Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Astounding Stories of Super-Science, November, 1930 by Various (spanish books to read .TXT) 📖
- Author: Various
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The excited voices of Ora and Detis came to his ears. The booming speech of Mado. Why couldn't he be sensible and companionable as they were? But a perverse demon kept him at the controls. They'd think him a grouch. Well, maybe he was! But the vastness of the universe beckoned. New worlds to explore; mysteries to be solved; a life of countless new experiences! Anyone'd think he was the owner of the Nomad, the way he planned for the future.
hey were in the control cabin now—Mado and Detis and Ora. A moment he hesitated, eyes glued to the telescope. Then, with a petulant gesture, he reached for the automatic control; locked it. Shouldn't be this way. They'd think him an awful cad. And they'd be right! He whirled to face them.
Detis was smiling. Mado gazed owlishly solemn. Ora clung to the arm of her father, and her long lashes hid the blue eyes that had played such havoc[270] with the emotions of the Terrestrial.
"Carr," said Detis, gently, "we must thank you. You saved our lives, you know."
"Aw, forget it. Saved my own, too, didn't I? By a lucky break."
"It wasn't luck, Carr." Detis was gripping his hand now. "It was sheer grit and brains. You had them both. If you hadn't used them we'd all be corpses—or disintegrated—excepting Ora, perhaps. And you know the fate that awaited her. Instead, we are alive and well. The fleet is gone. Rapaju's body and that of his guard drift nameless in space where you disposed of them through the air-lock of the Nomad. The inner planets need fear no future invasion, for the resources of Ganymede have been expended in the one huge enterprise that has failed. All through your quick wit and bravery. No, it wasn't luck."
"Nonsense, Detis." Carr returned the pressure of the scientist's hand, smiling sheepishly. He pushed him away after a moment. He didn't want their gratitude or praise. Didn't know what he wanted. Ora still avoided meeting his gaze. "Nonsense," he repeated. "And now, please leave me. You, Detis. Mado, too. I'd like to be alone for a while—with Ora. Mind?"
Mado's owlish look broadened to a knowing grin as he backed into the passageway. Detis collided with the huge Martian in his eagerness to be out of the room. They were alone and Carr was on his feet. Nothing mattered now—excepting Ora. Suddenly she was in his arms, the fragrance of her hair in his nostrils.
tar gazing, the two of them. It was ridiculous! But the wonders of the universe held a new beauty now for Carr. The distant suns had taken on added brilliance. Still they beckoned.
"Carr," the girl whispered, after a time, "where are we going?"
"To Europa. Your home."
"To—to stay?"
"No." Carr was suddenly confident; determined. "We'll stop there to break the news. Then we'll be wedded, you and I, according to the custom of your people. Our honeymoon—years of it—will be spent in the Nomad, roving the universe. Mado'll agree, I know. Wanderers of the heavens we'll be, Ora. But we'll have each other; and when we've—you've—had enough of it, I'll be ready to settle down. Anywhere you say. Are you game?"
"Oh, Carr! How did you guess? It's just as we'd planned. Father and Mado and I. Didn't think I'd go, did you, you stupid old dear?"
"Why—why Ora." Carr was stammering now. He'd thought he was being masterful—making the plans himself. But she'd beat him to it, the adorable little minx! "I was a bit afraid," he admitted; "and I still can't believe that it's actually true. You're sure you want to?"
"Positive. Why Carr, I've always been a vagabond at heart. And now that I've found you we'll just be vagabonds together. Father and Mado will leave us very much to each other. Their scientific leanings, you know. And—oh—it'll just be wonderful!"
"It's you that'll make it wonderful, sweetheart."
Carr drew her close. The stars shone still more brightly and beckoned anew. Vagabonds, all of them! Like the gypsies of old, but with vastly more territory to roam. The humdrum routine of his old life seemed very far behind. He wondered what Courtney Davis would say if he could see him now. Wordless happiness had come to him, and he let his thoughts wander out into the limitless expanse of the heavens. Star gazing still—just he and Ora.
[271]
The Reader's Corner
From a Science Fiction "Fiend"
Dear Editor:
I agree with you about the reprinting of old stories, because you would only force older Science Fiction readers to read the same stuff that they have read before. Any Science Fiction fiend like myself will surely have the reprinted story in his collection of magazines.
The size of your magazine is perfect, but your paper is not very good. As for me, I don't care about your paper because your stories are so very good that the paper doesn't matter.
My favorite story, and one of the best stories that I have ever read so far, is "Murder Madness." It has a very original idea and holds your interest from the very start.
I am also for a more often publication of your magazine; about twice a month—Rupert Jones, New York, N. Y.
Valuable Suggestions
Dear Editor:
The July issue of Astounding Stories is one of the best issues you have so far published.
Arthur J. Burks sure is a master at writing Science Fiction tales. The first installment of "Earth, the Marauder" was swell. Harl Vincent is another very good author. His novelette, "The Terror of Air-Level Six," was a close second. "The Forgotten Planet," by S. P. Wright, "Beyond the Heaviside Layer," by S. P. Meek and "From an Amber Block," by Tom Curry were all good stories.
The cover illustration was the best yet. I hope that the next dozen covers do not have blue backgrounds. Other colors you might have are green, red, pink, orange, yellow, black and light and dark purple.
When will Edmond Hamilton's first story be published in Astounding Stories? Have you received any stories by Stanton Coblentz, A. Hyatt Verrill, Ed Earl Repp, John W. Campbell, Jr., Edward E. Chappelow and Edgar Rice Burroughs yet?
Why not have a page devoted to the authors? You could print a picture and tell something about one author each month. I think that an illustration representing Science Fiction would look good on the contents page.
I hope that Wesso will soon be illustrating every story in Astounding Stories, or that you will obtain another artist equally as good (if possible).
Is it possible for you to use a better and thinner grade of paper? I save all my Astounding Stories and I like them to be thin so they will not take up so much room.—Jack Darrow, 4225 N. Spaulding Ave., Chicago, Illinois.[272]
Not Yet
Dear Editor:
I have just received your July issue of Astounding Stories, and I must say that it is the best yet.
The only thing wrong with it, in my opinion, is that it is too small; the size should be at least 9x12. Also it should be a semi-monthly, or at least accompanied by a quarterly and annual.
The stories in the July issue are wonderful, all except Murray Leinster's serial, which does not belong in your magazine.
If you have any intention of putting an annual or a quarterly on the market, will you be so kind as to communicate with me as I am very much interested in your magazine.—Louis Wentzler, 1933 Woodbine St., Brooklyn, N. Y.
"Ever Since"
Dear Editor:
I want to tell you what I think of your new magazine. I think it's great.
I stopped in a drug store and saw Astounding Stories on the newsstand. I bought it and have been buying it ever since. I am fourteen years old, but I am interested in science. Why not get a story by Edgar Rice Burroughs, and some more by Ray Cummings?
I wish success to your wonderful magazine.—Wm. McCalvy, 1244 Beech St., St. Paul, Minn.
"Not One Poor Story Yet"
Dear Editor:
I agree with you that reprints should absolutely be kept out of your magazine. I admit that there are many stories of unusual merit among the reprints but I favor new and fresher stories.
In your last issue (June) I consider "The Moon Master" as being the best story, closely followed by "Out of the Dreadful Depths." "The Cavern World" came next, followed by "Giants of the Ray," "Brigands of the Moon" and "Murder Madness."
I have not found one poor story in your magazine yet, and never expect to.
I, for one, favor a larger sized magazine with a five cent increase in price, or, at least, if the magazine must remain small, I would like to see a quarterly out on the third Thursday every three months.
I am extremely pleased to see that an interplanetary story by R. F. Starzl will appear in your next issue. Please have more of his stories if possible.—Forrest James Ackerman, 530 Staples Ave., San Francisco, Calif.
Likes Present Size
Dear Editor:
Best stories in the last two issues: C. D. Willard's "Out of the Dreadful Depths" (Excellent); Chas. W. Diffin's "The Moon Master" (Very Good); Sewell P. Wright's "Forgotten Planet" (Fairly Good).
I am a new reader, but interested in these kinds of stories. I am pleased to see that your readers criticize freely. A story that will please one reader will not interest another, perhaps, and it may not be the fault of the author's ability so much as that he doesn't like that type of story.
"Out of the Dreadful Depths," by C. Willard is the best story I've read for some time. I could not see a single way it could be improved. "The Moon Master," by Chas. Diffin was just as good but I didn't like the ending so well. I certainly hope Mr. Diffin will write more stories like it, especially using his same three leading characters. "The Forgotten Planet," by Mr. Wright, was well written and pretty good in spite of the fact that I don't like that type of story so well.
"Murder Madness," by Murray Leinster was well written and the characters interesting and real but I didn't like his subject. I hope for more and different stories from him. "Earth, the Marauder," by Arthur J. Burks looks as though it was going to be a record winner for me—accomplish the impossible, and make a good story from a story of the future.
I don't like horror stories, crazy stories and stories written far into the future, as "Brigands of the Moon." These stories make light of the vast distances of space and are too weird, droll and fail to give a single shiver down my old backbone. They are strange and inhabited by strange people. No story can give the faintest idea of the space between those mighty suns of the universe. Most of them have more imagination than scientific knowledge. "Earth, the Marauder," an exception.
I would much rather hear stories of primeval days of the lost Atlantis before Earth was populated with scientific beings, when the cave man looked up at the unknown, then so near to him. At the moon, which was then so close, and uninhabited by superior beings. Tales of superstition and all mystery stories of the unknown. I like interplanetary stories, if not written too far into the future.
I like the present size and shape of your magazine. Best wishes for the success of your magazine.—An Interested Reader, Goffstown, N. H.
Likes
Dear Editor:
I have just finished reading the July issue of Astounding Stories and I think every story is simply great, especially "The Terror of Air-Level Six." That sure is a story! "The Forgotten Planet" is a corker, too!
While reading the letters in "The Readers' Corner" I noticed that almost everyone has a hankering for Edgar Rice Burroughs' stories. Believe it or not, I'm wild about his stories myself and I'm looking forward to reading his stories in Astounding Stories. It won't make any difference if they'll be originals or reprints, so long as they're Burroughs!
Ray Cummings is another one of my favorites and I always read his stories first. His "Brigands of the Moon" hit me in the right[273] spot. "The Moon Master" in the June issue was also a very fine story.
Now about this argument about reprinted stories. I think that if, at least, one reprinted story appeared in each issue of Astounding Stories, it wouldn't hurt its reputation. Here are some reprints that hit the ceiling: "The War in the Air," by Wells; "Tarranto, the Conqueror," by Cummings; "The Conquest of Mars," by Serviss. I'm
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