to her faithful old nurse, or to Dora, or to Arthur Lovell, as the case might be. She had a thorough-bred horse that had been given to her by her grandfather, but she very rarely rode him beyond the grounds, for Dora Macmahon was no horsewoman, having been brought up by a prim aunt of her dead mother's, who looked upon riding as an unfeminine accomplishment; and Miss Dunbar had therefore no better companion for her rides than a grey-haired old groom, who had ridden behind Percival Dunbar for forty years or so.

Philip Jocelyn generally went to Lisford upon horseback; but when, as so often happened, he met Miss Dunbar and her companion strolling amongst the old elms, it was his habit to get off his horse, and to walk by Laura's side, leading the animal by the bridle. Sometimes he found the two young ladies sitting on camp-stools at the foot of one of the trees, sketching effects of light and shadow in the deep glades around them. On such occasions the baronet used to tie his horse to the lower branch of an old elm, and taking his stand behind Miss Dunbar, would amuse himself by giving her a lesson in perspective, with occasional hints to Miss Macmahon, who, as the young man remarked, drew so much better than her sister, that she really required very little assistance.

By-and-by this began to be an acknowledged thing. Special hours were appointed for these artistic studies: and Philip Jocelyn ceased to go to Lisford at all, contenting himself with passing almost every fine morning under the elms at Maudesley. He found that he had a very intelligent pupil in the banker's daughter: but I think, if Miss Dunbar had been less intelligent, her instructor would have had patience with her, and would have still found his best delight beneath the shadow of those dear old elms.

What words can paint the equal pleasure of giving and receiving those lessons, in the art which was loved alike by pupil and master; but which was so small an element in the happiness of those woodland meetings? What words can describe Laura's pleading face when she found that the shadow of a ruined castle wouldn't agree with the castle itself, or that a row of poplars in the distance insisted on taking that direction which our transatlantic brothers call "slantindicular?" And then the cutting of pencils, and crumbling of bread, and searching for mislaid scraps of India-rubber, and mixing of water-colours, and adjusting of palettes on the prettiest thumb in Christendom, or the planting a sheaf of brushes in the dearest little hand that ever trembled when it met the tenderly timid touch of an amateur drawing-master's fingers;--all these little offices, so commonplace and wearisome when a hard-worked and poorly-paid professor performs them for thirty or forty clamorous girls, on a burning summer afternoon, in a great dust-flavoured schoolroom with bare curtainless windows, were in this case more delicious than any words of mine can tell.

But September and October are autumnal months; and their brightest sunshine is, after all, only a deceptive radiance when compared to the full glory of July. The weather grew too cold for the drawing-lessons under the elms, and there could be no more appointments made between Miss Dunbar and her enthusiastic instructor.

"I can't have my young lady ketch cold, Sir Philip, for all the perspectives in the world," said the faithful Elizabeth. "I spoke to her par about it only the other day; but, lor'! you may just as well speak to a post as to Mr. Dunbar. If Miss Laura comes out in the park now, she must wrap herself up warm, and walk fast, and not go getting the cold shivers for the sake of drawing a parcel of stumps of trees and such-like tomfoolery."

Mrs. Madden made this observation in rather an unpleasant tone of voice one morning when the baronet pleaded for another drawing-lesson. The truth of the matter was that Elizabeth Madden felt some slight pangs of conscience with regard to her own part in this sudden friendship which had arisen between Laura Dunbar and Philip Jocelyn. She felt that she had been rather remiss in her duties as duenna, and was angry with herself. But stronger than this feeling of self-reproach was her indignation against Sir Philip.

Why did he not immediately make an offer of his hand to Laura Dunbar?

Mrs. Madden had expected the young man's proposal every day for the last few weeks: every day she had been doomed to disappointment. And yet she was perfectly convinced that Philip Jocelyn loved her young mistress. The sharp eyes of the matron had fathomed the young man's sentiments long before Laura Dunbar dared to whisper to herself that she was beloved. Why, then, did he not propose? Who could be a more fitting bride for the lord of Jocelyn's Rock than queenly Laura Dunbar, with her splendid dower of wealth and beauty?

Full of these ambitious hopes, Elizabeth Madden had played her part of duenna with such discretion as to give the young people plenty of opportunity for sweet, half-whispered converse, for murmured confidences, soft and low as the cooing of turtle-doves. But in all these conversations no word hinting at an offer of marriage had dropped from the lips of Philip Jocelyn.

He was so happy with Laura; so happy in those pleasant meetings under the Maudesley elms, that no thought of anything so commonplace as a stereotyped proposal of marriage had a place in his mind.

Did he love her? Of course he did: more dearly than he had ever before loved any human creature; except that tender and gentle being, whose image, vaguely beautiful, was so intermingled with the dreams and realities of his childhood in that dim period in which it is difficult to distinguish the shadows of the night from the events of the day,--that pale and lovely creature whom he had but just learned to call "mother," when she faded out of his life for ever.

It was only when the weather grew too cold for out-of-door drawing lessons that Sir Philip began to think that it was time to contemplate the very serious business of a proposal. He would have to speak to the banker, and all that sort of thing, of course, the baronet thought, as he sat by the fire in the oak-panelled breakfast-room at the Rock, pulling his thick moustaches reflectively, and staring at the red embers on the open hearth. The young man idolized Laura; but he did _not_ particularly affect the society of Henry Dunbar. The millionaire was very courteous, very conciliating: but there was something in his stiff politeness, his studied smile, his deliberate speech, something entirely vague and indefinable, which had the same chilly effect upon Sir Philip's friendliness, as a cold cellar has on delicate-flavoured port. The subtle aroma vanished under that dismal influence.

"He's _her_ father, and I'd kneel down, like the little boys in the streets, and clean his boots, if he wanted them cleaned, because he is her father," thought the young man; "and yet, somehow or other, I can't get on with him."

No! between the Anglo-Indian banker and Sir Philip Jocelyn there was no sympathy. They had no tastes in common: or let me rather say, Henry Dunbar revealed no taste in common with those of the young man whose highest hope in life was to be his son-in-law. The frank-hearted young country gentleman tried in vain to conciliate him, or to advance from the cold out-work of ceremonious acquaintanceship into the inner stronghold of friendly intercourse.

But when Sir Philip, after much hesitation and deliberation, presented himself one morning in the banker's tapestried sitting-room, and unburdened his heart to that gentleman--stopping every now and then to stare at the maker's name imprinted upon the lining of his hat, as if that name had been a magical symbol whence he drew certain auguries by which he governed his speech--Mr. Dunbar was especially gracious. "Would he honour Sir Philip by entrusting his daughter's happiness to his keeping? would he bestow upon Sir Philip the inestimable blessing of that dear hand? Why, of course he would, provided always that Laura wished it. In such a matter as this Laura's decision should be supreme. He never had contemplated interfering in his daughter's bestowal of her affections: so long as they were not wasted upon an unworthy object. He wished her to marry whom she pleased; provided that she married an honest man."

Mr. Dunbar gave a weary kind of sigh as he said this; but the sigh was habitual to him, and he apologized for and explained it sometimes by reference to his liver, which was disordered by five-and-thirty years in an Indian climate.

"I wish Laura to marry," he said; "I shall be glad when she has secured the protection of a good husband."

Sir Phillip Jocelyn sprang up with his face all a-glow with rapture, and would fain have seized the banker's hand in token of his gratitude; but Henry Dunbar waved him off with an authoritative gesture.

"Good morning, Sir Philip," he said; "I am very poor company, and I shall be glad to be alone with the _Times_. You young men don't appreciate the _Times_. You want your newspapers filled with prize-fighting and boat-racing, and the last gossip from 'the Corner.' You'll find Miss Dunbar in the blue drawing-room. Speak to her as soon as you please; and let me know the result of the interview."

It is not often that the heiress of a million or thereabouts is quite so readily disposed of. Sir
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