Aaron's Rod by D. H. Lawrence (best young adult book series txt) đź“–
- Author: D. H. Lawrence
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Turning up the broad steps of the cathedral, he entered the famous building. The sky had cleared, and the freshened light shone coloured in living tablets round the wonderful, towering, rose-hearted dusk of the great church. At some altars lights flickered uneasily. At some unseen side altar mass was going on, and a strange ragged music fluttered out on the incense-dusk of the great and lofty interior, which was all shadow, all shadow, hung round with jewel tablets of light. Particularly beautiful the great east bay, above the great altar. And all the time, over the big-patterned marble floor, the faint click and rustle of feet coming and going, coming and going, like shallow uneasy water rustled back and forth in a trough. A white dog trotted pale through the under-dusk, over the pale, big-patterned floor. Aaron came to the side altar where mass was going on, candles ruddily wavering. There was a small cluster of kneeling women— a ragged handful of on-looking men—and people wandering up and wandering away, young women with neatly dressed black hair, and shawls, but without hats; fine young women in very high heels; young men with nothing to do; ragged men with nothing to do. All strayed faintly clicking over the slabbed floor, and glanced at the flickering altar where the white-surpliced boys were curtseying and the white-and-gold priest bowing, his hands over his breast, in the candle-light. All strayed, glanced, lingered, and strayed away again, as if the spectacle were not sufficiently holding. The bell chimed for the elevation of the Host. But the thin trickle of people trickled the same, uneasily, over the slabbed floor of the vastly-upreaching shadow-foliaged cathedral.
The smell of incense in his nostrils, Aaron went out again by a side door, and began to walk along the pavements of the cathedral square, looking at the shops. Some were closed, and had little notices pinned on them. Some were open, and seemed half-stocked with half-elegant things. Men were carrying newspapers. In the cafes a few men were seated drinking vermouth. In the doorway of the restaurants waiters stood inert, looking out on the streets. The curious heart-eating ennui of the big town on a holiday came over our hero. He felt he must get out, whatever happened. He could not bear it.
So he went back to his hotel and up to his room. It was still only five o’clock. And he did not know what to do with himself. He lay down on the bed, and looked at the painting on his bedroom ceiling. It was a terrible business in reckitt’s blue and browny gold, with awful heraldic beasts, rather worm-wriggly, displayed in a blue field.
As he lay thinking of nothing and feeling nothing except a certain weariness, or dreariness, or tension, or God-knows-what, he heard a loud hoarse noise of humanity in the distance, something frightening. Rising, he went on to his little balcony. It was a sort of procession, or march of men, here and there a red flag fluttering from a man’s fist. There had been a big meeting, and this was the issue. The procession was irregular, but powerful, men four abreast. They emerged irregularly from the small piazza to the street, calling and vociferating. They stopped before a shop and clotted into a crowd, shouting, becoming vicious. Over the shop-door hung a tricolour, a national flag. The shop was closed, but the men began to knock at the door. They were all workmen, some in railway men’s caps, mostly in black felt hats. Some wore red cotton neck-ties. They lifted their faces to the national flag, and as they shouted and gesticulated Aaron could see their strong teeth in their jaws. There was something frightening in their lean, strong Italian jaws, something inhuman and possessed-looking in their foreign, southern-shaped faces, so much more formed and demon-looking than northern faces. They had a demon-like set purpose, and the noise of their voices was like a jarring of steel weapons. Aaron wondered what they wanted. There were no women—all men—a strange male, slashing sound. Vicious it was—the head of the procession swirling like a little pool, the thick wedge of the procession beyond, flecked with red flags.
A window opened above the shop, and a frowsty-looking man, yellow- pale, was quickly and nervously hauling in the national flag. There were shouts of derision and mockery—a great overtone of acrid derision—the flag and its owner ignominiously disappeared. And the procession moved on. Almost every shop had a flag flying. And every one of these flags now disappeared, quickly or slowly, sooner or later, in obedience to the command of the vicious, derisive crowd, that marched and clotted slowly down the street, having its own way.
Only one flag remained flying—the big tricolour that floated from the top storey of the house opposite Aaron’s hotel. The ground floor of this house consisted of shop-premises—now closed. There was no sign of any occupant. The flag floated inert aloft.
The whole crowd had come to a stop immediately below the hotel, and all were now looking up at the green and white and red tricolour which stirred damply in the early evening light, from under the broad eaves of the house opposite. Aaron looked at the long flag, which drooped almost unmoved from the eaves-shadow, and he half expected it to furl itself up of its own accord, in obedience to the will of the masses. Then he looked down at the packed black shoulders of the mob below, and at the curious clustering pattern of a sea of black hats. He could hardly see anything but hats and shoulders, uneasily moving like boiling pitch away beneath him. But the shouts began to come up hotter and hotter. There had been a great ringing of a door-bell and battering on the shop-door. The crowd—the swollen head of the procession—talked and shouted, occupying the centre of the street, but leaving the pavement clear. A woman in a white blouse appeared in the shop-door. She came out and looked up at the flag and shook her head and gesticulated with her hands. It was evidently not her flag—she had nothing to do with it. The leaders again turned to the large house-door, and began to ring all the bells and to knock with their knuckles. But no good—there was no answer. They looked up again at the flag. Voices rose ragged and ironical. The woman explained something again. Apparently there was nobody at home in the upper floors—all entrance was locked—there was no caretaker. Nobody owned the flag. There it hung under the broad eaves of the strong stone house, and didn’t even know that it was guilty. The woman went back into her shop and drew down the iron shutter from inside.
The crowd, nonplussed, now began to argue and shout and whistle. The voices rose in pitch and derision. Steam was getting up. There hung the flag. The procession crowded forward and filled the street in a mass below. All the rest of the street was empty and shut up. And still hung the showy rag, red and white and green, up aloft.
Suddenly there was a lull—then shouts, half-encouraging, half- derisive. And Aaron saw a smallish-black figure of a youth, fair- haired, not more than seventeen years old, clinging like a monkey to the front of the house, and by the help of the heavy drain-pipe and the stone-work ornamentation climbing up to the stone ledge that ran under ground-floor windows, up like a sudden cat on to the projecting footing. He did not stop there, but continued his race like some frantic lizard running up the great wall-front, working away from the noise below, as if in sheer fright. It was one unending wriggling movement, sheer up the front of the impassive, heavy stone house.
The flag hung from a pole under one of the windows of the top storey— the third floor. Up went the wriggling figure of the possessed youth. The cries of the crowd below were now wild, ragged ejaculations of excitement and encouragement. The youth seemed to be lifted up, almost magically on the intense upreaching excitement of the massed men below. He passed the ledge of the first floor, like a lizard he wriggled up and passed the ledge or coping of the second floor, and there he was, like an upward-climbing shadow, scrambling on to the coping of the third floor. The crowd was for a second electrically still as the boy rose there erect, cleaving to the wall with the tips of his fingers.
But he did not hesitate for one breath. He was on his feet and running along the narrow coping that went across the house under the third floor windows, running there on that narrow footing away above the street, straight to the flag. He had got it—he had clutched it in his hand, a handful of it. Exactly like a great flame rose the simultaneous yell of the crowd as the boy jerked and got the flag loose. He had torn it down. A tremendous prolonged yell, touched with a snarl of triumph, and searing like a puff of flame, sounded as the boy remained for one moment with the flag in his hand looking down at the crowd below. His face was odd and elated and still. Then with the slightest gesture he threw the flag from him, and Aaron watched the gaudy remnant falling towards the many faces, whilst the noise of yelling rose up unheard.
There was a great clutch and hiss in the crowd. The boy still stood unmoved, holding by one hand behind him, looking down from above, from his dangerous elevation, in a sort of abstraction.
And the next thing Aaron was conscious of was the sound of trumpets. A sudden startling challenge of trumpets, and out of nowhere a sudden rush of grey-green carabinieri battering the crowd wildly with truncheons. It was so sudden that Aaron heard nothing any more. He only saw.
In utmost amazement he saw the greeny-grey uniformed carabinieri rushing thick and wild and indiscriminate on the crowd: a sudden new excited crowd in uniforms attacking the black crowd, beating them wildly with truncheons. There was a seething moment in the street below. And almost instantaneously the original crowd burst into a terror of frenzy. The mob broke as if something had exploded inside it. A few black-hatted men fought furiously to get themselves free of the hated soldiers; in the confusion bunches of men staggered, reeled, fell, and were struggling among the legs of their comrades and of the carabinieri. But the bulk of the crowd just burst and fled—in every direction. Like drops of water they seemed to fly up at the very walls themselves. They darted into any entry, any doorway. They sprang up the walls and clambered into the ground-floor windows. They sprang up the walls on to window-ledges, and then jumped down again, and ran—clambering, wriggling, darting, running in every direction; some cut, blood on their faces, terror or frenzy of
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