Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Antiquary — Complete by Walter Scott (best fiction novels to read TXT) 📖
- Author: Walter Scott
Book online «The Antiquary — Complete by Walter Scott (best fiction novels to read TXT) 📖». Author Walter Scott
“I have brushed your coat, sir,” said the old man, when he perceived Lovel was awake; “the callant brought it frae Fairport this morning, for that ye had on yesterday is scantly feasibly dry, though it’s been a’ night at the kitchen fire; and I hae cleaned your shoon. I doubt ye’ll no be wanting me to tie your hair, for” (with a gentle sigh) “a’ the young gentlemen wear crops now; but I hae the curling tangs here to gie it a bit turn ower the brow, if ye like, before ye gae down to the leddies.”
Lovel, who was by this time once more on his legs, declined the old man’s professional offices, but accompanied the refusal with such a douceur as completely sweetened Caxon’s mortification.
“It’s a pity he disna get his hair tied and pouthered,” said the ancient friseur, when he had got once more into the kitchen, in which, on one pretence or other, he spent three parts of his idle time—that is to say, of his whole time—“it’s a great pity, for he’s a comely young gentleman.”
“Hout awa, ye auld gowk,” said Jenny Rintherout, “would ye creesh his bonny brown hair wi’ your nasty ulyie, and then moust it like the auld minister’s wig? Ye’ll be for your breakfast, I’se warrant?—hae, there’s a soup parritch for ye—it will set ye better tae be slaistering at them and the lapper-milk than meddling wi’ Mr. Lovel’s head—ye wad spoil the maist natural and beautifaest head o’ hair in a’ Fairport, baith burgh and county.”
The poor barber sighed over the disrespect into which his art had so universally fallen, but Jenny was a person too important to offend by contradiction; so, sitting quietly down in the kitchen, he digested at once his humiliation, and the contents of a bicker which held a Scotch pint of substantial oatmeal porridge.
CHAPTER ELEVENTH. Sometimes he thinks that Heaven this pageant sent, And ordered all the pageants as they went; Sometimes that only ‘twas wild Fancy’s play,— The loose and scattered relics of the day.
We must now request our readers to adjourn to the breakfast parlour of Mr. Oldbuck, who, despising the modern slops of tea and coffee, was substantially regaling himself, more majorum, with cold roast-beef, and a glass of a sort of beverage called mum—a species of fat ale, brewed from wheat and bitter herbs, of which the present generation only know the name by its occurrence in revenue acts of parliament, coupled with cider, perry, and other excisable commodities. Lovel, who was seduced to taste it, with difficulty refrained from pronouncing it detestable, but did refrain, as he saw he should otherwise give great offence to his host, who had the liquor annually prepared with peculiar care, according to the approved recipe bequeathed to him by the so-often mentioned Aldobrand Oldenbuck. The hospitality of the ladies offered Lovel a breakfast more suited to modern taste, and while he was engaged in partaking of it, he was assailed by indirect inquiries concerning the manner in which he had passed the night.
“We canna compliment Mr. Lovel on his looks this morning, brother—but he winna condescend on any ground of disturbance he has had in the night time. I am certain he looks very pale, and when he came here he was as fresh as a rose.”
“Why, sister, consider this rose of yours has been knocked about by sea and wind all yesterday evening, as if he had been a bunch of kelp or tangle, and how the devil would you have him retain his colour?”
“I certainly do still feel somewhat fatigued,” said Lovel, “notwithstanding the excellent accommodations with which your hospitality so amply supplied me.”
“Ah, sir!” said Miss Oldbuck looking at him with a knowing smile, or what was meant to be one, “ye’ll not allow of ony inconvenience, out of civility to us.”
“Really, madam,” replied Lovel, “I had no disturbance; for I cannot term such the music with which some kind fairy favoured me.”
“I doubted Mary wad waken you wi’ her skreighing; she dinna ken I had left open a chink of your window, for, forbye the ghaist, the Green Room disna vent weel in a high wind—But I am judging ye heard mair than Mary’s lilts yestreen. Weel, men are hardy creatures—they can gae through wi’ a’ thing. I am sure, had I been to undergo ony thing of that nature,—that’s to say that’s beyond nature—I would hae skreigh’d out at once, and raised the house, be the consequence what liket—and, I dare say, the minister wad hae done as mickle, and sae I hae tauld him,—I ken naebody but my brother, Monkbarns himsell, wad gae through the like o’t, if, indeed, it binna you, Mr. Lovel.”
“A man of Mr. Oldbuck’s learning, madam,” answered the questioned party, “would not be exposed to the inconvenience sustained by the Highland gentleman you mentioned last night.”
“Ay, ay—ye understand now where the difficulty lies. Language? he has ways o’ his ain wad banish a’ thae sort o’ worricows as far as the hindermost parts of Gideon” (meaning possibly Midian), “as Mr. Blattergowl says—only ane widna be uncivil to ane’s forbear, though he be a ghaist. I am sure I will try that receipt of yours, brother, that ye showed me in a book, if onybody is to sleep in that room again, though I think, in Christian charity, ye should rather fit up the matted-room—it’s a wee damp and dark, to be sure, but then we hae sae seldom occasion for a spare bed.”
“No, no, sister;—dampness and darkness are worse than spectres—ours are spirits of light, and I would rather have you try the spell.”
“I will do that blythely, Monkbarns, an I had the ingredients, as my cookery book ca’s them—There was vervain and dill—I mind that—Davie Dibble will ken about them, though, maybe, he’ll gie them Latin names—and Peppercorn, we hae walth o’ them, for”—
“Hypericon, thou foolish woman!” thundered Oldbuck; “d’ye suppose you’re making a haggis—or do you think that a spirit, though he be formed of air, can be expelled by a receipt against wind?—This wise Grizel of mine, Mr. Lovel, recollects (with what accuracy you may judge) a charm which I once mentioned to her, and which, happening to hit her superstitious noddle, she remembers better than anything tending to a useful purpose, I may chance to have said for this ten years. But many an old woman besides herself”—
“Auld woman, Monkbarns!” said Miss Oldbuck, roused something above her usual submissive tone; “ye really are less than civil to me.”
“Not less than just, Grizel: however, I include in the same class many a
Comments (0)