Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. A Man of Business by Honoré de Balzac (free e books to read txt) 📖
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made under the eye of a magistrate, is what we call a _contribution_. If you owe ten thousand francs, and your creditors issue writs of attachment on a debt due to you of a thousand francs, each one of them gets so much per cent, 'so much in the pound,' in legal phrase; so much (that means) in proportion to the amounts severally claimed by the creditors. But--the creditors cannot touch the money without a special order from the clerk of the court. Do you guess what all this work drawn up by a judge and prepared by attorneys must mean? It means a quantity of stamped paper full of diffuse lines and blanks, the figures almost lost in vast spaces of completely empty ruled columns. The first proceeding is to deduct the costs. Now, as the costs are precisely the same whether the amount attached is one thousand or one million francs, it is not difficult to eat up three thousand francs (for instance) in costs, especially if you can manage to raise counter applications."
"And an attorney always manages to do it," said Cardot. "How many a time one of you has come to me with, 'What is there to be got out of the case?'"
"It is particularly easy to manage it if the debtor eggs you on to run up costs till they eat up the amount. And, as a rule, the Count's creditors took nothing by that move, and were out of pocket in law and personal expenses. To get money out of so experienced a debtor as the Count, a creditor should really be in a position uncommonly difficult to reach; it is a question of being creditor and debtor both, for then you are legally entitled to work the confusion of rights, in law language--"
"To the confusion of the debtor?" asked Malaga, lending an attentive ear to this discourse.
"No, the confusion of rights of debtor and creditor, and pay yourself through your own hands. So Claparon's innocence in merely issuing writs of attachment eased the Count's mind. As he came back from the Varietes with Antonia, he was so much the more taken with the idea of selling the reading-room to pay off the last two thousand francs of the purchase-money, because he did not care to have his name made public as a partner in such a concern. So he adopted Antonia's plan. Antonia wished to reach the higher ranks of her calling, with splendid rooms, a maid, and a carriage; in short, she wanted to rival our charming hostess, for instance--"
"She was not woman enough for that," cried the famous beauty of the Circus; "still, she ruined young d'Esgrignon very neatly."
"Ten days afterwards, little Croizeau, perched on his dignity, said almost exactly the same thing, for the fair Antonia's benefit," continued Desroches.
"'Child,' said he, 'your reading-room is a hole of a place. You will lose your complexion; the gas will ruin your eyesight. You ought to come out of it; and, look here, let us take advantage of an opportunity. I have found a young lady for you that asks no better than to buy your reading-room. She is a ruined woman with nothing before her but a plunge into the river; but she had four thousand francs in cash, and the best thing to do is to turn them to account, so as to feed and educate a couple of children.'
"'Very well. It is kind of you, Daddy Croizeau,' said Antonia.
"'Oh, I shall be much kinder before I have done. Just imagine it, poor M. Denisart has been worried into the jaundice! Yes, it has gone to the liver, as it usually does with susceptible old men. It is a pity he feels things so. I told him so myself; I said, "Be passionate, there is no harm in that, but as for taking things to heart--draw the line at that! It is the way to kill yourself."--Really, I would not have expected him to take on so about it; a man that has sense enough and experience enough to keep away as he does while he digests his dinner--'
"'But what is the matter?' inquired Mlle. Chocardelle.
"'That little baggage with whom I dined has cleared out and left him! ... Yes. Gave him the slip without any warning but a letter, in which the spelling was all to seek.'
"'There, Daddy Croizeau, you see what comes of boring a woman--'
"'It is indeed a lesson, my pretty lady,' said the guileful Croizeau. 'Meanwhile, I have never seen a man in such a state. Our friend Denisart cannot tell his left hand from his right; he will not go back to look at the "scene of his happiness," as he calls it. He has so thoroughly lost his wits, that he proposes that I should buy all Hortense's furniture (Hortense was her name) for four thousand francs.'
"'A pretty name,' said Antonia.
"'Yes. Napoleon's stepdaughter was called Hortense. I built carriages for her, as you know.'
"'Very well, I will see,' said cunning Antonia; 'begin by sending this young woman to me.'
"Antonia hurried off to see the furniture, and came back fascinated. She brought Maxime under the spell of antiquarian enthusiasm. That very evening the Count agreed to the sale of the reading-room. The establishment, you see, nominally belonged to Mlle. Chocardelle. Maxime burst out laughing at the idea of little Croizeau's finding him a buyer. The firm of Maxime and Chocardelle was losing two thousand francs, it is true, but what was the loss compared with four glorious thousand-franc notes in hand? 'Four thousand francs of live coin!--there are moments in one's life when one would sign bills for eight thousand to get them,' as the Count said to me.
"Two days later the Count must see the furniture himself, and took the four thousand francs upon him. The sale had been arranged; thanks to little Croizeau's diligence, he pushed matters on; he had 'come round' the widow, as he expressed it. It was Maxime's intention to have all the furniture removed at once to a lodging in a new house in the Rue Tronchet, taken in the name of Mme. Ida Bonamy; he did not trouble himself much about the nice old man that was about to lose his thousand francs. But he had sent beforehand for several big furniture vans.
"Once again he was fascinated by the beautiful furniture which a wholesale dealer would have valued at six thousand francs. By the fireside sat the wretched owner, yellow with jaundice, his head tied up in a couple of printed handkerchiefs, and a cotton night-cap on top of them; he was huddled up in wrappings like a chandelier, exhausted, unable to speak, and altogether so knocked to pieces that the Count was obliged to transact his business with the man-servant. When he had paid down the four thousand francs, and the servant had taken the money to his master for a receipt, Maxime turned to tell the man to call up the vans to the door; but even as he spoke, a voice like a rattle sounded in his ears.
"'It is not worth while, Monsieur le Comte. You and I are quits; I have six hundred and thirty francs fifteen centimes to give you!'
"To his utter consternation, he saw Cerizet, emerged from his wrappings like a butterfly from the chrysalis, holding out the accursed bundle of documents.
"'When I was down on my luck, I learned to act on the stage,' added Cerizet. 'I am as good as Bouffe at old men.'
"'I have fallen among thieves!' shouted Maxime.
"'No, Monsieur le Comte, you are in Mlle. Hortense's house. She is a friend of old Lord Dudley's; he keeps her hidden away here; but she has the bad taste to like your humble servant.'
"'If ever I longed to kill a man,' so the Count told me afterwards, 'it was at that moment; but what could one do? Hortense showed her pretty face, one had to laugh. To keep my dignity, I flung her the six hundred francs. "There's for the girl," said I.'"
"That is Maxime all over!" cried La Palferine.
"More especially as it was little Croizeau's money," added Cardot the profound.
"Maxime scored a triumph," continued Desroches, "for Hortense exclaimed, 'Oh, if I had only known that it was you!'"
"A pretty 'confusion' indeed!" put in Malaga. "You have lost, milord," she added turning to the notary.
And in this way the cabinetmaker, to whom Malaga owed a hundred crowns, was paid.
PARIS, 1845.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
"And an attorney always manages to do it," said Cardot. "How many a time one of you has come to me with, 'What is there to be got out of the case?'"
"It is particularly easy to manage it if the debtor eggs you on to run up costs till they eat up the amount. And, as a rule, the Count's creditors took nothing by that move, and were out of pocket in law and personal expenses. To get money out of so experienced a debtor as the Count, a creditor should really be in a position uncommonly difficult to reach; it is a question of being creditor and debtor both, for then you are legally entitled to work the confusion of rights, in law language--"
"To the confusion of the debtor?" asked Malaga, lending an attentive ear to this discourse.
"No, the confusion of rights of debtor and creditor, and pay yourself through your own hands. So Claparon's innocence in merely issuing writs of attachment eased the Count's mind. As he came back from the Varietes with Antonia, he was so much the more taken with the idea of selling the reading-room to pay off the last two thousand francs of the purchase-money, because he did not care to have his name made public as a partner in such a concern. So he adopted Antonia's plan. Antonia wished to reach the higher ranks of her calling, with splendid rooms, a maid, and a carriage; in short, she wanted to rival our charming hostess, for instance--"
"She was not woman enough for that," cried the famous beauty of the Circus; "still, she ruined young d'Esgrignon very neatly."
"Ten days afterwards, little Croizeau, perched on his dignity, said almost exactly the same thing, for the fair Antonia's benefit," continued Desroches.
"'Child,' said he, 'your reading-room is a hole of a place. You will lose your complexion; the gas will ruin your eyesight. You ought to come out of it; and, look here, let us take advantage of an opportunity. I have found a young lady for you that asks no better than to buy your reading-room. She is a ruined woman with nothing before her but a plunge into the river; but she had four thousand francs in cash, and the best thing to do is to turn them to account, so as to feed and educate a couple of children.'
"'Very well. It is kind of you, Daddy Croizeau,' said Antonia.
"'Oh, I shall be much kinder before I have done. Just imagine it, poor M. Denisart has been worried into the jaundice! Yes, it has gone to the liver, as it usually does with susceptible old men. It is a pity he feels things so. I told him so myself; I said, "Be passionate, there is no harm in that, but as for taking things to heart--draw the line at that! It is the way to kill yourself."--Really, I would not have expected him to take on so about it; a man that has sense enough and experience enough to keep away as he does while he digests his dinner--'
"'But what is the matter?' inquired Mlle. Chocardelle.
"'That little baggage with whom I dined has cleared out and left him! ... Yes. Gave him the slip without any warning but a letter, in which the spelling was all to seek.'
"'There, Daddy Croizeau, you see what comes of boring a woman--'
"'It is indeed a lesson, my pretty lady,' said the guileful Croizeau. 'Meanwhile, I have never seen a man in such a state. Our friend Denisart cannot tell his left hand from his right; he will not go back to look at the "scene of his happiness," as he calls it. He has so thoroughly lost his wits, that he proposes that I should buy all Hortense's furniture (Hortense was her name) for four thousand francs.'
"'A pretty name,' said Antonia.
"'Yes. Napoleon's stepdaughter was called Hortense. I built carriages for her, as you know.'
"'Very well, I will see,' said cunning Antonia; 'begin by sending this young woman to me.'
"Antonia hurried off to see the furniture, and came back fascinated. She brought Maxime under the spell of antiquarian enthusiasm. That very evening the Count agreed to the sale of the reading-room. The establishment, you see, nominally belonged to Mlle. Chocardelle. Maxime burst out laughing at the idea of little Croizeau's finding him a buyer. The firm of Maxime and Chocardelle was losing two thousand francs, it is true, but what was the loss compared with four glorious thousand-franc notes in hand? 'Four thousand francs of live coin!--there are moments in one's life when one would sign bills for eight thousand to get them,' as the Count said to me.
"Two days later the Count must see the furniture himself, and took the four thousand francs upon him. The sale had been arranged; thanks to little Croizeau's diligence, he pushed matters on; he had 'come round' the widow, as he expressed it. It was Maxime's intention to have all the furniture removed at once to a lodging in a new house in the Rue Tronchet, taken in the name of Mme. Ida Bonamy; he did not trouble himself much about the nice old man that was about to lose his thousand francs. But he had sent beforehand for several big furniture vans.
"Once again he was fascinated by the beautiful furniture which a wholesale dealer would have valued at six thousand francs. By the fireside sat the wretched owner, yellow with jaundice, his head tied up in a couple of printed handkerchiefs, and a cotton night-cap on top of them; he was huddled up in wrappings like a chandelier, exhausted, unable to speak, and altogether so knocked to pieces that the Count was obliged to transact his business with the man-servant. When he had paid down the four thousand francs, and the servant had taken the money to his master for a receipt, Maxime turned to tell the man to call up the vans to the door; but even as he spoke, a voice like a rattle sounded in his ears.
"'It is not worth while, Monsieur le Comte. You and I are quits; I have six hundred and thirty francs fifteen centimes to give you!'
"To his utter consternation, he saw Cerizet, emerged from his wrappings like a butterfly from the chrysalis, holding out the accursed bundle of documents.
"'When I was down on my luck, I learned to act on the stage,' added Cerizet. 'I am as good as Bouffe at old men.'
"'I have fallen among thieves!' shouted Maxime.
"'No, Monsieur le Comte, you are in Mlle. Hortense's house. She is a friend of old Lord Dudley's; he keeps her hidden away here; but she has the bad taste to like your humble servant.'
"'If ever I longed to kill a man,' so the Count told me afterwards, 'it was at that moment; but what could one do? Hortense showed her pretty face, one had to laugh. To keep my dignity, I flung her the six hundred francs. "There's for the girl," said I.'"
"That is Maxime all over!" cried La Palferine.
"More especially as it was little Croizeau's money," added Cardot the profound.
"Maxime scored a triumph," continued Desroches, "for Hortense exclaimed, 'Oh, if I had only known that it was you!'"
"A pretty 'confusion' indeed!" put in Malaga. "You have lost, milord," she added turning to the notary.
And in this way the cabinetmaker, to whom Malaga owed a hundred crowns, was paid.
PARIS, 1845.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Barbet
A Distinguished Provincial at Paris
The Seamy Side of History
The Middle Classes
Bixiou, Jean-Jacques
The Purse
A Bachelor's Establishment
The Government Clerks
Modeste Mignon
Scenes from a Courtesan's Life
The Firm of Nucingen
The Muse of the Department
Cousin Betty
The Member for Arcis
Beatrix
Gaudissart II.
The Unconscious Humorists
Cousin Pons
Cardot (Parisian notary)
The Muse of the Department
Jealousies of a Country Town
Pierre Grassou
The Middle Classes
Cousin Pons
Cerizet
Lost Illusions
Scenes from a Courtesan's Life
The Middle Classes
Chaboisseau
A Distinguished Provincial at Paris
The Government Clerks
Chocardelle, Mademoiselle
Beatrix
A Prince of Bohemia
Cousin Betty
The Member for Arcis
Claparon, Charles
A Bachelor's Establishment
Cesar Birotteau
Melmoth Reconciled
The Firm of Nucingen
The Middle Classes
Desroches (son)
A Bachelor's Establishment
Colonel Chabert
A Start in Life
A Woman of Thirty
The Commission in Lunacy
The Government Clerks
A Distinguished Provincial at Paris
Scenes from a Courtesan's Life
The
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