Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖
- Author: L. T. Meade
Book online «Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖». Author L. T. Meade
“My dear little girl!” said Mr. Hartrick. He was really affected by Nora's speech; it was wild; it was unconventional; there was a great deal of false sentiment about it; but the child herself was true, and her eyes were beautiful, and she looked graceful, and young, and full of passion, almost primeval passion, as she stood there before him. Then she believed in him. If she did not believe in anyone else in the house, she believed in him. She thought that if she asked him he would help.
“Now, tell me,” he said after a pause, “does your mother know what you have come here for?”
“Mother? Certainly not; I told you in my letter that you must not breathe a word of it to mother; and father does not know. No one knows but I—Nora, I myself.”
“This has been completely your own idea?”
“Completely.”
“You are a brave girl.”
“Oh, I don't know about being brave. I had to do something. If you belonged to Patrick O'Shanaghgan you would do something for him too. Have you ever seen him, Uncle George?”
“Yes, at the time of my sister's wedding, but not since.”
“And then?”
“He was as handsome a fellow as I ever laid eyes on, and Irish through and through.”
“Of course. What else would he be?”
“I have not seen him since. My sister, poor Ellen, she was a beautiful girl when she was young, Nora.”
“She is stately, like a queen,” said Nora. “We all admire her very, very much.”
“And love her, my dear?”
“Oh yes, of course I love mother.”
“But not as well as your father?”
“You could not, Uncle George, if you knew father.”
“Well, I shall not ask any more. You really do want me to help?”
“If you can; if it will not cost you too much money.”
“And you mean that your father is absolutely, downright poor?”
“Oh, I suppose so. I don't think that matters a bit. We wouldn't like to be rich, neither father nor I; but we do want to keep O'Shanaghgan.”
“Even without carpets and chairs and tables?” said Mr. Hartrick.
“We don't care about carpets and chairs and tables,” said Nora. “We want to keep O'Shanaghgan, the place where father was born and I was born.”
“Well, look here, Nora. I can make you no promises just now; but I respect you, my dear, and I will certainly do something—what I cannot possibly tell you, for I must look into this matter for myself. But I will do this: I will go to O'Shanaghgan this week and see my sister, and find out from the Squire what really is wrong.”
“You will?” said Nora. She thought quickly. Her father would hate it; but, after all, it was the only chance. Even she had sufficient common sense to know that Mr. Hartrick could not help unless he went to the old place.
“Oh, you will do it when you see it,” she said, with sudden rapture. “And you'll take me home with you?”
“Well, I think not, Nora. Now that you are here you must stay. I am fond of you, my little girl, although I know very little about you; but I do think that you have very mistaken ideas. I want you to love your English cousins for your mother's sake, and to love their home for your mother's sake also; and I should like you to have a few lessons, and to take some hints from your Aunt Grace, for you are wild, and need training. If I go to O'Shanaghgan for you, will you stay at The Laurels for me?”
“I will do anything, anything for you, if you save father,” said Nora. She fell on her knees before her uncle could prevent her, took his hand, and kissed it.
“Then it is a compact,” said Mr. Hartrick; “but remember I only promise to go. I cannot make any promises to help your father until I have seen him.”
CHAPTER XIX. — SHE WILL SOON TAME DOWN.
“I am going to Ireland to-morrow, Grace,” said Mr. Hartrick to his wife that evening.
“To Ireland!” she cried. “What for?”
“I want to see my sister Ellen. I feel that I have neglected her too long. I shall run over to O'Shanaghgan, and stay there for two or three nights.”
“Why are you doing this, George?” said Mrs. Hartrick very slowly.
Mr. Hartrick was silent for a moment; then he said gravely:
“I have heard bad news from that child.”
“From Nora?”
“Yes, from Nora.”
“But Terence has never given us bad news.”
“Terence is not a patch upon Nora, my dear Grace.”
“There I cannot agree with you. I infinitely prefer Terence to Nora,” was Mrs. Hartrick's calm reply.
“But I thought you admired the child.”
“Oh, I admire what the child may become,” was the cautious answer. “I cannot admire a perfectly wild girl, who has no idea of self-discipline or self-restraint. And remember one thing, George: whatever she says to you, you must take, to use a vulgarism, with a grain of salt. An Irish girl cannot help exaggerating. She has doubtless exaggerated the condition of things.”
“I only pray God she has,” was Mr. Hartrick's reply.
“If things are even half as bad as she represents them, it is high time that I should pay my sister a visit.”
“Why? What does she say?”
“She has given me a picture of the state of
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