Tommy and Grizel by Sir James Matthew Barrie (best english novels for beginners .TXT) 📖

for a lady on horseback sees him, remembers to some extent who he is, and gives chase. It is our dear Mrs. Jerry.

"You wretch," she said, "to compel me to pursue you! Nothing could have induced me to do anything so unwomanly except that you are the only man in town."

She shook her whip so prettily at him that it was as seductive as a smile. It was also a way of gaining time while she tried to remember what it was he was famous for.

"I believe you don't know me!" she said, with a little shriek, for Tommy had looked bewildered. "That would be too mortifying. Please pretend you do!"

Her look of appeal, the way in which she put her plump little hands together, as if about to say her prayers, brought it all back to Tommy. The one thing he was not certain of was whether he had proposed to her.

It was the one thing of which she was certain.

"You think I can forget so soon," he replied reproachfully, but carefully.

"Then tell me my name," said she; she thought it might lead to his mentioning his own.

"I don't know what it is now. It was Mrs. Jerry once."

"It is Mrs. Jerry still."

"Then you did not marry him, after all?"

No wild joy had surged to his face, but when she answered yes, he nodded his head with gentle melancholy three times. He had not the smallest desire to deceive the lady; he was simply an actor who had got his cue and liked his part.

"But my friends still call me Mrs. Jerry," she said softly. "I suppose it suits me somehow."

"You will always be Mrs. Jerry to me," he replied huskily. Ah, those meetings with old loves!

"If you minded so much," Mrs. Jerry said, a little tremulously (she had the softest heart, though her memory was a trifle defective), "you might have discovered whether I had married him or not."

"Was there no reason why I should not seek to discover it?" Tommy asked with tremendous irony, but not knowing in the least what he meant.

It confused Mrs. Jerry. They always confused her when they were fierce, and yet she liked them to be fierce when she re-met them, so few of them were.

But she said the proper thing. "I am glad you have got over it."

Tommy maintained a masterly silence. No wonder he was a power with women.

"I say I am glad you have got over it," murmured Mrs. Jerry again. Has it ever been noticed that the proper remark does not always gain in propriety with repetition?

It is splendid to know that right feeling still kept Tommy silent.

Yet she went on briskly as if he had told her something: "Am I detaining you? You were walking so quickly that I thought you were in pursuit of someone."

It brought Tommy back to earth, and he could accept her now as an old friend he was glad to meet again. "You could not guess what I was in pursuit of, Mrs. Jerry," he assured her, and with confidence, for words are not usually chased down the Row.

But, though he made the sound of laughter, that terrible face which Mrs. Jerry remembered so well, but could not give a name to, took no part in the revelry; he was as puzzling to her as those irritating authors who print their jokes without a note of exclamation at the end of them. Poor Mrs. Jerry thought it must be a laugh of horrid bitterness, and that he was referring to his dead self or something dreadful of that sort, for which she was responsible.

"Please don't tell me," she said, in such obvious alarm that again he laughed that awful laugh. He promised, with a profound sigh, to carry his secret unspoken to the grave, also to come to her "At Home" if she sent him a card.

He told her his address, but not his name, and she could not send the card to "Occupier."

"Now tell me about yourself," said Mrs. Jerry, with charming cunning. "Did you go away?"

"I came back a few days ago only."

"Had you any shooting?" (They nearly always threatened to make for a distant land where there was big game.)

Tommy smiled. He had never "had any shooting" except once in his boyhood, when he and Corp acted as beaters, and he had wept passionately over the first bird killed, and harangued the murderer.

"No," he replied; "I was at work all the time."

This, at least, told her that his work was of a kind which could be done out of London. An inventor?

"When are we to see the result?" asked artful Mrs. Jerry.

"Very soon. Everything comes out about this time. It is our season, you know."

Mrs. Jerry pondered while she said: "How too entrancing!" What did come out this month? Oh, plays! And whose season was it? The actor's, of course! He could not be an actor with that beard, but--ah, she remembered now!

"Are they really clever this time?" she asked roguishly--"for you must admit that they are usually sticks."

Tommy blinked at this. "I really believe, Mrs. Jerry," he said slowly, "it is you who don't know who I am!"

"You prepare the aristocracy for the stage, don't you?" she said plaintively.

"I!" he thundered.

"He had a beard," she said, in self-defence.

"Who?"

"Oh, I don't know! Please forgive me! I do remember, of course, who you are--I remember too well!" said Mrs. Jerry, generously.

"What is my name?" Tommy demanded.

She put her hands together again, beseechingly. "Please, please!" she said. "I have such a dreadful memory for names, but--oh, please!"

"What am I?" he insisted.

"You are the--the man who invents those delightful thingumbobs," she cried with an inspiration.

"I never invented anything, except two books," said Tommy, looking at her reproachfully.

"I know them by heart," she cried.

"One of them is not published yet," he informed her.

"I am looking forward to it so excitedly," she said at once.

"And my name is Sandys," said he.

"Thomas Sandys," she said, correcting him triumphantly. "How is that dear, darling little Agnes--Elspeth?"

"You have me at last," he admitted.

"'Sandys on Woman!'" exclaimed Mrs. Jerry, all rippling smiles once more. "Can I ever forget it!"

"I shall never pretend to know anything about women again," Tommy answered dolefully, but with a creditable absence of vindictiveness.

"Please, please!" said the little hands again.

"It is a nasty jar, Mrs. Jerry."

"Please!"

"Oh that I could forget so quickly!"

"Please!"

"I forgive you, if that is what you want."

She waved her whip. "And you will come and see me?"

"When I have got over this. It needs--a little time." He really said this to please her.

"You shall talk to me of the new book," she said, confident that this would fetch him, for he was not her first author. "By the way, what is it about?"

"Can you ask, Mrs. Jerry?" replied Tommy, passionately. "Oh, woman, woman, can you ask?"

This puzzled her at the time, but she understood what he had meant when the book came out, dedicated to Pym. "Goodness gracious!" she said to herself as she went from chapter to chapter, and she was very self-conscious when she heard the book discussed in society, which was not quite as soon as it came out, for at first the ladies seemed to have forgotten their Tommy.

But the journals made ample amends. He had invented, they said, something new in literature, a story that was yet not a story, told in the form of essays which were no mere essays. There was no character mentioned by name, there was not a line of dialogue, essays only, they might say, were the net result, yet a human heart was laid bare, and surely that was fiction in its highest form. Fiction founded on fact, no doubt (for it would be ostrich-like to deny that such a work must be the outcome of a painful personal experience), but in those wise and penetrating pages Mr. Sandys called no one's attention to himself; his subject was an experience common to humanity, to be borne this way or that; and without vainglory he showed how it should be borne, so that those looking into the deep waters of the book (made clear by his pellucid style) might see, not the author, but themselves.

A few of the critics said that if the book added nothing to his reputation, it detracted nothing from it, but probably their pen added this mechanically when they were away. What annoyed him more was the two or three who stated that, much as they liked "Unrequited Love," they liked the "Letters" still better. He could not endure hearing a good word said for the "Letters" now.

The great public, I believe, always preferred the "Letters," but among important sections of it the new book was a delight, and for various reasons. For instance, it was no mere story. That got the thoughtful public. Its style, again, got the public which knows it is the only public that counts.

Society still held aloof (there was an African traveller on view that year), but otherwise everything was going on well, when the bolt came, as ever, from the quarter whence it was least expected. It came in a letter from Grizel, so direct as to be almost as direct as this: "I think it is a horrid book. The more beautifully it is written the more horrid it seems. No one was ever loved more truly than you. You can know nothing about unrequited love. Then why do you pretend to know? I see why you always avoided telling me anything about the book, even its title. It was because you knew what I should say. It is nothing but sentiment. You were on your wings all the time you were writing it. That is why you could treat me as you did. Even to the last moment you deceived me. I suppose you deceived yourself also. Had I known what was in the manuscript I would not have kissed it, I would have asked you to burn it. Had you not had the strength, and you would not, I should have burned it for you. It would have been a proof of my love. I have ceased to care whether you are a famous man or not. I want you to be a real man. But you will not let me help you. I have cried all day. GRIZEL."

Fury. Dejection. The heroic. They came in that order.

"This is too much!" he cried at first, "I can stand a good deal, Grizel, but there was once a worm that turned at last, you know. Take care, madam, take care. Oh, but you are a charming lady; you can decide everything for everybody, can't you! What delicious letters you write, something unexpected in everyone of them! There are poor dogs of men, Grizel, who open their letters from their loves knowing exactly what will be inside--words of cheer, words of love, of confidence, of admiration, which help them as they sit into the night at their work, fighting for fame that they may lay it at their loved one's feet. Discouragement, obloquy, scorn, they get in plenty from others, but they are always sure of her,--do you hear,