The Lancashire Witches by William Harrison Ainsworth (best fiction books of all time txt) 📖

low deep tone, "but I do not believe it."

"Nor I," returned Alizon. "Still, she acts as if she were the wicked thing she is called; avoids all religious offices; shuns all places of worship; and derides the Holy Scriptures. Oh, mother! you will comprehend the frequent conflict of feelings I must have endured. You will understand my horror when I have sometimes thought myself the daughter of a witch."

"Why did you not leave her if you thought so?" said Mistress Nutter, frowning.

"I could not leave her," replied Alizon, "for I then thought her my mother."

Mistress Nutter fell upon her daughter's neck, and wept aloud. "You have an excellent heart, my child," she said at length, checking her emotion.

"I have nothing to complain of in Elizabeth Device, dear mother," she replied. "What she denied herself, she did not refuse me; and though I have necessarily many and great deficiencies, you will find in me, I trust, no evil principles. And, oh! shall we not strive to rescue that poor benighted creature from the pit? We may yet save her."

"It is too late," replied Mistress Nutter in a sombre tone.

"It cannot be too late," said Alizon, confidently. "She cannot be beyond redemption. But even if she should prove intractable, poor little Jennet may be preserved. She is yet a child, with some good—though, alas! much evil, also—in her nature. Let our united efforts be exerted in this good work, and we must succeed. The weeds extirpated, the flowers will spring up freely, and bloom in beauty."

"I can have nothing to do with her," said Mistress Nutter, in a freezing tone—"nor must you."

"Oh! say not so, mother," cried Alizon. "You rob me of half the happiness I feel in being restored to you. When I was Jennets sister, I devoted myself to the task of reclaiming her. I hoped to be her guardian angel—to step between her and the assaults of evil—and I cannot, will not, now abandon her. If no longer my sister, she is still dear to me. And recollect that I owe a deep debt of gratitude to her mother—a debt I can never pay."

"How so?" cried Mistress Nutter. "You owe her nothing—but the contrary."

"I owe her a life," said Alizon. "Was not her infant's blood poured out for mine! And shall I not save the child left her, if I can?"

"I shall not oppose your inclinations," replied Mistress Nutter, with reluctant assent; "but Elizabeth, I suspect, will thank you little for your interference."

"Not now, perhaps," returned Alizon; "but a time will come when she will do so."

While this conversation took place, it had been rapidly growing dark, and the gloom at length increased so much, that the speakers could scarcely see each other's faces. The sudden and portentous darkness was accounted for by a vivid flash of lightning, followed by a low growl of thunder rumbling over Whalley Nab. The mother and daughter drew close together, and Mistress Nutter passed her arm round Alizon's neck.

The storm came quickly on, with forked and dangerous lightning, and loud claps of thunder threatening mischief. Presently, all its fury seemed collected over the Abbey. The red flashes hissed, and the peals of thunder rolled overhead. But other terrors were added to Alizon's natural dread of the elemental warfare. Again she fancied the two monkish figures, which had before excited her alarm, moved, and even shook their arms menacingly at her. At first she attributed this wild idea to her overwrought imagination, and strove to convince herself of its fallacy by keeping her eyes steadily fixed upon them. But each succeeding flash only served to confirm her superstitious apprehensions.

Another circumstance contributed to heighten her alarm. Scared most probably by the storm, a large white owl fluttered down the chimney, and after wheeling twice or thrice round the chamber, settled upon the bed, hooting, puffing, ruffling its feathers, and glaring at her with eyes that glowed like fiery coals.

Mistress Nutter seemed little moved by the storm, though she kept a profound silence, but when Alizon gazed in her face, she was frightened by its expression, which reminded her of the terrible aspect she had worn at the interview with Mother Chattox.

All at once Mistress Nutter arose, and, rapid as the lightning playing around her and revealing her movements, made several passes, with extended hands, over her daughter; and on this the latter instantly fell back, as if fainting, though still retaining her consciousness; and, what was stranger still, though her eyes were closed, her power of sight remained.

In this condition she fancied invisible forms were moving about her. Strange sounds seemed to salute her ears, like the gibbering of ghosts, and she thought she felt the flapping of unseen wings around her.

All at once her attention was drawn—she knew not why—towards the closet, and from out it she fancied she saw issue the tall dark figure of a man. She was sure she saw him; for her imagination could not body forth features charged with such a fiendish expression, or eyes of such unearthly lustre. He was clothed in black, but the fashion of his raiments was unlike aught she had ever seen. His stature was gigantic, and a pale phosphoric light enshrouded him. As he advanced, forked lightnings shot into the room, and the thunder split overhead. The owl hooted fearfully, quitted its perch, and flew off by the way it had entered the chamber.

The Dark Shape came on. It stood beside Mistress Nutter, and she prostrated herself before it. The gestures of the figure were angry and imperious—those of Mistress Nutter supplicating. Their converse was drowned by the rattling of the storm. At last the figure pointed to Alizon, and the word "midnight" broke in tones louder than the thunder from its lips. All consciousness then forsook her.

How long she continued in this state she knew not, but the touch of a finger applied to her brow seemed to recall her suddenly to animation. She heaved a deep sigh, and looked around. A wondrous change had occurred. The storm had passed off, and the moon was shining brightly over the top of the cypress-tree, flooding the chamber with its gentle radiance, while her mother was bending over her with looks of tenderest affection.

"You are better now, sweet child," said Mistress Nutter. "You were overcome by the storm. It was sudden and terrible."

"Terrible, indeed!" replied Alizon, imperfectly recalling what had passed. "But it was not alone the storm that frightened me. This chamber has been invaded by evil beings. Methought I beheld a dark figure come from out yon closet, and stand before you."

"You have been thrown into a state of stupor by the influence of the electric fluid," replied Mistress Nutter, "and while in that condition visions have passed through your brain. That is all, my child."

"Oh! I hope so," said Alizon.

"Such ecstasies are of frequent occurrence," replied Mistress Nutter. "But, since you are quite recovered, we will descend to Lady Assheton, who may wonder at our absence. You will share this room with me to-night, my child; for, as I have already said, you cannot return to Elizabeth Device. I will make all needful explanations to Lady Assheton, and will see Elizabeth in the morning—perhaps to-night. Reassure yourself, sweet child. There is nothing to fear."

"I trust not, mother," replied Alizon. "But it would ease my mind to look into that closet."

"Do so, then, by all means," replied Mistress Nutter with a forced smile.

Alizon peeped timorously into the little room, which was lighted up by the moon's rays. There was a faded white habit, like the robe of a Cistertian monk, hanging in one corner, and beneath it an old chest. Alizon would fain have opened the chest, but Mistress Nutter called out to her impatiently, "You will discover nothing, I am sure. Come, let us go down-stairs."

And they quitted the room together.

CHAPTER IX.—THE TWO PORTRAITS IN THE BANQUETING-HALL.

The banqueting-hall lay immediately under the long gallery, corresponding with it in all but height; and though in this respect it fell somewhat short of the magnificent upper room, it was quite lofty enough to admit of a gallery of its own for spectators and minstrels. Great pains had been taken in decorating the hall for the occasion. Between the forest of stags' horns that branched from the gallery rails were hung rich carpets, intermixed with garlands of flowers, and banners painted with the arms of the Assheton family, were suspended from the corners. Over the fireplace, where, despite the advanced season, a pile of turf and wood was burning, were hung two panoplies of arms, and above them, on a bracket, was set a complete suit of mail, once belonging to Richard Assheton, the first possessor of the mansion. On the opposite wall hung two remarkable portraits—the one representing a religious votaress in a loose robe of black, with wide sleeves, holding a rosary and missal in her hand, and having her brow and neck entirely concealed by the wimple, in which her head and shoulders were enveloped. Such of her features as could be seen were of extraordinary loveliness, though of a voluptuous character, the eyes being dark and languishing, and shaded by long lashes, and the lips carnation-hued and full. This was the fair votaress, Isole de Heton, who brought such scandal on the Abbey in the reign of Henry VI. The other portrait was that of an abbot, in the white gown and scapulary of the Cistertian order. The countenance was proud and stern, but tinctured with melancholy. In a small shield at one corner the arms were blazoned—argent, a fess between three mullets, sable, pierced of the field, a crescent for difference—proving it to be the portrait of John Paslew. Both pictures had been found in the abbot's lodgings, when taken possession of by Richard Assheton, but they owed their present position to his descendant, Sir Ralph, who discovering them in an out-of-the-way closet, where they had been cast aside, and struck with their extraordinary merit, hung them up as above stated.

The long oaken table, usually standing in the middle of the hall, had been removed to one side, to allow free scope for dancing and other pastimes, but it was still devoted to hospitable uses, being covered with trenchers and drinking-cups, and spread for a substantial repast. Near it stood two carvers, with aprons round their waists, brandishing long knives, while other yeomen of the kitchen and cellar were at hand to keep the trenchers well supplied, and the cups filled with strong ale, or bragget, as might suit the taste of the guests. Nor were these the only festive preparations. The upper part of the hall was reserved for Sir Ralph's immediate friends, and here, on a slightly raised elevation, stood a cross table, spread for a goodly supper, the snowy napery being ornamented with wreaths and ropes of flowers, and shining with costly vessels. At the lower end of the room, beneath the gallery, which it served to support, was a Gothic screen, embellishing an open armoury, which made a grand display of silver plates and flagons. Through one of the doorways contrived in this screen, the May-day revellers were ushered into the hall by old Adam Whitworth, the white-headed steward.

"I pray you be seated, good masters, and you, too, comely dames," said Adam, leading them to the table, and assigning each a place with his wand. "Fall to, and spare not, for it is my honoured master's desire you should sup well. You will find that venison pasty worth a trial, and the baked red deer in the centre of the table is a noble dish. The fellow to it was served at Sir Ralph's own table at dinner, and was pronounced excellent. I pray you try it, masters.—Here, Ned Scargill, mind your office, good fellow, and break me that deer. And you, Paul Pimlot, exercise your craft on the venison pasty."

And as trencher after trencher was rapidly filled by the two carvers,