The Regent by Arnold Bennett (feel good novels .txt) 📖

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"BUCKINGHAM PALACE HOTEL.

"DEAR FRIEND,--We are all so proud of you. I should like some time to finish our interrupted conversation. Will you come and have lunch with me one day here at 1.30? You needn't write. I know how busy you are. Just telephone you are coming. But don't telephone between 12 and 1, because at that time I _always_ take my constitutional in St. James's Park.--Yours sincerely, E.A."


"Well," he thought, "that's a bit thick, that is! She's stuck me up with a dramatist I don't believe in, and a play I don't believe in, and an actress I don't believe in--and now she--"

Nevertheless, to a certain extent he was bluffing himself. For, as he pretended to put Elsie April back into her place, he had disturbing and delightful visions of her. A clever creature! Uncannily clever! Wealthy! Under thirty! Broad-minded! No provincial prejudices!... Her voice, that always affected his spine! Her delicious flattery!... She was no mean actress either! And the multifariousness of her seductive charm! In fact, she was a regular woman of the world, such as you would read about--if you did read!... He was sitting with her again in the obscurity of the discussion-room at the Azure Society's establishment. His heart was beating again.

Pooh!...

A single wrench and he ripped up the letter, and cast it into one of the red-lined waste-paper baskets with which the immense and rather shabby writing-room of the Majestic was dotted.

Before he had finished dealing with Mr. Marrier's queries and suggestions--some ten thousand in all--the clock struck, and Nellie tripped into the room. She was in black silk, with hints here and there of gold chains. As she had explained, she had nothing to wear, and was therefore obliged to fall back on the final resource of every woman in her state. For in this connection "nothing to wear" signified "nothing except my black silk"--at any rate in the Five Towns.

"Mr. Marrier--my wife. Nellie, this is Mr. Marrier."

Mr. Marrier was profuse: no other word would describe his demeanour. Nellie had the timidity of a young girl. Indeed she looked quite youthful, despite the ageing influences of black silk.

"So that's your Mr. Marrier! I understood from you he was a clerk!" said Nellie, tartly, suddenly retransformed into the shrewd matron, as soon as Mr. Marrier had profusely gone. She had conceived Marrier as a sort of Penkethman! Edward Henry had hoped to avoid this interview.

He shrugged his shoulders in answer to his wife's remark.

"Well," he said, "where are the kids?"

"Waiting in the lounge with nurse, as you said to be." Her mien delicately informed him that while in London his caprices would be her law, which she would obey without seeking to comprehend.

"Well," he went on, "I expect they'd like the parks as well as anything. Suppose we take 'em and show 'em one of the parks? Shall we? Besides, they must have fresh air."

"All right," Nellie agreed. "But how far will it be?"

"Oh!" said Edward Henry, "we'll crowd into a taxi."

They crowded into a taxi, and the children found their father in high spirits. Maisie mentioned the doll.... In a minute the taxi had stopped in front of a toy-shop surpassing dreams, and they invaded the toy-shop like an army. When they emerged, after a considerable interval, nurse was carrying an enormous doll, and Nellie was carrying Maisie, and Ralph was lovingly stroking the doll's real shoes. Robert kept a profound silence--a silence which had begun in the train.

"You haven't got much to say, Robert," his father remarked, when the taxi set off again.

"I know," said Robert, gruffly. Among other things, he resented his best clothes on a week-day.

"What do you think of London?"

"I don't know," said Robert.

His eyes never left the window of the taxi.

Then they visited the theatre--a very fatiguing enterprise, and also, for Edward Henry, a very nervous one. He was as awkward in displaying that inchoate theatre as a newly-made father with his first-born. Pride and shame fought for dominion over him. Nellie was full of laudations. Ralph enjoyed the ladders.

"I say," said Nellie, apprehensive for Maisie, on the pavement, "this child's exhausted already. How big's this park of yours? Because neither nurse nor I can carry her very far."

"We'll buy a pram," said Edward Henry. He was staring at a newspaper placard which said: "Isabel Joy on the war-path again. Will she win?"

"But--"

"Oh, yes. We'll buy a pram! Driver--"

"A pram isn't enough. You'll want coverings for her--in this wind."

"Well, we'll buy the necessary number of eider-downs and blankets, then," said Edward Henry. "Driver--"

A tremendous business! For in addition to making the purchases he had to feed his flock in an A.B.C. shop, where among the unoccupied waitresses Maisie and her talkative, winking doll enjoyed a triumph. Still there was plenty of time.

At a quarter past twelve he was displaying the varied landscape beauties of the park to his family. Ralph insisted on going to the bridge over the lake, and Robert silently backed him. And therefore the entire party went. But Maisie was afraid of the water and cried. Now the worst thing about Maisie was that when once she had begun to cry it was very difficult to stop her. Even the most remarkable dolls were powerless to appease her distress.

"Give me the confounded pram, nurse," said Edward Henry. "I'll cure her."

But he did not cure her. However, he had to stick grimly to the perambulator. Nellie tripped primly in black silk on one side of it. Nurse had the wayward Ralph by the hand. And Robert, taciturn, stalked alone, adding up London and making a very small total of it.

Suddenly Edward Henry halted the perambulator, and, stepping away from it, raised his hat. An excessively elegant young woman leading a Pekinese by a silver chain stopped as if smitten by a magic dart and held spellbound.

"How do you do, Miss April?" said Edward Henry, loudly. "I was hoping to meet you. This is my wife. Nellie--this is Miss April." Nellie bowed stiffly in her black silk. (Naught of the fresh maiden about her now!) And it has to be said that Elsie April in all her young and radiant splendour and woman-of-the-worldliness was equally stiff. "And there are my two boys. And this is my little girl--in the pram."

Maisie screamed, and pushed an expensive doll out of the perambulator. Edward Henry saved it by its boot as it fell.

"And this is her doll. And this is nurse," he finished. "Fine breezy morning, isn't it?"

In due course the processions moved on.

"Well, that's done!" Edward Henry muttered to himself. And sighed.


CHAPTER IX


THE FIRST NIGHT

I


It was upon an evening in June--and a fine evening, full of the exquisite melancholy of summer in a city--that Edward Henry stood before a window, drumming thereon as he had once, a less-experienced man with hair slightly less grey, drummed on the table of the mighty and arrogant Slosson. The window was the window of the managerial room of the Regent Theatre. And he could scarcely believe it--he could scarcely believe that he was not in a dream--for the room was papered, carpeted and otherwise furnished. Only its electric light fittings were somewhat hasty and provisional, and the white ceiling showed a hole and a bunch of wires--like the nerves of a hollow tooth--whence one of Edward Henry's favourite chandeliers would ultimately depend.

The whole of the theatre was at least as far advanced towards completion as that room. A great deal of it was more advanced; for instance, the auditorium, _foyer_, and bars, which were utterly finished, so far as anything ever is finished in a changing world. Wonders, marvels and miracles had been accomplished. Mr. Alloyd, in the stress of the job, had even ceased to bring the Russian Ballet into his conversations. Mr. Alloyd, despite a growing tendency to prove to Edward Henry by authentic anecdote, about midnight, his general proposition that women as a sex treated him with shameful unfairness, had gained the high esteem of Edward Henry as an architect. He had fulfilled his word about those properties of the auditorium which had to do with hearing and seeing--in so much that the auditorium was indeed unique in London. And he had taken care that the Clerk of the Works took care that the builder did not give up heart in the race with time.

Moreover, he had maintained the peace with the terrible London County Council, all of whose inspecting departments seemed to have secretly decided that the Regent Theatre should be opened, not in June as Edward Henry had decided, but at some vague future date towards the middle of the century. Months earlier Edward Henry had ordained and announced that the Regent Theatre should be inaugurated on a given date in June, at the full height and splendour of the London season, and he had astounded the theatrical world by adhering through thick and thin to that date, and had thereby intensified his reputation as an eccentric; for the oldest inhabitant of that world could not recall a case in which the opening of a new theatre had not been promised for at least three widely different dates.

Edward Henry had now arrived at the eve of the dread date, and if he had arrived there in comparative safety, with a reasonable prospect of avoiding complete shame and disaster, he felt and he admitted that the credit was due as much to Mr. Alloyd as to himself. Which only confirmed an early impression of his that architects were queer people--rather like artists and poets in some ways, but with a basis of bricks and mortar to them.

His own share in the enterprise of the Regent had in theory been confined to engaging the right people for the right tasks and situations; and to signing cheques. He had depended chiefly upon Mr. Marrier, who, growing more radiant every day, had gradually developed into a sort of chubby Napoleon, taking an immense delight in detail and in choosing minor hands at round-sum salaries on the spur of the moment. Mr. Marrier refused no call upon his energy. He was helping Carlo Trent in the production and stage-management of the play. He dried the tears of girlish neophytes at rehearsals. He helped to number the stalls. He showed a passionate interest in the tessellated pavement of the entrance. He taught the managerial typewriting girl how to make afternoon tea. He went to Hitchin to find a mediaeval chair required for the third act, and found it. In a word, he was fully equal to the post of acting manager. He managed! He managed everything and everybody except Edward Henry, and except the press-agent, a functionary whose conviction of his own indispensability and importance was so sincere that even Marrier shared it and left him alone in his Bismarckian operations. The press-agent, who sang in musical comedy chorus at night, knew that if the Regent Theatre succeeded it would be his doing and his alone.

And yet Edward Henry, though he had delegated everything, had yet found a vast amount of work to do; and was thereby exhausted. That was why he was drumming on the pane. That was why he was conscious of a foolish desire to shove his fist through the pane. During the afternoon he had had two scenes with two representatives of the Libraries (so called because they deal in theatre-tickets and not in books) who