Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Moon and Sixpence by W. Somerset Maugham (free biff chip and kipper ebooks TXT) 📖
- Author: W. Somerset Maugham
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I condoled with Tiare, and remarked feelingly that men were deceivers ever, then asked her to go on with her story of Strickland.
“`Well,’ I said to him, `there’s no hurry about it. Take your time and think it over. Ata has a very nice room in the annexe. Live with her for a month, and see how you like her. You can have your meals here. And at the end of a month, if you decide you want to marry her, you can just go and settle down on her property.’
“Well, he agreed to that. Ata continued to do the housework, and I gave him his meals as I said I would. I taught Ata to make one or two dishes I knew he was fond of. He did not paint much. He wandered about the hills and bathed in the stream. And he sat about the front looking at the lagoon, and at sunset he would go down and look at Murea. He used to go fishing on the reef. He loved to moon about the harbour talking to the natives. He was a nice, quiet fellow. And every evening after dinner he would go down to the annexe with Ata. I saw he was longing to get away to the bush, and at the end of the month I asked him what he intended to do. He said if Ata was willing to go, he was willing to go with her. So I gave them a wedding dinner. I cooked it with my own hands. I gave them a pea soup and lobster a la portugaise, and a curry, and a cocoa-nut salad — you’ve never had one of my cocoa-nut salads, have you? I must make you one before you go — and then I made them an ice. We had all the champagne we could drink and liqueurs to follow. Oh, I’d made up my mind to do things well. And afterwards we danced in the drawingroom. I was not so fat, then, and I always loved dancing.”
The drawingroom at the Hotel de la Fleur was a small room, with a cottage piano, and a suite of mahogany furniture, covered in stamped velvet, neatly arranged around the walls. On round tables were photograph albums, and on the walls enlarged photographs of Tiare and her first husband, Captain Johnson. Still, though Tiare was old and fat, on occasion we rolled back the Brussels carpet, brought in the maids and one or two friends of Tiare’s, and danced, though now to the wheezy music of a gramaphone. On the verandah the air was scented with the heavy perfume of the tiare, and overhead the Southern Cross shone in a cloudless sky.
Tiare smiled indulgently as she remembered the gaiety of a time long passed.
“We kept it up till three, and when we went to bed I don’t think anyone was very sober. I had told them they could have my trap to take them as far as the road went, because after that they had a long walk. Ata’s property was right away in a fold of the mountain. They started at dawn, and the boy I sent with them didn’t come back till next day.
“Yes, that’s how Strickland was married.”
I suppose the next three years were the happiest of Strickland’s life. Ata’s house stood about eight kilometres from the road that runs round the island, and you went to it along a winding pathway shaded by the luxuriant trees of the tropics. It was a bungalow of unpainted wood, consisting of two small rooms, and outside was a small shed that served as a kitchen. There was no furniture except the mats they used as beds, and a rocking-chair, which stood on the verandah. Bananas with their great ragged leaves, like the tattered habiliments of an empress in adversity, grew close up to the house. There was a tree just behind which bore alligator pears, and all about were the cocoa-nuts which gave the land its revenue. Ata’s father had planted crotons round his property, and they grew in coloured profusion, gay and brilliant; they fenced the land with flame. A mango grew in front of the house, and at the edge of the clearing were two flamboyants, twin trees, that challenged the gold of the cocoa-nuts with their scarlet flowers.
Here Strickland lived, coming seldom to Papeete, on the produce of the land. There was a little stream that ran not far away, in which he bathed, and down this on occasion would come a shoal of fish. Then the natives would assemble with spears, and with much shouting would transfix the great startled things as they hurried down to the sea. Sometimes Strickland would go down to the reef, and come back with a basket of small, coloured fish that Ata would fry in cocoa-nut oil, or with a lobster; and sometimes she would make a savoury dish of the great land-crabs that scuttled away under your feet. Up the mountain were wild-orange trees, and now and then Ata would go with two or three women from the village and return laden with the green, sweet, luscious fruit. Then the cocoa-nuts would be ripe for picking, and her cousins (like all the natives, Ata had a host of relatives) would swarm up the trees and throw down the big ripe nuts. They split them open and put them in the sun to dry. Then they cut out the copra and put it into sacks, and the women would carry it down to the trader at the village by the lagoon, and he would give in exchange for it rice and soap and tinned meat and a little money. Sometimes there would be a feast in the neighbourhood, and a pig would be killed. Then they would go and eat themselves sick, and dance, and sing hymns.
But the house was a long way from the village, and the Tahitians are lazy. They love to travel and they love to gossip, but they do not care to walk, and for weeks at a time Strickland and Ata lived alone. He painted and he read, and in the evening, when it was dark, they sat together on the verandah, smoking and looking at the night. Then Ata had a baby, and the old woman who came up to help her through her trouble stayed on. Presently the granddaughter of the old woman came to stay with her, and then a youth appeared — no one quite knew where from or to whom he belonged — but he settled down with them in a happy-go-lucky way, and they all lived together,
Tenez, voila le Capitaine Brunot,” said Tiare, one day when I was fitting together what she could tell me of Strickland. “He knew Strickland well; he visited him at his house.”
I saw a middle-aged Frenchman with a big black beard, streaked with gray, a sunburned face, and large, shining eyes. He was dressed in a neat suit of ducks. I had noticed him at luncheon, and Ah Lin, the Chinese boy, told me he had come from the Paumotus on the boat that had that day arrived. Tiare introduced me to him, and he handed me his card, a large card on which was printed Rene Brunot, and underneath, Capitaine au Long Cours. We were sitting on a little verandah outside the kitchen, and Tiare was cutting out a dress that she was making for one of the girls about the house. He sat down with us.
“Yes; I knew Strickland well,” he said. “I am very fond of chess, and he was always glad of a game. I come to Tahiti three or four times a year for my business, and when he was at Papeete he would come here and we would play. When he married” — Captain Brunot smiled and shrugged his shoulders — “enfin, when he went to live with the girl that Tiare gave him, he asked me to go and see him. I was one of the guests at the wedding feast.” He looked at Tiare, and they both laughed. “He did not come much to Papeete after that, and about a year later it chanced that I had to go to that part of the island for I forgot what business, and when I had finished it I said to myself: `_Voyons_, why should I not go and see that poor Strickland?’ I asked one or two natives if they knew anything about him, and I discovered that he lived not more than five kilometres from where I was. So I went. I shall never forget the impression my visit made on me. I live on an atoll, a low island, it is a strip of land surrounding a lagoon, and its beauty is the beauty of the sea and sky and the varied colour of the lagoon and the grace of the cocoa-nut trees; but the place where Strickland lived had the beauty of the Garden of Eden. Ah, I wish I could make you see the enchantment of that spot, a corner hidden away from all the world, with the blue sky overhead and the rich, luxuriant trees. It was a feast of colour. And it was fragrant and cool. Words cannot describe that paradise. And here he lived, unmindful of the world and by the world forgotten. I suppose to European eyes it would have seemed astonishingly sordid. The house was dilapidated and none too clean. Three or four natives were lying on the verandah. You know how natives love to herd together. There was a young man lying full length, smoking a cigarette, and he wore nothing but a pareo”
The pareo is a long strip of trade cotton, red or blue, stamped with a white pattern. It is worn round the waist and hangs to the knees.
“A girl of fifteen, perhaps, was plaiting pandanus-leaf to make a hat, and an old woman was sitting on her haunches smoking a pipe. Then I saw Ata. She was suckling a new-born child, and another child, stark naked, was playing at her feet. When she saw me she called out to Strickland, and he came to the door. He, too, wore nothing but a pareo. He was an extraordinary figure, with his red beard and matted hair, and his great hairy chest. His feet were horny and scarred, so that I knew he went always bare foot. He had gone native with a vengeance. He seemed pleased to see me, and told Ata to kill a chicken for our dinner. He took me into the house to show me the picture he was at work on when I came in. In one corner of the room was the bed, and in the middle was an easel with the canvas upon it. Because I was sorry for him, I had bought a couple of his pictures for small sums, and I had sent others to friends of mine in France. And though I had bought them out of compassion, after living with them I began to like them. Indeed, I found a strange beauty in them. Everyone thought I was mad, but it turns out that I was right. I was his first admirer in the islands.”
He smiled maliciously at Tiare, and with lamentations she told us again the story of how at the sale of Strickland’s effects she had neglected the pictures, but bought an American stove for twenty-seven francs.
“Have you the pictures still?” I asked.
“Yes; I am keeping them till my daughter is of marriageable age, and then I shall sell them. They
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