Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Doctor Luke of the Labrador by Norman Duncan (color ebook reader .txt) 📖
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self deserved. Sweet sister--star of my life!... The doctor, too, was happy; and not once (and many a cold night I shivered in my meagre nightgown at his door to discover it)--not once did he suffer the old agony I had known him to bear. And when, frankly, I asked him why this was----
"Love, Davy," he answered.
"Love?" said I.
"And labour."
"An' labour?"
"And the Gospel according to Tommy."
"Sure," I asked, puzzled, "what's that?"
"Faith," he answered.
"'Tis queer!" I mused.
"Just faith," he repeated. "Just faith in the loving-kindness of the dear God. Just faith--with small regard for creeds and forms."
This he said with a holy twinkle.
* * * * *
But that was long ago. Since then I have been to the colleges and hospitals of the South, and have come back, here, in great joy, to live my life, serving the brave, kind folk, who are mine own people, heartily loved by me: glad that I am Labrador born and bred--proud of the brave blood in my great body, of the stout purpose in my heart: of which (because of pity for all inlanders and the folk of the South) I may not with propriety boast. Doctor Davy, they call me, now. But I have not gone lacking. I am not without realization of my largest hope. The decks are often wet--wet and white. They heave underfoot--and are wet and white--while the winds come rushing from the gray horizon. Ah, I love the sea--the sweet, wild sea: loveliest in her adorable rage, like a woman!... And my father's house is now enlarged, and is an hospital; and the doctor's sloop is now grown to a schooner, in which he goes about, as always, doing good.... And my sister waits for me to come in from the sea, in pretty fear that I may not come back; and I am glad that she waits, sitting in my mother's place, as my mother used to do.
And Skipper Tommy Lovejoy this day lies dying....
* * * * *
I sit, a man grown, in my mother's room, which now is mine. It is springtime. To-day I found a flower on the Watchman. Beyond the broad window of her room, the hills of Skull Island and God's Warning stand yellow in the sunshine, rivulets dripping from the ragged patches of snow which yet linger in the hollows; and the harbour water ripples under balmy, fragrant winds from the wilderness; and workaday voices, strangely unchanged by the years that are passed, come drifting up the hill from my father's wharves; and, ay, indeed, all the world of sea and land is warm and wakeful and light of heart, just as it used to be, when I was a lad, and my mother lay here dying. But there is no shadow in the house--no mystery. The separate sorrows have long since fled. My mother's gentle spirit here abides--just as it used to do: touching my poor life with holy feeling, with fine dreams, with tender joy. There is no shadow--no mystery. There is a glory--but neither shadow nor mystery. And my hand is still in her dear hand--and she leads me: just as she used to do. And all my days are glorified--by her who said good-bye to me, but has not left me desolate.
* * * * *
Skipper Tommy died to-day. 'Twas at the break of dawn. The sea lay quiet; the sky was flushed with young, rosy colour--all the hues of hope. We lifted him on the pillows: that from the window he might watch--far off at sea--the light chase the shadows from the world.
"A new day!" he whispered.
'Twas ever a mystery to him. That there should come new days--that the deeds of yesterday should be forgot in the shadows of yesterday--that as the dawn new hope should come unfailing, clean, benignant.
"A new day!" he repeated, turning his mild old face from the placid sea, a wondering, untroubled question in his eyes.
"Ay, zur--a new day."
He watched the light grow--the hopeful tints spread rejoicing towards the higher heavens.
"The Lard," he said, "give me work. Blessed be the name o' the Lard!"
All the world was waking.
"The Lard give me pain. Blessed be the name o' the Lard!"
And a breeze came with the dawn--a rising breeze, rippling the purple sea.
"The Lard give me love," he continued, turning tenderly to the stalwart twins. "Blessed be the name o' the Lard!"
The wind swept calling by--blue winds, fair winds to the north: calling at the window, all the while.
"The Lard showed Himself t' me. Oh, ay, that He did," he added, with a return to his old manner. "'Skipper Tommy,' says the Lard," he whispered, "'Skipper Tommy,' says He, 'leave you an' Me,' says He, 'be friends. You'll never regret it, b'y,' says He, 'an you make friends with Me.' Blessed," he said, his last, low voice tremulous with deep gratitude, "oh, blessed be the name o' the Lard!"
The wind called again--blithely called: crying at the window. In all the harbours of our coast, 'twas time to put to sea.
"I wisht," the skipper sighed, "that I'd been--a bit--wickeder. The wicked," he took pains to explain, "knows the dear Lard's love. An', somehow, I isn't _feelin'_ it as I should. An' I wisht--I'd sinned--a wee bit--more."
Still the wind called to him.
"Ecod!" he cried, impatiently, his hand moving feebly to tweak his nose, but failing by the way. "There I been an' gone an' made another mistake! Sure, 'tis awful! Will you tell me, Davy Roth, an you can," he demanded, now possessed of the last flicker of strength, "how I could be wicked without hurtin' some poor man? Ecod! I'm woeful blind."
He dropped my hand--suddenly: forgetting me utterly. His hands sought the twins--waving helplessly: and were caught. Whereupon the father sighed and smiled.
"Dear lads!" he whispered.
The sun rose--a burst of glory--and struck into the room--and blinded the old eyes.
"I wonder----" the old man gasped, looking once more to the glowing sky. "I wonder...."
Then he knew.
* * * * *
How unmomentous is the death we die! This passing--this gentle change from place to place! What was it he said? "'Tis but like wakin' from a troubled dream. 'Tis like wakin' t' the sunlight of a new, clear day. He takes our hand. 'The day is broke,' says He. 'Dream no more, but rise, child o' Mine, an' come into the sunshine with Me.' 'Tis only that that's comin' t' you--only His gentle touch--an' the waking. Hush! Don't you go gettin' scared. 'Tis a lovely thing--that's comin' t' you!" ... And I fancy that the dead pity the living--that they look upon us, in the shadows of the world, and pity us ... And I know that my mother waits for me at the gate--that her arms will be the first to enfold me, her lips the first to touch my cheek. "Davy, dear, my little son," she will whisper in my ear, "aren't you glad that you, too, are dead?" And I shall be glad.
* * * * *
Ha! but here's a cheery little gale of wind blowing up the path. 'Tis my nephew--coming from my father's wharf. Davy, they call him. The sturdy, curly-pated, blue-eyed lad--Labradorman, every luscious inch of him: without a drop of weakling blood in his stout little body! There's jolly purpose in his stride--in his glance at my window. 'Tis a walk on the Watchman, I'll be bound! The wind's in the west, the sun unclouded, the sea in a ripple. The day invites us. Why not? The day does not know that an old man lies dead.... He's at the door. He calls my name. "Uncle Davy! Hi, b'y! Where is you?" Ecod! but the Heavenly choir will never thrill me so.... He's on the stair. I must make haste. In a moment his arms will be round my neck. And----
Here's a large period to my story! The little rascal has upset my bottle of ink!
THE END
Imprint
"Love, Davy," he answered.
"Love?" said I.
"And labour."
"An' labour?"
"And the Gospel according to Tommy."
"Sure," I asked, puzzled, "what's that?"
"Faith," he answered.
"'Tis queer!" I mused.
"Just faith," he repeated. "Just faith in the loving-kindness of the dear God. Just faith--with small regard for creeds and forms."
This he said with a holy twinkle.
* * * * *
But that was long ago. Since then I have been to the colleges and hospitals of the South, and have come back, here, in great joy, to live my life, serving the brave, kind folk, who are mine own people, heartily loved by me: glad that I am Labrador born and bred--proud of the brave blood in my great body, of the stout purpose in my heart: of which (because of pity for all inlanders and the folk of the South) I may not with propriety boast. Doctor Davy, they call me, now. But I have not gone lacking. I am not without realization of my largest hope. The decks are often wet--wet and white. They heave underfoot--and are wet and white--while the winds come rushing from the gray horizon. Ah, I love the sea--the sweet, wild sea: loveliest in her adorable rage, like a woman!... And my father's house is now enlarged, and is an hospital; and the doctor's sloop is now grown to a schooner, in which he goes about, as always, doing good.... And my sister waits for me to come in from the sea, in pretty fear that I may not come back; and I am glad that she waits, sitting in my mother's place, as my mother used to do.
And Skipper Tommy Lovejoy this day lies dying....
* * * * *
I sit, a man grown, in my mother's room, which now is mine. It is springtime. To-day I found a flower on the Watchman. Beyond the broad window of her room, the hills of Skull Island and God's Warning stand yellow in the sunshine, rivulets dripping from the ragged patches of snow which yet linger in the hollows; and the harbour water ripples under balmy, fragrant winds from the wilderness; and workaday voices, strangely unchanged by the years that are passed, come drifting up the hill from my father's wharves; and, ay, indeed, all the world of sea and land is warm and wakeful and light of heart, just as it used to be, when I was a lad, and my mother lay here dying. But there is no shadow in the house--no mystery. The separate sorrows have long since fled. My mother's gentle spirit here abides--just as it used to do: touching my poor life with holy feeling, with fine dreams, with tender joy. There is no shadow--no mystery. There is a glory--but neither shadow nor mystery. And my hand is still in her dear hand--and she leads me: just as she used to do. And all my days are glorified--by her who said good-bye to me, but has not left me desolate.
* * * * *
Skipper Tommy died to-day. 'Twas at the break of dawn. The sea lay quiet; the sky was flushed with young, rosy colour--all the hues of hope. We lifted him on the pillows: that from the window he might watch--far off at sea--the light chase the shadows from the world.
"A new day!" he whispered.
'Twas ever a mystery to him. That there should come new days--that the deeds of yesterday should be forgot in the shadows of yesterday--that as the dawn new hope should come unfailing, clean, benignant.
"A new day!" he repeated, turning his mild old face from the placid sea, a wondering, untroubled question in his eyes.
"Ay, zur--a new day."
He watched the light grow--the hopeful tints spread rejoicing towards the higher heavens.
"The Lard," he said, "give me work. Blessed be the name o' the Lard!"
All the world was waking.
"The Lard give me pain. Blessed be the name o' the Lard!"
And a breeze came with the dawn--a rising breeze, rippling the purple sea.
"The Lard give me love," he continued, turning tenderly to the stalwart twins. "Blessed be the name o' the Lard!"
The wind swept calling by--blue winds, fair winds to the north: calling at the window, all the while.
"The Lard showed Himself t' me. Oh, ay, that He did," he added, with a return to his old manner. "'Skipper Tommy,' says the Lard," he whispered, "'Skipper Tommy,' says He, 'leave you an' Me,' says He, 'be friends. You'll never regret it, b'y,' says He, 'an you make friends with Me.' Blessed," he said, his last, low voice tremulous with deep gratitude, "oh, blessed be the name o' the Lard!"
The wind called again--blithely called: crying at the window. In all the harbours of our coast, 'twas time to put to sea.
"I wisht," the skipper sighed, "that I'd been--a bit--wickeder. The wicked," he took pains to explain, "knows the dear Lard's love. An', somehow, I isn't _feelin'_ it as I should. An' I wisht--I'd sinned--a wee bit--more."
Still the wind called to him.
"Ecod!" he cried, impatiently, his hand moving feebly to tweak his nose, but failing by the way. "There I been an' gone an' made another mistake! Sure, 'tis awful! Will you tell me, Davy Roth, an you can," he demanded, now possessed of the last flicker of strength, "how I could be wicked without hurtin' some poor man? Ecod! I'm woeful blind."
He dropped my hand--suddenly: forgetting me utterly. His hands sought the twins--waving helplessly: and were caught. Whereupon the father sighed and smiled.
"Dear lads!" he whispered.
The sun rose--a burst of glory--and struck into the room--and blinded the old eyes.
"I wonder----" the old man gasped, looking once more to the glowing sky. "I wonder...."
Then he knew.
* * * * *
How unmomentous is the death we die! This passing--this gentle change from place to place! What was it he said? "'Tis but like wakin' from a troubled dream. 'Tis like wakin' t' the sunlight of a new, clear day. He takes our hand. 'The day is broke,' says He. 'Dream no more, but rise, child o' Mine, an' come into the sunshine with Me.' 'Tis only that that's comin' t' you--only His gentle touch--an' the waking. Hush! Don't you go gettin' scared. 'Tis a lovely thing--that's comin' t' you!" ... And I fancy that the dead pity the living--that they look upon us, in the shadows of the world, and pity us ... And I know that my mother waits for me at the gate--that her arms will be the first to enfold me, her lips the first to touch my cheek. "Davy, dear, my little son," she will whisper in my ear, "aren't you glad that you, too, are dead?" And I shall be glad.
* * * * *
Ha! but here's a cheery little gale of wind blowing up the path. 'Tis my nephew--coming from my father's wharf. Davy, they call him. The sturdy, curly-pated, blue-eyed lad--Labradorman, every luscious inch of him: without a drop of weakling blood in his stout little body! There's jolly purpose in his stride--in his glance at my window. 'Tis a walk on the Watchman, I'll be bound! The wind's in the west, the sun unclouded, the sea in a ripple. The day invites us. Why not? The day does not know that an old man lies dead.... He's at the door. He calls my name. "Uncle Davy! Hi, b'y! Where is you?" Ecod! but the Heavenly choir will never thrill me so.... He's on the stair. I must make haste. In a moment his arms will be round my neck. And----
Here's a large period to my story! The little rascal has upset my bottle of ink!
THE END
Imprint
Publication Date: 06-01-2010
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