Fromont and Risler by Alphonse Daudet (classic books for 12 year olds .TXT) 📖

should have ceased to be. From this day our partnership articles are cancelled. I insist upon it, you understand; I insist upon it. We will remain in that relation to each other until the house is out of difficulty and I can--But what I shall do then concerns me alone. This is what I wanted to say to you, Georges. You must give your attention to the factory diligently; you must show yourself, make it felt that you are master now, and I believe there will turn out to be, among all our misfortunes, some that can be retrieved."
During the silence that followed, they heard the sound of wheels in the garden, and two great furniture vans stopped at the door.
"I beg your pardon," said Risler, "but I must leave you a moment. Those are the vans from the public auction rooms; they have come to take away my furniture from upstairs."
"What! you are going to sell your furniture too?" asked Madame Fromont.
"Certainly--to the last piece. I am simply giving it back to the firm. It belongs to it."
"But that is impossible," said Georges. "I can not allow that."
Risler turned upon him indignantly.
"What's that? What is it that you can't allow?"
Claire checked him with an imploring gesture.
"True--true!" he muttered; and he hurried from the room to escape the sudden temptation to give vent to all that was in his heart.
The second floor was deserted. The servants, who had been paid and dismissed in the morning, had abandoned the apartments to the disorder of the day following a ball; and they wore the aspect peculiar to places where a drama has been enacted, and which are left in suspense, as it were, between the events that have happened and those that are still to happen. The open doors, the rugs lying in heaps in the corners, the salvers laden with glasses, the preparations for the supper, the table still set and untouched, the dust from the dancing on all the furniture, its odor mingled with the fumes of punch, of withered flowers, of rice-powder--all these details attracted Risler's notice as he entered.
In the disordered salon the piano was open, the bacchanal from 'Orphee aux Enfers' on the music-shelf, and the gaudy hangings surrounding that scene of desolation, the chairs overturned, as if in fear, reminded one of the saloon of a wrecked packet-boat, of one of those ghostly nights of watching when one is suddenly informed, in the midst of a fete at sea, that the ship has sprung a leak, that she is taking in water in every part.
The men began to remove the furniture. Risler watched them at work with an indifferent air, as if he were in a stranger's house. That magnificence which had once made him so happy and proud inspired in him now an insurmountable disgust. But, when he entered his wife's bedroom, he was conscious of a vague emotion.
It was a large room, hung with blue satin under white lace. A veritable cocotte's nest. There were torn and rumpled tulle ruffles lying about, bows, and artificial flowers. The wax candles around the mirror had burned down to the end and cracked the candlesticks; and the bed, with its lace flounces and valances, its great curtains raised and drawn back, untouched in the general confusion, seemed like the bed of a corpse, a state bed on which no one would ever sleep again.
Risler's first feeling upon entering the room was one of mad indignation, a longing to fall upon the things before him, to tear and rend and shatter everything. Nothing, you see, resembles a woman so much as her bedroom. Even when she is absent, her image still smiles in the mirrors that have reflected it. A little something of her, of her favorite perfume, remains in everything she has touched. Her attitudes are reproduced in the cushions of her couch, and one can follow her goings and comings between the mirror and the toilette table in the pattern of the carpet. The one thing above all others in that room that recalled Sidonie was an 'etagere' covered with childish toys, petty, trivial knickknacks, microscopic fans, dolls' tea-sets, gilded shoes, little shepherds and shepherdesses facing one another, exchanging cold, gleaming, porcelain glances. That 'etagere' was Sidonie's very soul, and her thoughts, always commonplace, petty, vain, and empty, resembled those gewgaws. Yes, in very truth, if Risler, while he held her in his grasp last night, had in his frenzy broken that fragile little head, a whole world of 'etagere' ornaments would have come from it in place of a brain.
The poor man was thinking sadly of all these things amid the ringing of hammers and the heavy footsteps of the furniture-movers, when he heard an interloping, authoritative step behind him, and Monsieur Chebe appeared, little Monsieur Chebe, flushed and breathless, with flames darting from his eyes. He assumed, as always, a very high tone with his son-in-law.
"What does this mean? What is this I hear? Ah! so you're moving, are you?"
"I am not moving, Monsieur Chebe--I am selling out."
The little man gave a leap like a scalded fish.
"You are selling out? What are you selling, pray?"
"I am selling everything," said Risler in a hollow voice, without even looking at him.
"Come, come, son-in-law, be reasonable. God knows I don't say that Sidonie's conduct--But, for my part, I know nothing about it. I never wanted to know anything. Only I must remind you of your dignity. People wash their dirty linen in private, deuce take it! They don't make spectacles of themselves as you've been doing ever since morning. Just see everybody at the workshop windows; and on the porch, too! Why, you're the talk of the quarter, my dear fellow."
"So much the better. The dishonor was public, the reparation must be public, too."
This apparent coolness, this indifference to all his observations, exasperated Monsieur Chebe. He suddenly changed his tactics, and adopted, in addressing his son-in-law, the serious, peremptory tone which one uses with children or lunatics.
"Well, I say that you haven't any right to take anything away from here. I remonstrate formally, with all my strength as a man, with all my authority as a father. Do you suppose I am going to let you drive my child into the street. No, indeed! Oh! no, indeed! Enough of such nonsense as that! Nothing more shall go out of these rooms."
And Monsieur Chebe, having closed the door, planted himself in front of it with a heroic gesture. Deuce take it! his own interest was at stake in the matter. The fact was that when his child was once in the gutter he ran great risk of not having a feather bed to sleep on himself. He was superb in that attitude of an indignant father, but he did not keep it long. Two hands, two vises, seized his wrists, and he found himself in the middle of the room, leaving the doorway clear for the workmen.
"Chebe, my boy, just listen," said Risler, leaning over him. "I am at the end of my forbearance. Since this morning I have been making superhuman efforts to restrain myself, but it would take very little now to make my anger burst all bonds, and woe to the man on whom it falls! I am quite capable of killing some one. Come! Be off at once!--"
There was such an intonation in his son-in-law's voice, and the way that son-in-law shook him as he spoke was so eloquent, that Monsieur Chebe was fully convinced. He even stammered an apology. Certainly Risler had good reason for acting as he had. All honorable people would be on his side. And he backed toward the door as he spoke. When he reached it, he inquired timidly if Madame Chebe's little allowance would be continued.
"Yes," was Risler's reply, "but never go beyond it, for my position here is not what it was. I am no longer a partner in the house."
Monsieur Chebe stared at him in amazement, and assumed the idiotic expression which led many people to believe that the accident that had happened to him--exactly like that of the Duc d'Orleans, you know--was not a fable of his own invention; but he dared not make the slightest observation. Surely some one had changed his son-in-law. Was this really Risler, this tiger-cat, who bristled up at the slightest word and talked of nothing less than killing people?
He took to his heels, recovered his self-possession at the foot of the stairs, and walked across the courtyard with the air of a conqueror.
When all the rooms were cleared and empty, Risler walked through them for the last time, then took the key and went down to Planus's office to hand it to Madame Georges.
"You can let the apartment," he said, "it will be so much added to the income of the factory."
"But you, my friend?"
"Oh! I don't need much. An iron bed up under the eaves. That's all a clerk needs. For, I repeat, I am nothing but a clerk from this time on. A useful clerk, by the way, faithful and courageous, of whom you will have no occasion to complain, I promise you."
Georges, who was going over the books with Planus, was so affected at hearing the poor fellow talk in that strain that he left his seat precipitately. He was suffocated by his sobs. Claire, too, was deeply moved; she went to the new clerk of the house of Fromont and said to him:
"Risler, I thank you in my father's name."
At that moment Pere Achille appeared with the mail.
Risler took the pile of letters, opened them tranquilly one by one, and passed them over to Sigismond.
"Here's an order for Lyon. Why wasn't it answered at Saint-Etienne?"
He plunged with all his energy into these details, and he brought to them a keen intelligence, due to the constant straining of the mind toward peace and forgetfulness.
Suddenly, among those huge envelopes, stamped with the names of business houses, the paper of which and the manner of folding suggested the office and hasty despatch, he discovered one smaller one, carefully sealed, and hidden so cunningly between the others that at first he did not notice it. He recognized instantly that long, fine, firm writing,--To Monsieur Risler--Personal. It was Sidonie's writing! When he saw it he felt the same sensation he had felt in the bedroom upstairs.
All his love, all the hot wrath of the betrayed husband poured back into his heart with the frantic force that makes assassins. What was she writing to him? What lie had she invented now? He was about to open the letter; then he paused. He realized that, if he should read that, it would be all over with his courage; so he leaned over to the old cashier, and said in an undertone:
"Sigismond, old friend, will you do me a favor?"
"I should think so!" said the worthy man enthusiastically. He was so delighted to hear his friend speak to him in the kindly voice of the old days.
"Here's a letter someone has written me which I don't wish to read now. I am sure it would interfere with my thinking and living. You must keep it for me, and this with it."
He took from his pocket a little package carefully tied, and handed it to him through the grating.
"That is all I have left of the past, all I have left of that woman. I have determined not to see her, nor anything that reminds me of her, until my task here is concluded, and concluded satisfactorily,--I need all my intelligence, you understand. You will pay the Chebes' allowance. If she herself should ask for anything, you will give her what she needs. But you will never