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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » I Say No by Wilkie Collins (best free ereader txt) 📖

Book online «I Say No by Wilkie Collins (best free ereader txt) 📖». Author Wilkie Collins



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is prepared for her if she consents."

Mrs. Ellmother gladly accepted this proposal. In the interval of Emily's absence, she could easily arrange to return to her own lodgings. With words of sincere gratitude she took leave of Miss Ladd; but no persuasion would induce her to say good-by to Francine. "Do me one more kindness, ma'am; don't tell Miss de Sor when I go away." Ignorant of the provocation which had produced this unforgiving temper of mind, Miss Ladd gently remonstrated. "Miss de Sor received my reproof in a penitent spirit; she expresses sincere sorrow for having thoughtlessly frightened you. Both yesterday and to-day she has made kind inquiries after your health. Come! come! don't bear malice--wish her good-by." Mrs. Ellmother's answer was characteristic. "I'll say good-by by telegraph, when I get to London."

Her last words were addressed to Alban. "If you can find a way of doing it, sir, keep those two apart."

"Do you mean Emily and Miss de Sor?

"Yes."

"What are you afraid of?"

"I don't know."

"Is that quite reasonable, Mrs. Ellmother?"

"I daresay not. I only know that I am afraid."

The pony chaise took her away. Alban's class was not yet ready for him. He waited on the terrace.

Innocent alike of all knowledge of the serious reason for fear which did really exist, Mrs. Ellmother and Alban felt, nevertheless, the same vague distrust of an intimacy between the two girls. Idle, vain, malicious, false--to know that Francine's character presented these faults, without any discoverable merits to set against them, was surely enough to justify a gloomy view of the prospect, if she succeeded in winning the position of Emily's friend. Alban reasoned it out logically in this way--without satisfying himself, and without accounting for the remembrance that haunted him of Mrs. Ellmother's farewell look. "A commonplace man would say we are both in a morbid state of mind," he thought; "and sometimes commonplace men turn out to be right."

He was too deeply preoccupied to notice that he had advanced perilously near Francine's window. She suddenly stepped out of her room, and spoke to him.

"Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone away without bidding me good-by?"

"She was probably afraid, Miss de Sor, that you might make her the victim of another joke."

Francine eyed him steadily. "Have you any particular reason for speaking to me in that way?"

"I am not aware that I have answered you rudely--if that is what you mean."

"That is not what I mean. You seem to have taken a dislike to me. I should be glad to know why."

"I dislike cruelty--and you have behaved cruelly to Mrs. Ellmother "

"Meaning to be cruel?" Francine inquired.

"You know as well as I do, Miss de Sor, that I can't answer that question."

Francine looked at him again "Am I to understand that we are enemies?" she asked.

"You are to understand," he replied, "that a person whom Miss Ladd employs to help her in teaching, cannot always presume to express his sentiments in speaking to the young ladies."

"If that means anything, Mr. Morris, it means that we are enemies."

"It means, Miss de Sor, that I am the drawing-master at this school, and that I am called to my class."

Francine returned to her room, relieved of the only doubt that had troubled her. Plainly no suspicion that she had overheard what passed between Mrs. Ellmother and himself existed in Alban's mind. As to the use to be made of her discovery, she felt no difficulty in deciding to wait, and be guided by events. Her curiosity and her self-esteem had been alike gratified--she had got the better of Mrs. Ellmother at last, and with that triumph she was content. While Emily remained her friend, it would be an act of useless cruelty to disclose the terrible truth. There had certainly been a coolness between them at Brighton. But Francine--still influenced by the magnetic attraction which drew her to Emily--did not conceal from herself that she had offered the provocation, and had been therefore the person to blame. "I can set all that right," she thought, "when we meet at Monksmoor Park." She opened her desk and wrote the shortest and sweetest of letters to Cecilia. "I am entirely at the disposal of my charming friend, on any convenient day--may I add, my dear, the sooner the better?"

B III (NETHERWOODS) CHAPTER XXXVII (THE LADY WANTS YOU SIR)

 

The pupils of the drawing-class put away their pencils and color-boxes in high good humor: the teacher's vigilant eye for faults had failed him for the first time in their experience. Not one of them had been reproved; they had chattered and giggled and drawn caricatures on the margin of the paper, as freely as if the master had left the room. Alban's wandering attention was indeed beyond the reach of control. His interview with Francine had doubled his sense of responsibility toward Emily--while he was further than ever from seeing how he could interfere, to any useful purpose, in his present position, and with his reasons for writing under reserve.

One of the servants addressed him as he was leaving the schoolroom. The landlady's boy was waiting in the hall, with a message from his lodgings.

"Now then! what is it?" he asked, irritably.

"The lady wants you, sir." With this mysterious answer, the boy presented a visiting card. The name inscribed on it was--"Miss Jethro."

She had arrived by the train, and she was then waiting at Alban's lodgings. "Say I will be with her directly." Having given the message, he stood for a while, with his hat in his hand--literally lost in astonishment. It was simply impossible to guess at Miss Jethro's object: and yet, with the usual perversity of human nature, he was still wondering what she could possibly want with him, up to the final moment when he opened the door of his sitting-room.

She rose and bowed with the same grace of movement, and the same well-bred composure of manner, which Doctor Allday had noticed when she entered his consulting-room. Her dark melancholy eyes rested on Alban with a look of gentle interest. A faint flush of color animated for a moment the faded beauty of her face--passed away again--and left it paler than before.

"I cannot conceal from myself," she began, "that I am intruding on you under embarrassing circumstances."

"May I ask, Miss Jethro, to what circumstances you allude?"

"You forget, Mr. Morris, that I left Miss Ladd's school, in a manner which justified doubt of me in the minds of strangers."

"Speaking as one of those strangers," Alban replied, "I cannot feel that I had any right to form an opinion, on a matter which only concerned Miss Ladd and yourself."

Miss Jethro bowed gravely. "You encourage me to hope," she said. "I think you will place a favorable construction on my visit when I mention my motive. I ask you to receive me, in the interests of Miss Emily Brown."

Stating her purpose in calling on him in those plain terms, she added to the amazement which Alban already felt, by handing to him--as if she was presenting an introduction--a letter marked, "Private," addressed to her by Doctor Allday.

"I may tell you," she premised, "that I had no idea of troubling you, until Doctor Allday suggested it. I wrote to him in the first instance; and there is his reply. Pray read it."

The letter was dated, "Penzance"; and the doctor wrote, as he spoke, without ceremony.

"MADAM--Your letter has been forwarded to me. I am spending my autumn holiday in the far West of Cornwall. However, if I had been at home, it would have made no difference. I should have begged leave to decline holding any further conversation with you, on the subject of Miss Emily Brown, for the following reasons:

"In the first place, though I cannot doubt your sincere interest in the young lady's welfare, I don't like your mysterious way of showing it. In the second place, when I called at your address in London, after you had left my house, I found that you had taken to flight. I place my own interpretation on this circumstance; but as it is not founded on any knowledge of facts, I merely allude to it, and say no more."

Arrived at that point, Alban offered to return the letter. "Do you really mean me to go on reading it?" he asked.

"Yes," she said quietly.

Alban returned to the letter.

"In the third place, I have good reason to believe that you entered Miss Ladd's school as a teacher, under false pretenses. After that discovery, I tell you plainly I hesitate to attach credit to any statement that you may wish to make. At the same time, I must not permit my prejudices (as you will probably call them) to stand in the way of Miss Emily's interests--supposing them to be really depending on any interference of yours. Miss Ladd's drawing-master, Mr. Alban Morris, is even more devoted to Miss Emily's service than I am. Whatever you might have said to me, you can say to him--with this possible advantage, that he may believe you."

There the letter ended. Alban handed it back in silence.

Miss Jethro pointed to the words, "Mr. Alban Morris is even more devoted to Miss EmilyÕs service than I am."

"Is that true?" she asked.

"Quite true."

"I don't complain, Mr. Morris, of the hard things said of me in that letter; you are at liberty to suppose, if you like, that I deserve them. Attribute it to pride, or attribute it to reluctance to make needless demands on your time--I shall not attempt to defend myself. I leave you to decide whether the woman who has shown you that letter--having something important to say to you--is a person who is mean enough to say it under false pretenses."

"Tell me what I can do for you, Miss Jethro: and be assured, beforehand, that I don't doubt your sincerity."

"My purpose in coming here," she answered, "is to induce you to use your influence over Miss Emily Brown--"

"With what object?" Alban asked, interrupting her.

"My object is her own good. Some years since, I happened to become acquainted with a person who has attained some celebrity as a preacher. You have perhaps heard of Mr. Miles Mirabel?"

"I have heard of him."

"I have been in correspondence with him," Miss Jethro proceeded. "He tells me he has been introduced to a young lady, who was formerly one of Miss Ladd's pupils, and who is the daughter of Mr. Wyvil, of Monksmoor Park. He has called on Mr. Wyvil; and he has since received an invitation to stay at Mr. Wyvil's house. The day fixed for the visit is Monday, the fifth of next month."

Alban listened--at a loss to know what interest he was supposed to have in being made acquainted with Mr. Mirabel's engagements. Miss Jethro's next words enlightened him.

"You are perhaps aware," she resumed, "that Miss Emily Brown is Miss Wyvil's intimate friend. She will be one of the guests at Monksmoor Park. If there are any obstacles which you can place in her way--if there is any influence which you can exert, without exciting suspicion of your motive--prevent her, I entreat you, from accepting Miss Wyvil's invitation, until Mr. Mirabel's visit has come to an end."

"Is there anything against Mr. Mirabel?" he asked.

"I say nothing against him."

"Is

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