I Say No by Wilkie Collins (best free ereader txt) 📖

ought to have remembered that women are at the mercy of appearances. If Mirabel had something of importance to say to her, she might have avoided exposing herself to Francine's spiteful misconstruction: it would have been easy to arrange with Cecilia that a third person should be present at the interview.

While he was absorbed in these reflections, Cecilia--embarrassed by the silence--was trying to find a topic of conversation. Alban roughly pushed his sketch-book away from him, on the table. Was he displeased with Emily? The same question had occurred to Cecilia at the time of the correspondence, on the subject of Miss Jethro. To recall those letters led her, by natural sequence, to another effort of memory. She was reminded of the person who had been the cause of the correspondence: her interest was revived in the mystery of Miss Jethro.

"Has Emily told you that I have seen your letter?" she asked.

He roused himself with a start. "I beg your pardon. What letter are you thinking of?"

"I was thinking of the letter which mentions Miss Jethro's strange visit. Emily was so puzzled and so surprised that she showed it to me--and we both consulted my father. Have you spoken to Emily about Miss Jethro?"

"I have tried--but she seemed to be unwilling to pursue the subject."

"Have you made any discoveries since you wrote to Emily?"

"No. The mystery is as impenetrable as ever."

As he replied in those terms, Mirabel entered the conservatory from the garden, evidently on his way to the drawing-room.

To see the man, whose introduction to Emily it had been Miss Jethro's mysterious object to prevent--at the very moment when he had been speaking of Miss Jethro herself--was, not only a temptation of curiosity, but a direct incentive (in Emily's own interests) to make an effort at discovery. Alban pursued the conversation with Cecilia, in a tone which was loud enough to be heard in the conservatory.

"The one chance of getting any information that I can see," he proceeded, "is to speak to Mr. Mirabel."

"I shall be only too glad, if I can be of any service to Miss Wyvil and Mr. Morris."

With those obliging words, Mirabel made a dramatic entry, and looked at Cecilia with his irresistible smile. Startled by his sudden appearance, she unconsciously assisted Alban's design. Her silence gave him the opportunity of speaking in her place.

"We were talking," he said quietly to Mirabel, "of a lady with whom you are acquainted."

"Indeed! May I ask the lady's name?"

"Miss Jethro."

Mirabel sustained the shock with extraordinary self-possession--so far as any betrayal by sudden movement was concerned. But his color told the truth: it faded to paleness--it revealed, even to Cecilia's eyes, a man overpowered by fright.

Alban offered him a chair. He refused to take it by a gesture. Alban tried an apology next. "I am afraid I have ignorantly revived some painful associations. Pray excuse me."

The apology roused Mirabel: he felt the necessity of offering some explanation. In timid animals, the one defensive capacity which is always ready for action is cunning. Mirabel was too wily to dispute the inference--the inevitable inference--which any one must have drawn, after seeing the effect on him that the name of Miss Jethro had produced. He admitted that "painful associations" had been revived, and deplored the "nervous sensibility" which had permitted it to be seen.

"No blame can possibly attach to you, my dear sir," he continued, in his most amiable manner. "Will it be indiscreet, on my part, if I ask how you first became acquainted with Miss Jethro?"

"I first became acquainted with her at Miss Ladd's school," Alban answered. "She was, for a short time only, one of the teachers; and she left her situation rather suddenly." He paused--but Mirabel made no remark. "After an interval of a few months," he resumed, "I saw Miss Jethro again. She called on me at my lodgings, near Netherwoods."

"Merely to renew your former acquaintance?"

Mirabel made that inquiry with an eager anxiety for the reply which he was quite unable to conceal. Had he any reason to dread what Miss Jethro might have it in her power to say of him to another person? Alban was in no way pledged to secrecy, and he was determined to leave no means untried of throwing light on Miss Jethro's mysterious warning. He repeated the plain narrative of the interview, which he had communicated by letter to Emily. Mirabel listened without making any remark.

"After what I have told you, can you give me no explanation?" Alban asked.

"I am quite unable, Mr. Morris, to help you."

Was he lying? or speaking, the truth? The impression produced on Alban was that he had spoken the truth.

Women are never so ready as men to resign themselves to the disappointment of their hopes. Cecilia, silently listening up to this time, now ventured to speak--animated by her sisterly interest in Emily.

"Can you not tell us," she said to Mirabel, "why Miss Jethro tried to prevent Emily Brown from meeting you here?"

"I know no more of her motive than you do," Mirabel replied.

Alban interposed. "Miss Jethro left me," he said, "with the intention--quite openly expressed--of trying to prevent you from accepting Mr. Wyvil's invitation. Did she make the attempt?"

Mirabel admitted that she had made the attempt. "But," he added, "without mentioning Miss Emily's name. I was asked to postpone my visit, as a favor to herself, because she had her own reasons for wishing it. I had my reasons" (he bowed with gallantry to Cecilia) "for being eager to have the honor of knowing Mr. Wyvil and his daughter; and I refused."

Once more, the doubt arose: was he lying? or speaking the truth? And, once more, Alban could not resist the conclusion that he was speaking the truth.

"There is one thing I should like to know," Mirabel continued, after some hesitation. "Has Miss Emily been informed of this strange affair?"

"Certainly!"

Mirabel seemed to be disposed to continue his inquiries--and suddenly changed his mind. Was he beginning to doubt if Alban had spoken without concealment, in describing Miss Jethro's visit? Was he still afraid of what Miss Jethro might have said of him? In any case, he changed the subject, and made an excuse for leaving the room.

"I am forgetting my errand," he said to Alban. "Miss Emily was anxious to know if you had finished your sketch. I must tell her that you have returned."

He bowed and withdrew.

Alban rose to follow him--and checked himself.

"No," he thought, "I trust Emily!" He sat down again by Cecilia's side.

 

Mirabel had indeed returned to the rose garden. He found Emily employed as he had left her, in making a crown of roses, to be worn by Cecilia in the evening. But, in one other respect, there was a change. Francine was present.

"Excuse me for sending you on a needless errand," Emily said to Mirabel; "Miss de Sor tells me Mr. Morris has finished his sketch. She left him in the drawing-room--why didn't you bring him here?"

"He was talking with Miss Wyvil."

Mirabel answered absently--with his eyes on Francine. He gave her one of those significant looks, which says to a third person, "Why are you here?" Francine's jealousy declined to understand him. He tried a broader hint, in words.

"Are you going to walk in the garden?" he said.

Francine was impenetrable. "No," she answered, "I am going to stay here with Emily."

Mirabel had no choice but to yield. Imperative anxieties forced him to say, in Francine's presence, what he had hoped to say to Emily privately.

"When I joined Miss Wyvil and Mr. Morris," he began, "what do you think they were doing? They were talking of--Miss Jethro."

Emily dropped the rose-crown on her lap. It was easy to see that she had been disagreeably surprised.

"Mr. Morris has told me the curious story of Miss Jethro's visit," Mirabel continued; "but I am in some doubt whether he has spoken to me without reserve. Perhaps he expressed himself more freely when he spoke to you. Miss Jethro may have said something to him which tended to lower me in your estimation?"

"Certainly not, Mr. Mirabel--so far as I know. If I had heard anything of the kind, I should have thought it my duty to tell you. Will it relieve your anxiety, if I go at once to Mr. Morris, and ask him plainly whether he has concealed anything from you or from me?"

Mirabel gratefully kissed her hand. "Your kindness overpowers me," he said--speaking, for once, with true emotion.

Emily immediately returned to the house. As soon as she was out of sight, Francine approached Mirabel, trembling with suppressed rage.

B IV (THE COUNTRY HOUSE) CHAPTER XLVI (PRETENDING)

 

Miss de Sor began cautiously with an apology. "Excuse me, Mr. Mirabel, for reminding you of my presence."

Mr. Mirabel made no reply.

"I beg to say," Francine proceeded, "that I didn't intentionally see you kiss Emily's hand."

Mirabel stood, looking at the roses which Emily had left on her chair, as completely absorbed in his own thoughts as if he had been alone in the garden.

"Am I not even worth notice?" Francine asked. "Ah, I know to whom I am indebted for your neglect!" She took him familiarly by the arm, and burst into a harsh laugh. "Tell me now, in confidence--do you think Emily is fond of you?"

The impression left by Emily's kindness was still fresh in Mirabel's memory: he was in no humor to submit to the jealous resentment of a woman whom he regarded with perfect indifference. Through the varnish of politeness which overlaid his manner, there rose to the surface the underlying insolence, hidden, on all ordinary occasions, from all human eyes. He answered Francine--mercilessly answered her--at last.

"It is the dearest hope of my life that she may be fond of me," he said.

Francine dropped his arm "And fortune favors your hopes," she added, with an ironical assumption of interest in Mirabel's prospects. "When Mr. Morris leaves us to-morrow, he removes the only obstacle you have to fear. Am I right?"

"No; you are wrong."

"In what way, if you please?"

"In this way. I don't regard Mr. Morris as an obstacle. Emily is too delicate and too kind to hurt his feelings--she is not in love with him. There is no absorbing interest in her mind to divert her thoughts from me. She is idle and happy; she thoroughly enjoys her visit to this house, and I am associated with her enjoyment. There is my chance--!"

He suddenly stopped. Listening to him thus far, unnaturally calm and cold, Francine now showed that she felt the lash of his contempt. A hideous smile passed slowly over her white face. It threatened the vengeance which knows no fear, no pity, no remorse--the vengeance of a jealous woman. Hysterical anger, furious language, Mirabel was prepared for. The smile frightened him.

"Well?" she said scornfully, "why don't you go on?"

A bolder man might still have maintained the audacious position which he had assumed. Mirabel's faint heart shrank from it. He was eager to shelter himself under the first excuse that he could find. His ingenuity, paralyzed by his fears, was unable to invent anything new. He feebly availed himself of the commonplace trick of evasion which he had read of in novels, and seen in action on the stage.

"Is it possible," he asked, with an overacted assumption of surprise, "that you think I