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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



Fiction genre suitable for people of all ages. Everyone will find something interesting for themselves. Our electronic library is always at your service. Reading online free books without registration. Nowadays ebooks are convenient and efficient. After all, don’t forget: literature exists and develops largely thanks to readers.
The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Works of Edgar Allan Poe — Volume 5 by Edgar Allan Poe (best historical fiction books of all time .txt) 📖

Book online «The Works of Edgar Allan Poe — Volume 5 by Edgar Allan Poe (best historical fiction books of all time .txt) 📖». Author Edgar Allan Poe



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land of Eldorado?’ ‘Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride,’ The shade replied,— ‘If you seek for Eldorado!’

1849.

EULALIE I DWELT alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride— Till the yellow-haired young Eulalie became my smiling bride. Ah, less—less bright The stars of the night Than the eyes of the radiant girl! And never a flake That the vapour can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie’s most unregarded curl— Can compare with the bright-eyed Eulalie’s most humble and careless curl. Now Doubt—now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shines, bright and strong, Astarté within the sky, While ever to her dear Eulalie upturns her matron eye— While ever to her young Eulalie upturns her violet eye.

1845.

A DREAM WITHIN A DREAM Take this kiss upon the brow! And, in parting from you now, Thus much let me avow— You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand— How few! yet how they creep Through my fingers to the deep, While I weep—while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?.

1849

TO MARIE LOUISE (SHEW) Of all who hail thy presence as the morning— Of all to whom thine absence is the night— The blotting utterly from out high heaven The sacred sun—of all who, weeping, bless thee Hourly for hope—for life—ah! above all, For the resurrection of deep-buried faith In Truth—in Virtue—in Humanity— Of all who, on Despair’s unhallowed bed Lying down to die, have suddenly arisen At thy soft-murmured words, “Let there be light!” At the soft-murmured words that were fulfilled In the seraphic glancing of thine eyes— Of all who owe thee most—whose gratitude Nearest resembles worship—oh, remember The truest—the most fervently devoted, And think that these weak lines are written by him— By him who, as he pens them, thrills to think His spirit is communing with an angel’s.

1847.

TO MARIE LOUISE (SHEW) Not long ago, the writer of these lines, In the mad pride of intellectuality, Maintained “the power of words”—denied that ever A thought arose within the human brain Beyond the utterance of the human tongue: And now, as if in mockery of that boast, Two words-two foreign soft dissyllables— Italian tones, made only to be murmured By angels dreaming in the moonlit “dew That hangs like chains of pearl on Hermon hill,”— Have stirred from out the abysses of his heart, Unthought-like thoughts that are the souls of thought, Richer, far wider, far diviner visions Than even the seraph harper, Israfel, (Who has “the sweetest voice of all God’s creatures”) Could hope to utter. And I! my spells are broken. The pen falls powerless from my shivering hand. With thy dear name as text, though bidden by thee, I can not write-I can not speak or think— Alas, I can not feel; for ’tis not feeling, This standing motionless upon the golden Threshold of the wide-open gate of dreams, Gazing, entranced, adown the gorgeous vista, And thrilling as I see, upon the right, Upon the left, and all the way along, Amid empurpled vapors, far away To where the prospect terminates-thee only!

1848.

THE CITY IN THE SEA. Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Wherethe good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of scultured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had thrown aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.

1845.

THE SLEEPER. At midnight in the month of June, I stand beneath the mystic moon. An opiate vapour, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top. Steals drowsily and musically Into the univeral valley. The rosemary nods upon the grave; The
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