Deadly City by Paul W. Fairman (ebook reader screen .txt) 📖

get it from me. Suicide is silly. You can have troubles and all that—everybody has them—but suicide—why did you try it?"

A high, thin whine—a wordless vibration of eloquence—needled out of the darkness into their ears. The shock was like a sudden shower of ice water dashed over their bodies. Nora's fingers dug into Frank's arm, but he did not feel the cutting nails. "We're—there's someone out there in the street!"

Twenty-five feet ahead of where Frank and Nora stood frozen there burst the booming voice of Jim Wilson. "What the hell was that?" And the shock was dispelled. The white circle from Wilson's flash bit out across the blackness to outline movement on the far side of the street. Then Frank Brook's light, and Nora's, went exploring.

"There's somebody over there," Wilson bellowed. "Hey, you! Show your face! Quit sneaking around!"

Frank's light swept an arc that clearly outlined the buildings across the street and then weakened as it swung westward. There was something or someone back there, but obscured by the dimness. He was swept by a sense of unreality again.

"Did you see them?"

Nora's light beam had dropped to her feet as though she feared to point it out into the darkness. "I thought I saw something."

Jim Wilson was swearing industriously. "There was a guy over there. He ducked around the corner. Some damn fool out scrounging. Wish I had a gun."

Frank and Nora moved ahead and the four stood in a group. "Put out your lights," Wilson said. "They make good targets if the jerk's got any weapons."

They stood in the darkness, Nora holding tightly to Frank's arm. Frank said, "That was the damndest noise I ever heard."

"Like a siren?" Frank thought Jim Wilson spoke hopefully, as though wanting somebody to agree with him.

"Not like any I ever heard. Not like a whistle, either. More of a moan."

"Let's get into that goddam hotel and—"

Jim Wilson's words were cut off by a new welling-up of the melancholy howling. It had a new pattern this time. It sounded from many places; not nearer, Frank thought, than Lake Street on the north, but spreading outward and backward and growing fainter until it died on the wind.

Nora was shivering, clinging to Frank without reserve.

Jim Wilson said, "I'll be damned if it doesn't sound like a signal of some kind."

"Maybe it's a language—a way of communication."

"But who the hell's communicating?"

"How would I know?"

"We best get to that hotel and bar a few doors. A man can't fight in the dark—and nothing to fight with."

They hurried up the street, but it was all different now. Gone was the illusion of being alone; gone the sense of solitude. Around them the ghost town had come suddenly alive. Sinister forces more frightening than the previous solitude had now to be reckoned with.

"Something's happened—something in the last few minutes," Nora whispered.

Frank leaned close as they crossed the street to the dark silent pile that was the Morrison hotel. "I think I know what you mean."

"It's as though there was no one around and then, suddenly, they came."

"I think they came and went away again."

"Did you actually see anyone when you flashed your light?"

"No—I can't say positively that I did. But I got the impression there were figures out there—at least dozens of them—and that they moved back away from the light. Always just on the edge of it."

"I'm scared, Frank."

"So am I."

"Do you think it could all be imagination?"

"Those moans? Maybe the first one—I've heard of people imagining sounds. But not the last ones. And besides, we all heard them."

Jim Wilson, utterly oblivious of any subtle emanations in the air, boomed out in satisfaction: "We don't have to bust the joint open. The revolving door works."

"Then maybe we ought to be careful," Frank said. "Maybe somebody else is around here."

"Could be. We'll find out."

"Why are we afraid?" Nora whispered.

"It's natural, isn't it?" Frank melted the beam of his light with that of Jim Wilson. The white finger pierced the darkness inside. Nothing moved.

"I don't see why it should be. If there are people in there they must be as scared as we are."

Nora was very close to him as they entered.

The lobby seemed deserted. The flashlight beams scanned the empty chairs and couches. The glass of the deserted cages threw back reflections.

"The keys are in there," Frank said. He vaulted the desk and scanned the numbers under the pigeon holes.

"We'd better stay down low," Jim Wilson said. "Damned if I'm going to climb to the penthouse."

"How about the fourth floor?"

"That's plenty high enough."

Frank came out with a handful of keys. "Odd numbers," he said. "Four in a row."

"Well I'll be damned," Jim Wilson muttered. But he said no more and they climbed the stairs in silence. They passed the quiet dining rooms and banquet halls, and by the time they reached the fourth floor the doors giving off the corridors had assumed a uniformity.

"Here they are." He handed a key to Wilson. "That's the end one." He said nothing as he gave Minna her key, but Wilson grunted, "For crissake!" in a disgusted voice, took Minna's key and threw it on the floor.

Frank and Nora watched as Wilson unlocked his door. Wilson turned. "Well, goodnight all. If you get goosed by any spooks, just yell."

Minna followed him without a word and the door closed.

Frank handed Nora her key. "Lock your door and you'll be safe. I'll check the room first." He unlocked the door and flashed his light inside. Nora was close behind him as he entered. He checked the bathroom. "Everything clear. Lock your door and you'll be safe."

"Frank."

"Yes?"

"I'm afraid to stay alone."

"You mean you want me to—"

"There are two beds here."

His reply was slow in coming. Nora didn't wait for it. Her voice rose to the edge of hysteria. "Quit being so damned righteous. Things have changed! Can't you realize that? What does it matter how or where we sleep? Does the world care? Will it make a damn bit of difference to the world whether I strip stark naked in front of you?" A sob choked in her throat. "Or would that outrage your morality."

He moved toward her, stopped six inches away. "It isn't that. For God's sake! I'm no saint. It's just that I thought you—"

"I'm plain scared, and I don't want to be alone. To me that's all that's important."

Her face was against his chest and his arms went around her. But her own hands were fists held together against him until he could feel her knuckles, hard, against his chest. She was crying.

"Sure," Frank said. "I'll stay with you. Now take it easy. Everything's going to be all right."

Nora sniffled without bothering to reach for her handkerchief. "Stop lying. You know it isn't going to be all right."

Frank was at somewhat of a loss. This flareup of Nora's was entirely unexpected. He eased toward the place the flashlight had shown the bed to be. Her legs hit its edge and she sat down.

"You—you want me to sleep in the other one?" he asked.

"Of course," Nora replied with marked bitterness. "I'm afraid you wouldn't be very comfortable in with me."

There was a time of silence. Frank took off his jacket, shirt and trousers. It was funny, he thought. He'd spent his money, been drugged, beaten and robbed as a result of one objective—to get into a room alone with a girl. And a girl not nearly as nice as Nora at that. Now, here he was alone with a real dream, and he was tongue-tied. It didn't make sense. He shrugged. Life was crazy sometimes.

He heard the rustle of garments and wondered how much Nora was taking off. Then he dropped his trousers, forgotten, to the floor. "Did you hear that?"

"Yes. It's that—"

Frank went to the window, raised the sash. The moaning sound came in louder, but it was from far distance. "I think that's out around Evanston."

Frank felt a warmth on his cheek and he realized Nora was by his side, leaning forward. He put an arm around her and they stood unmoving in complete silence. Although their ears were straining for the sound coming down from the north, Frank could not be oblivious of the warm flesh under his hand.

Nora's breathing was soft against his cheek. She said, "Listen to how it rises and falls. It's almost as though they were using it to talk with. The inflection changes."

"I think that's what it is. It's coming from a lot of different places. It stops in some places and starts in others."

"It's so—weird."

"Spooky," Frank said, "but in a way it makes me feel better."

"I don't see how it could." Nora pressed closer to him.

"It does though, because of what I was afraid of. I had it figured out that the city was going to blow up—that a bomb had been planted that they couldn't find, or something like that. Now, I'm pretty sure it's something else. I'm willing to bet we'll be alive in the morning."

Nora thought that over in silence. "If that's the way it is—if some kind of invaders are coming down from the north—isn't it stupid to stay here? Even if we are tired we ought to be trying to get away from them."

"I was thinking the same thing. I'll go and talk to Wilson."

They crossed the room together and he left her by the bed and went on to the door. Then he remembered he was in his shorts and went back and got his trousers. After he'd put them on, he wondered why he'd bothered. He opened the door.

Something warned him—some instinct—or possibly his natural fear and caution coincided with the presence of danger. He heard the footsteps on the carpeting down the hall—soft, but unmistakably footsteps. He called, "Wilson—Wilson—that you?"

The creature outside threw caution to the winds, Frank sensed rather than heard a body hurtling toward the door. A shrill, mad laughter raked his ears and the weight of a body hit the door.

Frank drew strength from pure panic as he threw his weight against the panel, but perhaps an inch or two from the latch the door wavered from opposing strength. Through the narrow opening he could feel the hoarse breath of exertion in his face. Insane giggles and curses sounded through the black stillness.

Frank had the wild conviction he was losing the battle, and added strength came from somewhere. He heaved and there was a scream and he knew he had at least one finger caught between the door and the jamb. He threw his weight against the door with frenzied effort and heard the squash of the finger. The voice kited up to a shriek of agony, like that of a wounded animal.

Even with his life at stake, and the life of Nora, Frank could not deliberately slice the man's fingers off. Even as he fought the urge, and called himself a fool, he allowed the door to give slightly inward. The hand was jerked to safety.

At that moment another door opened close by and Jim Wilson's voice boomed: "What the hell's going on out here?"

Simultaneous with this, racing footsteps receded down the hall and from the well of the stairway came a whining cry of pain.

"Jumping jees!" Wilson bellowed. "We got company. We ain't alone!"

"He tried to get into my room."

"You shouldn't have opened the door. Nora okay?"

"Yeah. She's all right."

"Tell her to stay in her room. And you do the same. We'd be crazy to go after that coot in the dark. He'll keep 'til morning."

Frank closed the door, double-locked it and went back to Nora's bed. He could hear a soft sobbing. He reached down and pulled back the covers and the sobbing came louder. Then he was down on the bed and she was in his arms.

She cried until the panic subsided, while he held her and said nothing. After a while she got control of herself. "Don't leave me, Frank," she begged. "Please don't leave me."

He stroked her shoulder. "I won't," he whispered.

They lay for a long time in utter silence, each seeking strength in the other's closeness. The silence was finally broken by Nora.

"Frank?"

"Yes."

"Do you want me?"

He did not answer.

"If you want me you can have me, Frank."

Frank said nothing.

"I told you today that I tried to commit suicide. Remember?"

"I remember."

"That was the truth. I did it because I was tired of everything. Because I've made a terrible mess of things. I didn't want to go on living."

He remained silent, holding her.

As she spoke again, her voice sharpened. "Can't you understand what I'm telling you? I'm no good! I'm just a bum! Other men have had me! Why shouldn't you? Why should you be cheated out of what other men have had?"

He remained silent. After a few