Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Devereux — Complete by Baron Edward Bulwer Lytton Lytton (best free novels txt) 📖
Book online «Devereux — Complete by Baron Edward Bulwer Lytton Lytton (best free novels txt) 📖». Author Baron Edward Bulwer Lytton Lytton
But while outward Dramatic harmonies between cause and effect, and the proportionate agencies which characters introduced in the Drama bring to bear upon event and catastrophe, are carefully shunned,—as real life does for the most part shun them,—yet there is a latent coherence in all that, by influencing the mind, do, though indirectly, shape out the fate and guide the actions.
Dialogue and adventures which, considered dramatically, would be episodical,—considered biographically, will be found essential to the formation, change, and development of the narrator’s character. The grave conversations with Bolingbroke and Richard Cromwell, the light scenes in London and at Paris, the favour obtained with the Czar of Russia, are all essential to the creation of that mixture of wearied satiety and mournful thought which conducts the Probationer to the lonely spot in which he is destined to learn at once the mystery of his past life and to clear his reason from the doubts that had obscured the future world.
Viewing the work in this more subtile and contemplative light, the reader will find not only the true test by which to judge of its design and nature, but he may also recognize sources of interest in the story which might otherwise have been lost to him; and if so, the Author will not be without excuse for this criticism upon the scope and intention of his own work. For it is not only the privilege of an artist, but it is also sometimes his duty to the principles of Art, to place the spectator in that point of view wherein the light best falls upon the canvas. “Do not place yourself there,” says the painter; “to judge of my composition you must stand where I place you.”
BOOK I.
CHAPTER I.
OF THE HERO’S BIRTH AND PARENTAGE.—NOTHING CAN DIFFER MORE FROM THE END OF THINGS THAN THEIR BEGINNING.
MY grandfather, Sir Arthur Devereux (peace be with his ashes!) was a noble old knight and cavalier, possessed of a property sufficiently large to have maintained in full dignity half a dozen peers,—such as peers have been since the days of the first James. Nevertheless, my grandfather loved the equestrian order better than the patrician, rejected all offers of advancement, and left his posterity no titles but those to his estate.
Sir Arthur had two children by wedlock,—both sons; at his death, my father, the younger, bade adieu to the old hall and his only brother, prayed to the grim portraits of his ancestors to inspire him, and set out—to join as a volunteer the armies of that Louis, afterwards surnamed le grand. Of him I shall say but little; the life of a soldier has only two events worth recording,—his first campaign and his last. My uncle did as his ancestors had done before him, and, cheap as the dignity had grown, went up to court to be knighted by Charles II. He was so delighted with what he saw of the metropolis that he forswore all intention of leaving it, took to Sedley and champagne, flirted with Nell Gwynne, lost double the value of his brother’s portion at one sitting to the chivalrous Grammont, wrote a comedy corrected by Etherege, and took a wife recommended by Rochester. The wife brought him a child six months after marriage, and the infant was born on the same day the comedy was acted. Luckily for the honour of the house, my uncle shared the fate of Plemneus, king of Sicyon, and all the offspring he ever had (that is to say, the child and the play) “died as soon as they were born.” My uncle was now only at a loss what to do with his wife,—that remaining treasure, whose readiness to oblige him had been so miraculously evinced. She saved him the trouble of long cogitation, an exercise of intellect to which he was never too ardently inclined. There was a gentleman of the court, celebrated for his sedateness and solemnity; my aunt was piqued into emulating Orpheus, and, six weeks after her confinement, she put this rock into motion,—they eloped. Poor gentleman! it must have been a severe trial of patience to a man never known before to transgress the very slowest of all possible walks, to have had two events of the most rapid nature happen to him in the same week: scarcely had he recovered the shock of being run away with by my aunt, before, terminating forever his vagrancies, he was run through by my uncle. The wits made an epigram upon the event, and my uncle, who was as bold as a lion at the point of a sword, was, to speak frankly, terribly disconcerted by the point of a jest. He retired to the country in a fit of disgust and gout. Here his natural goodness soon recovered the effects of the artificial atmosphere to which it had been exposed, and he solaced himself by righteously governing domains worthy of a prince, for the mortifications he had experienced in the dishonourable career of a courtier.
Hitherto I have spoken somewhat slightingly of my uncle, and in his dissipation he deserved it, for he was both too honest and too simple to shine in that galaxy of prostituted genius of which Charles II. was the centre. But in retirement he was no longer the same person; and I do not think that the elements of human nature could have furnished forth a more amiable character than Sir William Devereux presiding at Christmas over the merriment of his great hall.
Good old man! his very defects were what we loved best in him: vanity was so mingled with good-nature, that it became graceful, and we reverenced one the most, while we most smiled at the other.
One peculiarity had he which the age he had lived in and his domestic history rendered natural enough; namely, an exceeding distaste to the matrimonial state: early marriages were misery, imprudent marriages idiotism, and marriage, at the best, he was wont to say, with a kindling eye and a heightened colour, marriage at the best was the devil! Yet it must not be supposed that Sir William Devereux was an ungallant man. On the contrary, never did the beau sexe have a humbler or more devoted servant. As nothing in his estimation was less becoming to a wise man than matrimony, so nothing was more ornamental than flirtation.
He had the old man’s weakness, garrulity; and he told the wittiest stories in the world, without omitting anything in them but the point. This omission did not arise from the want either of memory or of humour; but solely from a deficiency in the malice natural to all jesters. He could
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