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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Camera Fiend by E. W. Hornung (sites to read books for free TXT) 📖

Book online «The Camera Fiend by E. W. Hornung (sites to read books for free TXT) 📖». Author E. W. Hornung



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>“I know. I tried to shut it, but the wood must have swollen in the water. Yet the more it has swollen, the better it ought to keep out the light, oughtn't it?”

“I'm afraid there isn't a dog's chance,” he murmured, as he handled the camera again. Yet it was not of the folding-bellows variety, but was one of the earlier and stronger models in box form, and it had come through its ordeal wonderfully on the whole. Nothing was absolutely broken; but [pg 291] the swollen slide jammed obstinately, until in trying to shut it by main force, Pocket lost his grip of the slimy apparatus, and sent it flying to the floor, all but the slide which came out bodily in his hand.

“That settles it,” remarked Phillida, resignedly. The exposed plate stared them in the face, a sickly yellow in the broad daylight. It was cracked across the middle, but almost dry and otherwise uninjured.

“I am sorry!” exclaimed Pocket, as they stood over the blank sheet of glass and gelatine; it was like looking at a slate from which some infinitely precious message had been expunged unread. “I'm not sure that you weren't right after all; what's water-tight must be more or less light-tight, when you come to think of it. I say, what's all this? The other side oughtn't to bulge like that!”

He picked the broken plate out of the side that was already open, and weighed the slide in his hand; it was not heavy enough to contain another plate, he declared with expert conviction; yet the side which had not been opened was a slightly bulging but distinctly noticeable convexity. Pocket opened it at a word from Phillida, and an over-folded packet of MS. leapt out.

“It's his writing!” cried the girl, with pain and awe in her excitement. She had dropped the document at once.

[pg 292]

“It's in English,” said Pocket, picking it up.

“It must be what he was writing all last night!”

“It is.”

“You see what it is!” urged Phillida, feebly. But she watched him closely as he read to himself:—

June 20,190-.”

“It is a grim coincidence that I should sit down to reveal the secret of my latter days on what is supposed to be the shortest night of the year; for they must come to an end at sunrise, viz., at 3.44 according to the almanac, and it is already after 10 p.m. Even if I sit at my task till four I shall have less than six hours in which to do justice to the great ambition and the crowning folly of my life. I used the underlined word advisedly; some would substitute ‘monomania,’ but I protest I am as sane as they are, fail as I may to demonstrate that fact among so many others to be dealt with in the very limited time at my disposal. Had I more time, or the pen of a readier writer, I should feel surer of vindicating my head if not my heart. But I have been ever deliberate in all things (excepting, certainly, the supreme folly already mentioned), and I would be as deliberate over the last words I shall ever write, as in my final preparations for death——”.

[pg 293]

“What is it?” asked Phillida, for his eyes had dilated as he read, and he was breathing hard.

“He practically says he was going to commit suicide at daybreak! He's said so once already, but now he says it in so many words!”

“Well, we know he didn't do it,” said Phillida, as though she found a crumb of comfort in the thought.

“I'm not so sure about that.”

“Go on reading it aloud. I can bear it if that's the worst.”

“But it isn't, Phillida. I can see it isn't!”

“Then let us read it together. I'd rather face it with you than afterwards all by myself. We've seen each other through so much, surely we can—surely——”

Her words were swept away in a torrent of tears, and it was with dim eyes but a palpitating heart that Pocket looked upon the forlorn drab figure of the slip of a girl; for as yet, despite her pretext to Mr. Upton, she had taken no thought for her mourning, that unfailing distraction to the normally bereaved, but had put on anything she could find of a neutral tint; and yet it was just her dear disdain of appearance, the intimate tears gathering in her great eyes, unchecked, and streaming down the fresh young face, the very shabbiness of her coat and skirt, that made her what she was [pg 294] in his sight. Outside, the rain had stopped, and Trafalgar Square was drying in the sun, that streamed in through the open window of the hotel sitting-room, and poured its warm blessing on the two young heads bent as one over the dreadful document.

This was the part they read together, now in silence, now one and now the other whispering a few sentences aloud:—.

“What I have called my life's ambition demands but little explanation here. I have never made any secret of it, but, on the contrary, I have given full and frank expression to my theories in places where they are still accessible to the curious. I refer to my signed articles on spirit photography in Light Human Nature, The Occult Review and other periodicals, but particularly to the paper entitled ‘The Flight of the Soul,’ in The Nineteenth Century and After for January of last year. The latter article contains my last published word on the matter which has so long engrossed my mind. It took me some months to prepare and to write, and its reception did much to drive me to the extreme measures I have since employed. Treated to a modicum of serious criticism by the scientific press, but more generally received with ignorant and intolerant derision, which is the Englishman's [pg 295] attitude towards whatsoever is without his own contracted ken, my article, the work of months, was dismissed and forgotten in a few days. I had essayed the stupendous feat of awaking the British nation to a new idea, and the British nation had responded with a characteristic snore of unfathomable indifference. My name has not appeared in its vermin press from that day to this; it was not mentioned in the paragraph about the psychic photographer which went the rounds about a year ago. Yet I was that photographer. I am the serious and accredited inquirer to whom the London hospitals refused admittance to their pauper deathbeds, thronged though those notoriously are by the raw material of the British medical profession. Begin at the bottom of the British medical ladder, and you are afforded the earliest and most frequent opportunities of studying (if not accelerating) the phenomena of human dissolution; but against the foreign scientist the door is closed, without reference either to the quality of his credentials or the purity of his aims. I can conceive no purer and no loftier aim than mine. It is as high above that of your ordinary physician as heaven itself is high above this earth. Your physician wrestles with death to lengthen life, whereas I would sacrifice a million lives to prove that there is no such thing as death; that this human life of ours, by which we set such [pg 296] childish store, is but a fleeting phase of the permanent life of the spirit. One shrinks from setting down so trite a truism; it is the common ground of all religion, but I have reached it from the opposite pole. Religion is to me the unworthy triumph of instinct over knowledge, a lazy substitution of invention for discovery. Religion invites us to take her postulates on trust; but a material age is deserving of material proofs, and it is these proofs I have striven to supply. Surely it is a higher aim, and not a lower, to appeal to the senses that cannot deceive, rather than to the imagination which must and does? But I am trenching after all upon ground which I myself have covered before to-day; it is my function to-night to relate a personal narrative rather than to reiterate personal views. Suffice it that to me, for many years, the only path to the Invisible has been the path of so-called spiritualism; the only lamp that illumined that path, so that all who saw might follow it for themselves, the lamp of spirit photography. It is a path with a bad name, a path infested with quacks and charlatans, and by false guides who rival the religious fanatics in the impudence of their appeal to man's credulity. Even those who bear the lamp I hold aloft are too often jugglers and rogues, to whose wiles, unfortunately, the simple science of photography lends itself all too readily. Nothing is [pg 297] easier than the production of impossible pictures by a little manipulation of film or plate; if the spiritual apparition is not to be enticed within range of the lens, nothing easier than to fabricate an approximate effect. And what spiritualist has yet succeeded in summoning spirits at will? It is the crux of the whole problem of spiritualism, to establish any sort or form of communication with disembodied spirits at the single will of the embodied; hence the periodical exposure of the paid medium, the smug scorn of the unbeliever, and the discouragement of genuine exploration beyond the environment of the flesh. There is one moment, and only one, at which a man may be sure that he stands, for however brief a particle of time, in the presence of a disembodied soul. It is the moment at which soul and body part company in what men call death. The human watcher sees merely the collapse of the human envelope; but many a phenomenon invisible to the human eye has been detected and depicted by that of the camera, as everybody knows who has the slightest acquaintance with the branch of physics known as ‘fluorescence.’ The invisible spirit of man surely falls within this category. To the crystal eye of science it is not so much invisible as elusive and intractable. Once it has fled this earth, the sovereign opportunity is gone; but photography may often intercept the actual flight of the soul.”

[pg 298]

“I say no more than ‘often’ because there are special difficulties into which I need not enter here; but they would disappear, or at least be minimised, if the practice received the encouragement it deserves, instead of the forbidding ban of a sentimental generation. It would hurt nobody; it would comfort and convince the millions who at present have only their Churches' word for the existence of an eternal soul in their perishable bodies. It would prove more, in the course of a few experiments, than all the Churches have proved between them in nineteen centuries. Yet how are my earnest applications received, in hospitals where men die daily, in prisons where they are still occasionally put to death? I am refused, rebuffed, gratuitously reprimanded; in fact, I am driven ultimately

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