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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Idiot by Fyodor Dostoyevsky (good story books to read .TXT) 📖

Book online «The Idiot by Fyodor Dostoyevsky (good story books to read .TXT) 📖». Author Fyodor Dostoyevsky



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new fancy! The prince reflected, and then mounted the stairs once more. He pulled out the cross without taking it off his neck.

"Give it to me," said Parfen.

"Why? do you--"

The prince would rather have kept this particular cross.

"I'll wear it; and you shall have mine. I'll take it off at once."

"You wish to exchange crosses? Very well, Parfen, if that's the case, I'm glad enough--that makes us brothers, you know."

The prince took off his tin cross, Parfen his gold one, and the exchange was made.

Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother's face. At moments, at all events, it showed itself but too plainly,

At last Rogojin took the prince's hand, and stood so for some moments, as though he could not make up his mind. Then he drew him along, murmuring almost inaudibly,

"Come!"

They stopped on the landing, and rang the bell at a door opposite to Parfen's own lodging.

An old woman opened to them and bowed low to Parfen, who asked her some questions hurriedly, but did not wait to hear her answer. He led the prince on through several dark, cold-looking rooms, spotlessly clean, with white covers over all the furniture.

Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.

"Mother," said Rogojin, kissing her hand, "here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you."

But the old lady, before Parfen had time to touch her, raised her right hand, and, with three fingers held up, devoutly made the sign of the cross three times over the prince. She then nodded her head kindly at him once more.

"There, come along, Lef Nicolaievitch; that's all I brought you here for," said Rogojin.

When they reached the stairs again he added:

"She understood nothing of what I said to her, and did not know what I wanted her to do, and yet she blessed you; that shows she wished to do so herself. Well, goodbye; it's time you went, and I must go too."

He opened his own door.

"Well, let me at least embrace you and say goodbye, you strange fellow!" cried the prince, looking with gentle reproach at Rogojin, and advancing towards him. But the latter had hardly raised his arms when he dropped them again. He could not make up his mind to it; he turned away from the prince in order to avoid looking at him. He could not embrace him.

"Don't be afraid," he muttered, indistinctly, "though I have taken your cross, I shall not murder you for your watch." So saying, he laughed suddenly, and strangely. Then in a moment his face became transfigured; he grew deadly white, his lips trembled, his eyes burned like fire. He stretched out his arms and held the prince tightly to him, and said in a strangled voice:

"Well, take her! It's Fate! She's yours. I surrender her.... Remember Rogojin!" And pushing the prince from him, without looking back at him, he hurriedly entered his own flat, and banged the door.


V.

IT was late now, nearly half-past two, and the prince did not find General Epanchin at home. He left a card, and determined to look up Colia, who had a room at a small hotel near. Colia was not in, but he was informed that he might be back shortly, and had left word that if he were not in by half-past three it was to be understood that he had gone to Pavlofsk to General Epanchin's, and would dine there. The prince decided to wait till half-past three, and ordered some dinner. At half-past three there was no sign of Colia. The prince waited until four o'clock, and then strolled off mechanically wherever his feet should carry him.

In early summer there are often magnificent days in St. Petersburg--bright, hot and still. This happened to be such a day.

For some time the prince wandered about without aim or object. He did not know the town well. He stopped to look about him on bridges, at street corners. He entered a confectioner's shop to rest, once. He was in a state of nervous excitement and perturbation; he noticed nothing and no one; and he felt a craving for solitude, to be alone with his thoughts and his emotions, and to give himself up to them passively. He loathed the idea of trying to answer the questions that would rise up in his heart and mind. "I am not to blame for all this," he thought to himself, half unconsciously.

Towards six o'clock he found himself at the station of the Tsarsko-Selski railway.

He was tired of solitude now; a new rush of feeling took hold of him, and a flood of light chased away the gloom, for a moment, from his soul. He took a ticket to Pavlofsk, and determined to get there as fast as he could, but something stopped him; a reality, and not a fantasy, as he was inclined to think it. He was about to take his place in a carriage, when he suddenly threw away his ticket and came out again, disturbed and thoughtful. A few moments later, in the street, he recalled something that had bothered him all the afternoon. He caught himself engaged in a strange occupation which he now recollected he had taken up at odd moments for the last few hours--it was looking about all around him for something, he did not know what. He had forgotten it for a while, half an hour or so, and now, suddenly, the uneasy search had recommenced.

But he had hardly become conscious of this curious phenomenon, when another recollection suddenly swam through his brain, interesting him for the moment, exceedingly. He remembered that the last time he had been engaged in looking around him for the unknown something, he was standing before a cutler's shop, in the window of which were exposed certain goods for sale. He was extremely anxious now to discover whether this shop and these goods really existed, or whether the whole thing had been a hallucination.

He felt in a very curious condition today, a condition similar to that which had preceded his fits in bygone years.

He remembered that at such times he had been particularly absentminded, and could not discriminate between objects and persons unless he concentrated special attention upon them.

He remembered seeing something in the window marked at sixty copecks. Therefore, if the shop existed and if this object were really in the window, it would prove that he had been able to concentrate his attention on this article at a moment when, as a general rule, his absence of mind would have been too great to admit of any such concentration; in fact, very shortly after he had left the railway station in such a state of agitation.

So he walked back looking about him for the shop, and his heart beat with intolerable impatience. Ah! here was the very shop, and there was the article marked "60 cop." "Of course, it's sixty copecks," he thought, and certainly worth no more." This idea amused him and he laughed.

But it was a hysterical laugh; he was feeling terribly oppressed. He remembered clearly that just here, standing before this window, he had suddenly turned round, just as earlier in the day he had turned and found the dreadful eyes of Rogojin fixed upon him. Convinced, therefore, that in this respect at all events he had been under no delusion, he left the shop and went on.

This must be thought out; it was clear that there had been no hallucination at the station then, either; something had actually happened to him, on both occasions; there was no doubt of it. But again a loathing for all mental exertion overmastered him; he would not think it out now, he would put it off and think of something else. He remembered that during his epileptic fits, or rather immediately preceding them, he had always experienced a moment or two when his whole heart, and mind, and body seemed to wake up to vigour and light; when he became filled with joy and hope, and all his anxieties seemed to be swept away for ever; these moments were but presentiments, as it were, of the one final second (it was never more than a second) in which the fit came upon him. That second, of course, was inexpressible. When his attack was over, and the prince reflected on his symptoms, he used to say to himself: "These moments, short as they are, when I feel such extreme consciousness of myself, and consequently more of life than at other times, are due only to the disease--to the sudden rupture of normal conditions. Therefore they are not really a higher kind of life, but a lower." This reasoning, however, seemed to end in a paradox, and lead to the further consideration:--"What matter though it be only disease, an abnormal tension of the brain, if when I recall and analyze the moment, it seems to have been one of harmony and beauty in the highest degree--an instant of deepest sensation, overflowing with unbounded joy and rapture, ecstatic devotion, and completest life?" Vague though this sounds, it was perfectly comprehensible to Muishkin, though he knew that it was but a feeble expression of his sensations.

That there was, indeed, beauty and harmony in those abnormal moments, that they really contained the highest synthesis of life, he could not doubt, nor even admit the possibility of doubt. He felt that they were not analogous to the fantastic and unreal dreams due to intoxication by hashish, opium or wine. Of that he could judge, when the attack was over. These instants were characterized--to define it in a word--by an intense quickening of the sense of personality. Since, in the last conscious moment preceding the attack, he could say to himself, with full understanding of his words: "I would give my whole life for this one instant," then doubtless to him it really was worth a lifetime. For the rest, he thought the dialectical part of his argument of little worth; he saw only too clearly that the result of these ecstatic moments was stupefaction, mental darkness, idiocy. No argument was possible on that point. His conclusion, his estimate of the "moment," doubtless contained some error, yet the reality of the sensation troubled him. What's more unanswerable than a fact? And this fact had occurred. The
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