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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Pretty Lady by Arnold Bennett (top 10 most read books in the world .TXT) 📖

Book online «The Pretty Lady by Arnold Bennett (top 10 most read books in the world .TXT) 📖». Author Arnold Bennett



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G.J.," she agreed, with an intonation of astonishment that he should be guilty of an utterance so obvious and banal. "Did you ever know anything that wasn't? Did you ever even conceive anything that wasn't? If you can show me how to conceive spirit except in terms of matter, I'd like to listen to you."

"It's against nature--to kill yourself."

"Oh!" she murmured. "I'm quite used to that charge. You aren't by any means the first to accuse me of being against nature. But can you tell me where nature ends? That's another thing I'd like to know.... My dear friend, you're being conventional, and you aren't being realistic. You must know perfectly well in your heart that there's no reason why I shouldn't kill myself if I want to. You aren't going to talk to me about the Ten Commandments, I suppose, are you? There's a risk, of course, on the other side--shore--but perhaps it's worth taking. You aren't in a position to say it isn't worth taking. And at worst the other shore must be marvellous. It may possibly be terrible, if you arrive too soon and without being asked, but it must be marvellous.... Naturally, I believe in immortality. If I didn't, the thing wouldn't be worth doing. Oh! I should hate to be extinguished. But to change one existence for another, if the fancy takes you--that seems to me the greatest proof of real independence that anybody can give. It's tremendous. You're playing chess with fate and fate's winning, and you knock up the chess-board and fate has to begin all over again! Can't you see how tremendous it is--and how tempting it is? The temptation is terrific."

"I can see all that," said G.J. He was surprised by a sudden sense of esteem for the mighty volition hidden behind those calm, worn, gracious features. But Concepcion's body was younger than her face. He perceived, as it were for the first time, that Concepcion was immeasurably younger than himself; and yet she had passed far beyond him in experience. "But what's the origin of all this? What do you want to do it for? What's happened?"

"Then you believe I mean to do it?"

"Yes," he replied sincerely, and as naturally as he could.

"That's the tone I like to hear," said she, smiling. "I felt sure I could count on you not to indulge in too much nonsense. Well, I'm going to try the next avatar just to remind fate of my existence. I think fate's forgotten me, and I can stand anything but that. I've lost Carly, and I've lost Queen.... Oh, G.J.! Isn't it awful to think that when I offered you Queen she'd already gone, and it was only her dead body I was offering you? ... And I've lost my love. And I've failed, and I shall never be any more good here. I swore I would see a certain thing through, and I haven't seen it through, and I can't! But I've told you all this before.... What's left? Even my unhappiness is leaving me. Unless I kill myself I shall cease to exist. Don't you understand? Yes, you do."

After a marked pause she added:

"And I may overtake Queen."

"There's one thing I don't understand," he said, "as we're being frank with each other. Why do you tell me? Has it occurred to you that you're really making me a party to this scheme of yours?"

He spoke with a perfectly benevolent detachment deriving from hers. And as he spoke he thought of a man whom he had once known and who had committed suicide, and of all that he had read about suicides and what he had thought of them. Suicides had been incomprehensible to him, and either despicable or pitiable. And he said to himself: "Here is one of them! (Or is it an illusion?) But she has made all my notions of suicide seem ridiculous."

She answered his spoken question with vivacity: "Why do I tell you? I don't know. That's the point I've been arguing to myself all night and all day. _I'm_ not telling you. Something _in_ me is forcing me to tell you. Perhaps it's much more important that you should comprehend me than that you should be spared the passing worry that I'm causing you by showing you the inside of my head. You're the only friend I have left. I knew you before I knew Carly. I practically committed suicide from my particular world at the beginning of the war. I was going back to my particular world--you remember, G.J., in that little furnished flat--I was going back to it, but you wouldn't let me. It was you who definitely cut me off from my past. I might have been gadding about safely with Sarah Churcher and her lot at this very hour, but you would have it otherwise, and so I finished up with neurasthenia. You commanded and I obeyed."

"Well," he said, ignoring all her utterance except the last words, "obey me again."

"What do you want me to do?" she demanded wistfully and yet defiantly. Her features were tending to disappear in the tide of night, but she happened to sit up and lean forward and bring them a little closer to him. "You've no right to stop me from doing what I want to do. What right have you to stop me? Besides, you can't stop me. Nothing can stop me. It is settled. Everything is arranged."

He, too, sat up and leaned forward. In a voice rendered soft by the realisation of the fact that he had indeed known her before Carlos Smith knew her and had imagined himself once to be in love with her, and of the harshness of her destiny and the fading of her glory, he said simply and yet, in spite of himself, insinuatingly:

"No! I don't claim any right to stop you. I understand better, perhaps, than you think. But let me come down again next week-end. Do let me," he insisted, still more softly.

Even while he was speaking he expected her to say, "You're only suggesting that in order to gain time."

But she said:

"How can you be sure it wouldn't be my inquest and funeral I should be 'letting' you come down to?"

He replied:

"I could trust you."

A delicate night-gust charged with the scent of some plant came in at the open window and deranged ever so slightly a glistening lock on her forehead. G.J., peering at her, saw the masculinity melt from her face. He saw the mysterious resurrection of the girl in her, and felt in himself the sudden exciting outflow from her of that temperamental fluid whose springs had been dried up since the day when she learnt of her widowhood. She flushed. He looked away into the dark water, as though he had profanely witnessed that which ought not to be witnessed. Earlier in the interview she had inspired him with shyness. He was now stirred, agitated, thrilled--overwhelmed by the effect on her of his own words and his own voice. He was afraid of his power, as a prophet might be afraid of his power. He had worked a miracle--a miracle infinitely more convincing than anything that had led up to it. The miracle had brought back the reign of reality.

"Very well," she quivered.

And there was a movement and she was gone. He glanced quickly behind him, but the room lay black.... A transient pallor on the blackness, and the door banged. He sat a long time, solemn, gazing at the serrated silhouette of the town against a sky that obstinately held the wraith of daylight, and listening to the everlasting murmur of the invisible weir. Not a sound came from the town, not the least sound. When at length he stumbled out, he saw the figure of the landlord smoking the pipe of philosophy, and waiting with a landlord's fatalism for the last guest to go to bed. And they talked of the weather.


Chapter 41


THE ENVOY



The next night G.J., having been hailed by an acquaintance, was talking at the top of the steps beneath the portal of a club in Piccadilly. It was after ten by the clocks, and nearly, but not quite, dark. A warm, rather heavy, evening shower had ceased. This was the beginning of the great macintosh epoch, by-product of the war, when the paucity of the means of vehicular locomotion had rendered macintoshes permissible, even for women with pretensions to smartness; and at intervals stylish girls on their way home from unaccustomed overtime, passed the doors in transparent macintoshes of pink, yellow or green, as scornful as military officers of the effeminate umbrella, whose use was being confined to clubmen and old dowdies.

The acquaintance sought advice from G.J. about the shutting up of households for Belgian refugees. G.J. answered absently, not concealing that he was in a hurry. He had, in fact, been held up within three minutes of the scene of his secret idyll, and was anxious to arrive there. He had promised himself this surprise visit to Christine as some sort of recompense and narcotic for the immense disturbance of spirit which he had suffered at Wrikton.

That morning Concepcion had been invisible, but at his early breakfast he had received a note from her, a brief but masterly composition, if ever so slightly theatrical. He was conscious of tenderness for Concepcion, of sympathy with her, of a desire to help to restore her to that which by misfortune she had lost. But the first of these sentiments he resolutely put aside. He was determined to change his mood towards her for the sake of his own tranquillity; and he had convinced himself that his wise, calm, common sense was capable of saving her from any tragic and fatal folly. He had her in the hollow of his hand; but if she was expecting too much from him she would be gradually disappointed. He must have peace; he could not allow a bomb to be thrown into his habits; he was a bachelor of over fifty whose habits had the value of inestimable jewels and whose perfect independence was the most precious thing in the world. At his age he could not marry a volcano, a revolution, a new radio-active element exhibiting properties which were an enigma to social science. Concepcion would turn his existence into an endless drama of which she alone, with her deep-rooted, devilish talent for the sensational, would always choose the setting, as she had chosen the window and the weir. No; he must not mistake affectionate sympathy for tenderness, nor tolerate the sexual exploitation of his pity.

As he listened and talked to the acquaintance his inner mind shifted with relief to the vision of Christine, contented and simple and compliant in her nest--Christine, at once restful and exciting, Christine, the exquisite symbol of acquiescence and response. What a contrast to Concepcion! It had been a bold and sudden stroke to lift Christine to another plane, but a stroke well justified and entirely successful, fulfilling his dream.

At this moment he noticed a figure pass the doorway in whose shadow he was, and he exclaimed within himself incredulously:

"That is Christine!"

In the shortest possible delay he said "Good-night" to his acquaintance, and jumped down the steps and followed eastwards the figure. He followed warily, for already the strange and distressing idea had occurred to him that he must not overtake her--if she it was. It was she. He caught sight of her again in the thick obscurity by the prison-wall of Devonshire House. He recognised the peculiar brim of the new hat and the

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