Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. When the Sleeper Wakes by H. G. Wells (top romance novels txt) 📖
- Author: H. G. Wells
Book online «When the Sleeper Wakes by H. G. Wells (top romance novels txt) 📖». Author H. G. Wells
Graham was in one of the upper galleries in conversation with a bright-eyed lady on the subject of Eadhamite—the subject was his choice and not hers. He had interrupted her warm assurances of personal devotion with a matter-of-fact inquiry. He found her, as he had already found several other latter-day women that night, less well informed than charming. Suddenly, struggling against the eddying drift of nearer melody, the song of the Revolt, the great song he had heard in the Hall, hoarse and massive, came beating down to him.
He glanced up startled, and perceived above him an oeil de boeuf through which this song had come, and beyond, the upper courses of cable, the blue haze, and the pendant fabric of the lights of the public ways. He heard the song break into a tumult of voices and cease. But now he perceived quite clearly the drone and tumult of the moving platforms and a murmur of many people. He had a vague persuasion that he could not account for, a sort of instinctive feeling that outside in the ways a huge crowd must be watching this place in which their Master amused himself. He wondered what they might be thinking.
Though the song had stopped so abruptly, though the special music of this gathering reasserted itself, the motif of the marching song, once it had begun, lingered in his mind.
The bright-eyed lady was still struggling with the mysteries of Eadhamite when he perceived the girl he had seen in the theatre again. She was coming now along the gallery towards him; he saw her first before she saw him. She was dressed in a faintly luminous grey, her dark hair about her brows was like a cloud, and as he saw her the cold light from the circular opening into the ways fell upon her downcast face.
The lady in trouble about the Eadhamite saw the change in his expression, and grasped her opportunity to escape. “Would you care to know that girl, Sire?” she asked boldly. “She is Helen Wotton—a niece of Ostrog’s. She knows a great many serious things. She is one of the most serious persons alive. I am sure you will like her.”
In another moment Graham was talking to the girl, and the bright-eyed lady had fluttered away.
“I remember you quite well,” said Graham. “You were in that little room. When all the people were singing and beating time with their feet. Before I walked across the Hall.”
Her momentary embarrassment passed. She looked up at him, and her face was steady. “It was wonderful,” she said, hesitated, and spoke with a sudden effort. “All those people would have died for you, Sire. Countless people did die for you that night.”
Her face glowed. She glanced swiftly aside to see that no other heard her words.
Lincoln appeared some way off along the gallery, making his way through the press towards them. She saw him and turned to Graham strangely eager, with a swift change to confidence and intimacy. “Sire,” she said quickly, “I cannot tell you now and here. But the common people are very unhappy; they are oppressed—they are misgoverned. Do not forget the people, who faced death—death that you might live.”
“I know nothing—” began Graham.
“I cannot tell you now.”
Lincoln’s face appeared close to them. He bowed an apology to the girl.
“You find the new world pleasant, Sire?” asked Lincoln, with smiling deference, and indicating the space and splendour of the gathering by one comprehensive gesture. “At any rate, you find it changed.”
“Yes,” said Graham, “changed. And yet, after all, not so greatly changed.”
“Wait till you are in the air,” said Lincoln. “The wind has fallen; even now an aeropile awaits you.”
The girl’s attitude awaited dismissal.
Graham glanced at her face, was on the verge of a question, found a warning in her expression, bowed to her and turned to accompany Lincoln.
CHAPTER XVI. THE AEROPHILE
For a while, as Graham went through the passages of the Wind-Vane offices with Lincoln, he was preoccupied. But, by an effort, he attended to the things which Lincoln was saying. Soon his preoccupation vanished. Lincoln was talking of flying. Graham had a strong desire to know more of this new human attainment. He began to ply Lincoln with questions. He had followed the crude beginnings of aerial navigation very keenly in his previous life; he was delighted to find the familiar names of Maxim and Pilcher, Langley and Chanute, and, above all, of the aerial proto-martyr Lillienthal, still honoured by men.
Even during his previous life two lines of investigation had pointed clearly to two distinct types of contrivance as possible, and both of these had been realised. On the one hand was the great engine-driven aeroplane, a double row of horizontal floats with a big aerial screw behind, and on the other the nimbler aeropile. The aeroplanes flew safely only in a calm or moderate wind, and sudden storms, occurrences that were now accurately predictable, rendered them for all practical purposes useless. They were built of enormous size—the usual stretch of wing being six hundred feet or more, and the length of the fabric a thousand feet. They were for passenger traffic alone. The lightly swung car they carried was from a hundred to a hundred and fifty feet in length. It Was hung in a peculiar manner in order to minimise the complex vibration that even a moderate wind produced, and for the same reason the little seats within the car—each passenger remained seated during the voyage—were slung with great freedom of movement. The starting of the mechanism was only possible from a gigantic car on the rail of a specially constructed stage. Graham had seen these vast stages, the flying stages, from the crow’s nest very well. Six huge blank areas they were, with a giant “carrier” stage on each.
The choice of descent was equally circumscribed, an accurately plane surface being needed for safe grounding. Apart from the destruction that would have been caused by the descent of this great expanse of sail and metal, and the impossibility of its rising again, the concussion of an irregular surface, a tree-set hillside, for instance, or an embankment, would be sufficient to pierce or damage the framework, to smash the ribs of the body, and perhaps kill those aboard.
At first Graham felt disappointed with these cumbersome contrivances, but he speedily grasped the fact that smaller machines would have been unremunerative, for the simple reason that their carrying power would be disproportionately diminished with diminished size. Moreover, the huge size of these things enabled them—and it was a consideration of primary importance—to traverse the air at enormous speeds, and so run no risks of unanticipated weather. The briefest journey performed, that from London to Paris, took about three-quarters of an hour, but the velocity attained was not high; the leap to New York occupied about two hours, and by timing oneself carefully at the intermediate stations it was possible in quiet weather to go around the world in a day.
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