Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Astounding Stories, June, 1931 by Various (sites to read books for free .txt) 📖
- Author: Various
Book online «Astounding Stories, June, 1931 by Various (sites to read books for free .txt) 📖». Author Various
Astounding Stories has a much better type of stories than the other magazine. There are only a few stories I have seen in your magazine which do not belong there. They are: "A Problem in Communication," which is not so much fiction and does not have much of a plot, and "The Ape-men of Xloti," which was very well written and very interesting, but did not have enough science in it.
I would like to see sequels to the following stories: "Marooned Under the Sea," "Beyond the Vanishing Point," "Monsters of Mars," telling about another effort of the crocodile-men to conquer Earth, "The Gray Plague," telling of another attack by the Venusians, and, most of all, "Vagabonds of Space." I would like to see a story about their further adventures about every three months, just as I see the stories about Commander Hanson.
I wish the best of luck for Astounding Stories.—Bill Bailey, 1404 Wightman St., Pittsburgh, Pa.
Come Again
Dear Editor:
Although I have been an interested Reader of Astounding Stories since its inception, this is the first time that I have written; but "our" magazine has been so good lately that I just had to write and compliment you on your good work.
There are just two criticisms I have of Astounding Stories. The first is that the binding sometimes comes off; the second is the rough edges. I join with many other Readers in complaining that uneven edges make it hard to find a certain page and also give the mag a cheap looking appearance.
In my opinion the two best serials you have printed are "Brigands of the Moon" and "The Pirate Planet." The four best novelettes are: "Marooned Under the Sea," "The Fifth-Dimension Catapult," "Beyond the Vanishing Point" and "Vagabonds of Space."—Eugene Bray, Campbell, Mo.
How Simple!
Dear Editor:
Just a few lines to set Mr. Greenfeld right on that question of how a man could be disintegrated and then reintegrated as two (or more) similar men.
Briefly, the atomic or molecular structure of the original man could serve as a pattern to be set up in the reintegrating machine or machines while he is being dissolved by the disintegrating machine. Thus, the reintegrators could reconstruct any number of similar men by following the pattern of his molecular structure and drawing on a prearranged supply of the basic elements.
As for the "soul," that is merely the manifestation of the chemical combinations in the man's body, and when said chemical combinations are duplicated, the "soul" simply follows suit.—Joseph N. Mosleh, 4002 Sixth Ave., Brooklyn, N. Y.
Both in One Issue
Dear Editor:
I think it's about time to let you know what I think of your wonderful magazine. Of course, I have my dislikes but they are very few. I wish you would make up your magazine larger and even the pages up. The best complete novelettes I have read were both in the same issue. They were "Monsters of Mars," by Edmond Hamilton and "Four Miles Within," by Anthony Gilmore. Wesso is by far your best artist. Please keep him. All the other Science Fiction magazines have quarterlies. Why don't you have one?
Good-by, and keep Astounding Stories up to its present standard.—Frederick Morrison, Long Beach, Calif.
"Good As Is"
Dear Editor:
I have been reading your mag for about five months and I like it very much. I don't see what those guys want a quarterly for. This mag is good as it is and there is no use to spoil it. Wesso is a swell artist, and the best story I read was "The Wall of Death."
I'd like to get acquainted with some of your Readers. How about it, boys?
I'll sign off.—L. Sloan, Box 101, Onset, Mass.[421]
Just Imagine!
Dear Editor:
To begin, I am a mechanic more or less skilled in the handling of tools. Now, while I have seen many builders with tools who were dubbed "spineless," "poor fish," etc., it was not because they remotely resembled the piscatorial or Crustacea families.
It seems to me that when an author endows reptiles, cuttlefish, etc., with superhuman intelligence, and paints a few pictures of them as master-mechanics in the use of tools, then I want to take the magazine I am reading, that allows such silly slush in its pages, and feed it to my billy-goat; he may be able to digest such silliness, but I can't!
However, there is a redeeming feature of this sort of story: although not written as comedy, they have a comic effect, when one uses his imagination. Imagine, for instance, a giant sea crab as a traffic cop! He could direct four streams of traffic at once while making a date with the sweet young thing whom he had held up for a traffic violation! Then think what a great, intelligent reptile, crocodile, or what have you, could do in our Prohibition Enforcement Service! He could place his armored body across the road, and when rum runners bumped into him he could take his handy disintegrator and turn their load of white lightning back into the original corn patch! And suppose a giant, humanly-intelligent centipede should make too much whoopee some night, and endeavor to slip upstairs without waking the wife. Even if he succeeded in getting off his thousand pairs of shoes, which is doubtful, he would have a sweet time keeping his myriad of legs under control after partaking of some of the tangle-foot dispensed nowadays!
I hope your Authors will read and heed the delicate sarcasm contained in the letter of Robert R. Young in your April issue.—Carl F. Morgan, 427 E. Columbia Ave., College Park, Ga.
"Craves Excitement"
Dear Editor:
I have been a silent Reader of your magazine for quite a long while, but have finally decided to come forth with my own little contribution to "The Readers' Corner." So far I have seen only two other women Readers' letters. I suppose most women are interested in love stories, though I fail to see anything very exciting in any that are written nowadays; and I crave excitement in my reading. I've read about most everything there is about this old earth, so I've decided to wander into new fields.
Now for a little discussion about Astounding Stories. I haven't any brickbats to throw. You seem to get more of them than is necessary. I like the size, the price, the cover, the illustrator, the authors, etc. Some stories don't exactly take my fancy but the average is 100% with me.
Some that particularly pleased me were "Marooned Under the Sea," way back in the September issue, "Jetta of the Low-lands" and "Beyond the Vanishing Point." "Gray Denim" and "Ape-men of Xloti" in the December issue rite A-1, too.
I congratulate Ray Cummings on his new story, even though I haven't started to read it yet. I always know I'll enjoy his work, no matter what it is. Time-traveling is one of my special dishes, too.
Here's a little dig. I'm sorry, I didn't think I'd have any, but I just thought of this. It seems to me that I never see any stories written by two authors. Of course the stories by single authors are O. K., but the particular two I am thinking of are Edgar A. Manley and Walter Thode. They wrote "The Time Annihilator," as you probably know. That was one of the best time-traveling stories I have ever read. I'm only sorry that it couldn't have been published by Astounding Stories.
Well, I don't want to make myself tiresome the very first time, so I'll sign off. Please excuse the rather unconventional stationary, but I'm writing this at the office in my spare time. Hope I haven't worn my welcome out, but I had so much stored up to say.
I'm waiting for the April issue, so please hurry it up.—Betty Mulharen, 50 E. Philadelphia Ave, Detroit, Mich.
A Daisy for S. P. Wright
Dear Editor:
Were good old President George Washington himself to travel through time to the present and look upon the April issue of Astounding Stories, I am certain he would only repeat what I say: "Editor, I cannot tell a lie. This is the best issue yet!"
The cover on this issue is unique in that Astounding Stories is written in red and white letters. I do not recall of ever having seen this done to any Science Fiction magazine before. Wesso's illustration leaves nothing to be desired.
Going straight through the book: "The Monsters of Mars." Good old Edmond Hamilton saves the world for us again in the very nick of time—and we like it, too! Here's hoping there's a million more dangers threatening Terra for Mr. Hamilton to save us from! By the way, I wonder who drew the illustration for this story? I can't make out his name. Next: "The Exile of Time," by Cummings. Exciting and well illustrated. "Hell's Dimension" is well-written and very interesting. Would have liked it longer. "The World Behind the Moon" is splendid. More by Mr. Ernst, please. More from Mr. Gilmore, too, because of his novelette, "Four Miles Within." "The Lake of Light" by that popular author Jack Williamson surpasses his "The Meteor Girl" in a recent issue of "our" magazine. And now I come to the last and perhaps most interesting[422] story of the issue: Mr. Sewell Peaslee Wright's record of the interplanetary adventures of the Special Patrol as told by Commander John Hanson. This series is unsurpassable in its vivid realness. I can't help but believe that these tales really occurred, or will occur in the distant future. And Mr. Wright is as expert at conceiving new forms of life as Edmond Hamilton is at saving our Earth.
"The Readers' Corner" is an interesting feature, and I am glad to hear that "Murder Madness" and "Brigands of the Moon" are now in book form.—Forrest J. Ackerman, 530 Staples Ave., San Francisco, Calif.
Mass Production
Dear Editor:
After reading Mr. Greenfield's letter in your April issue regarding my story, "An Extra Man," I feel that I should like to call his attention to a point which, it seems to me, he has overlooked, namely, that the reconstructed men were not composed of the original physical matter of the disintegrated man but of identical elements, all of which are at present known and available to science.
According to the hypothesis, Drayle could have produced as many entities as he desired and provided for, just as a radio broadcast is reproduced in as many places as are prepared for its reception. The vibrations alone are transmitted, and the reproduction is the result of a reciprocal mechanical action by physical matter at the receiving end. Any radio engineer knows that the original sound waves are not transported, but merely their impress upon the electrical radio wave. So, Drayle's disintegrating and sending apparatus only transmitted the vibrations which enabled his machines at the receiving end to select from a more than adequate supply of raw material, in due proportion and quantities, as much as was required for the reproduction of the disintegrated entities.
I think that if Mr. Greenfield will reread the story, noting the following references, he will agree that if the hypothesis is accepted the conclusion is logical:
1—It is only Jackson Gee and not Drayle who speaks of transmitting the constituent elements by radio (page 120).
2—The scientist, Drayle, says, (page 129) "We already know the elements that make the human body, and we can put them together in the their proper proportions and arrangements; but we have not been able to introduce the vitalizing spark, the key vibrations, to start it going." He does not say that tangible matter can be transmitted by radio.
3—In the account of Drayle's preliminary experiments (page 122) there is no statement to the effect that the original material composing the disintegrated glass was used in its recreation.
4—There is nothing in the story to indicate that the original physical composition of the disintegrated man was transported, in any manner to any outside location. The process of disintegration was necessary to obtain the vibrations that would make possible their repetition, which under proper conditions would induce a reproduction of the original, just as a song must be sung before it can be reproduced upon a phonograph disc, but which, once recorded can be repeated times without number.
5—Drayle's question (page 124) "Have you arranged the elements?" refers to the elements out of which all mankind is composed and which Drayle has previously mentioned (page 120).
6—The narrator emphasizes this aspect of the discovery when he says, on page 124, "I seemed to see man's (not the man's) elementary dust and vapors whirled from great containers upward into a stratum of shimmering air and gradually assume the outlines of a human form that became first opaque, then solid, and then a sentient being." And again (page 126), "The best of the race could be multiplied indefinitely and man could make man literally out of the dust of the earth." This does not imply a split-up of one individual into several smaller sizes or fractional
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