Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Clue of the Twisted Candle by Edgar Wallace (ebook reader online .TXT) 📖
- Author: Edgar Wallace
Book online «The Clue of the Twisted Candle by Edgar Wallace (ebook reader online .TXT) 📖». Author Edgar Wallace
And this ended the interview, one on which T. X. had set very high hopes. His gloom carried to Portman Place, where he had arranged to meet Belinda Mary.
“Where is Mr. Lexman going to give this famous lecture of his?” was the question with which she greeted him, “and, please, what is the subject?”
“It is on a subject which is of supreme interest to me;” he said gravely; “he has called his lecture 'The Clue of the Twisted Candle.' There is no clearer brain being employed in the business of criminal detection than John Lexman's. Though he uses his genius for the construction of stories, were it employed in the legitimate business of police work, I am certain he would make a mark second to none in the world. He is determined on giving this lecture and he has issued a number of invitations. These include the Chiefs of the Secret Police of nearly all the civilized countries of the world. O'Grady is on his way from America, he wirelessed me this morning to that effect. Even the Chief of the Russian police has accepted the invitation, because, as you know, this murder has excited a great deal of interest in police circles everywhere. John Lexman is not only going to deliver this lecture,” he said slowly, “but he is going to tell us who committed the murder and how it was committed.”
She thought a moment.
“Where will it be delivered!”
“I don't know,” he said in astonishment; “does that matter?”
“It matters a great deal,” she said emphatically, “especially if I want it delivered in a certain place. Would you induce Mr. Lexman to lecture at my house?”
“At Portman Place!” he asked.
She shook her head.
“No, I have a house of my own. A furnished house I have rented at Blackheath. Will you induce Mr. Lexman to give the lecture there?”
“But why?” he asked.
“Please don't ask questions,” she pleaded, “do this for me, Tommy.”
He saw she was in earnest.
“I'll write to old Lexman this afternoon,” he promised.
John Lexman telephoned his reply.
“I should prefer somewhere out of London,” he said, “and since Miss Bartholomew has some interest in the matter, may I extend my invitation to her? I promise she shall not be any more shocked than a good woman need be.”
And so it came about that the name of Belinda Mary Bartholomew was added to the selected list of police chiefs, who were making for London at that moment to hear from the man who had guaranteed the solution of the story of Kara and his killing; the unravelment of the mystery which surrounded his death, and the significance of the twisted candles, which at that moment were reposing in the Black Museum at Scotland Yard.
CHAPTER XX
The room was a big one and most of the furniture had been cleared out to admit the guests who had come from the ends of the earth to learn the story of the twisted candles, and to test John Lexman's theory by their own.
They sat around chatting cheerfully of men and crimes, of great coups planned and frustrated, of strange deeds committed and undetected. Scraps of their conversation came to Belinda Mary as she stood in the chintz-draped doorway which led from the drawing-room to the room she used as a study.
“... do you remember, Sir George, the Bolbrook case! I took the man at Odessa....”
“... the curious thing was that I found no money on the body, only a small gold charm set with a single emerald, so I knew it was the girl with the fur bonnet who had...”
“... Pinot got away after putting three bullets into me, but I dragged myself to the window and shot him dead—it was a real good shot...!”
They rose to meet her and T. X. introduced her to the men. It was at that moment that John Lexman was announced.
He looked tired, but returned the Commissioner's greeting with a cheerful mien. He knew all the men present by name, as they knew him. He had a few sheets of notes, which he laid on the little table which had been placed for him, and when the introductions were finished he went to this and with scarcely any preliminary began.
CHAPTER XXI
THE NARRATIVE OF JOHN LEXMAN
“I am, as you may all know, a writer of stories which depend for their success upon the creation and unravelment of criminological mysteries. The Chief Commissioner has been good enough to tell you that my stories were something more than a mere seeking after sensation, and that I endeavoured in the course of those narratives to propound obscure but possible situations, and, with the ingenuity that I could command, to offer to those problems a solution acceptable, not only to the general reader, but to the police expert.
“Although I did not regard my earlier work with any great seriousness and indeed only sought after exciting situations and incidents, I can see now, looking back, that underneath the work which seemed at the time purposeless, there was something very much like a scheme of studies.
“You must forgive this egotism in me because it is necessary that I should make this explanation and you, who are in the main police officers of considerable experience and discernment, should appreciate the fact that as I was able to get inside the minds of the fictitious criminals I portrayed, so am I now able to follow the mind of the man who committed this murder, or if not to follow his mind, to recreate the psychology of the slayer of Remington Kara.
“In the possession of most of you are the vital facts concerning this man. You know the type of man he was, you have instances of his terrible ruthlessness, you know that he was a blot upon God's earth, a vicious wicked ego, seeking the gratification of that strange blood-lust and pain-lust, which is to be found in so few criminals.”
John Lexman went on to describe the killing of Vassalaro.
“I know now how that occurred,” he said. “I had received on the previous Christmas eve amongst other presents, a pistol from an unknown admirer. That unknown admirer was Kara, who had planned this murder some three months ahead. He it was, who sent me the Browning, knowing as he did that I had never used such a weapon and that therefore I would be chary about using it. I might have put the pistol away in a cupboard out of reach and
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