The Awkward Age by Henry James (simple ebook reader txt) đ
- Author: Henry James
- Performer: -
Book online «The Awkward Age by Henry James (simple ebook reader txt) đ». Author Henry James
He had fallen back in his chair, not looking at her now, and with his hands, from his supported elbows, clasped to keep himself more quiet. âAre you still talking about Aggie?â
âWhy Iâve scarcely begun!â
âOh!â It was not irritation he appeared to express, but the slight strain of an effort to get into relation with the subject. Better to focus the image he closed his eyes a while.
âYou speak of something that may draw us together, and I simply reply that if you donât feel how near together we areâin this I shouldnât imagine you ever would. You must have wonderful notions,â she presently went on, âof the ideal state of union. I pack every one off for youâI banish everything that can interfere, and I donât in the least mind your knowing that I find the consequence delightful. YOU may talk, if you like, of what will have passed between us, but I shall never mention it to a soul; literally not to a living creature. What do you want more than that?â He opened his eyes in deference to the question, but replied only with a gaze as unassisted as if it had come through a hole in a curtain. âYou say youâre ready for an adventure, and itâs just an adventure that I propose. If I can make you feel for yourself as I feel for you the beauty of your chance to go in and save herâ!â
âWell, if you canâ?â Mitchy at last broke in. âI donât think, you know,â he said after a moment, âyouâll find it easy to make your two ends meet.â
She thought a little longer. âOne of the ends is yours, so that youâll act WITH me. If I wind you up so that you goâ!â
âYouâll just happily sit and watch me spin? Thank you! THAT will be my reward?â
Nanda rose on this from her chair as with the impulse of protest. âShanât you care for my gratitude, my admiration?â
âOh yesââMitchy seemed to muse. âI shall care for THEM. Yet I donât quite see, you know, what you OWE to Aggie. It isnât as ifâ!â But with this he faltered.
âAs if she cared particularly for ME? Ah that has nothing to do with it; thatâs a thing without which surely itâs but too possible to be exquisite. There are beautiful, quite beautiful people who donât care for me. The thing thatâs important to one is the thing one sees oneâs self, and itâs quite enough if I see what can be made of that child. Marry her, Mitchy, and youâll see who sheâll care for!â
Mitchy kept his position; he was for the momentâhis image of shortly before reversedâthe one who appeared to sit happily and watch. âItâs too awfully pleasant your asking of me anything whatever!â
âWell then, as I say, beautifully, grandly save her.â
âAs you say, yesââhe sympathetically inclined his head. âBut without making me feel exactly what you mean by it.â
âKeep her,â Nanda returned, âfrom becoming like the Duchess.â
âBut she isnât a bit like the Duchess in any of her elements. Sheâs a totally different thing.â
It was only for an instant, however, that this objection seemed to tell. âThatâs exactly why sheâll be so perfect for you. Youâll get her awayâ take her out of her auntâs life.â
Mitchy met it all now in a sort of spellbound stillness. âWhat do you know about her auntâs life?â
âOh I know everything!â She spoke with her first faint shade of impatience.
It produced for a little a hush between them, at the end of which her companion said with extraordinary gentleness and tenderness: âDear old Nanda!â Her own silence appeared consciously to continue, and the suggestion of it might have been that for intelligent ears there was nothing to add to the declaration she had just made and which Mitchy sat there taking in as with a new light. What he drew from it indeed he presently went on to show. âYouâre too awfully interesting. Of courseâ you know a lot. How shouldnât youâand why?â
ââWhyâ? Oh thatâs another affair! But you donât imagine what I know; Iâm sure itâs much more than youâve a notion of. Thatâs the kind of thing now one ISâjust except the little marvel of Aggie. What on earth,â the girl pursued, âdo you take us for?â
âOh itâs all right!â breathed Mitchy, divinely pacific.
âIâm sure I donât know whether it is; I shouldnât wonder if it were in fact all wrong. But what at least is certainly right is for one not to pretend anything else. There I am for you at any rate. Now the beauty of Aggie is that she knows nothingâbut absolutely, utterly: not the least little tittle of anything.â
It was barely visible that Mitchy hesitated, and he spoke quite gravely. âHave you tried her?â
âOh yes. And Tishy has.â His gravity had been less than Nandaâs. âNothing, nothing.â The memory of some scene or some passage might have come back to her with a charm. âAh say what you willâit IS the way we ought to be!â
Mitchy, after a minute of much intensity, had stopped watching her; changing his posture and with his elbows on his knees he dropped for a while his face into his hands. Then he jerked himself to his feet. âThereâs something I wish awfully I could say to you. But I canât.â
Nanda, after a slow headshake, covered him with one of the dimmest of her smiles. âYou neednât say it. I know perfectly which it is.â She held him an instant, after which she went on: âItâs simply that you wish me fully to understand that youâre one who, in perfect sincerity, doesnât mind one straw how awfulâ!â
âYes, how awful?â He had kindled, as he paused, with his new eagerness.
âWell, oneâs knowledge may be. It doesnât shock in you a single hereditary prejudice.â
âOh âhereditaryââ!â Mitchy ecstatically murmured.
âYou even rather like me the better for it; so that one of the reasons why you couldnât have told meâthough not of course, I know, the only oneâis that you would have been literally almost ashamed. Because, you know,â she went on, âit IS strange.â
âMy lack of hereditaryâ?â
âYes, discomfort in presence of the fact I speak of. Thereâs a kind of sense you donât possess.â
His appreciation again fairly goggled at her. âOh you do know everything!â
âYouâre so good that nothing shocks you,â she lucidly persisted. âThereâs a kind of delicacy you havenât got.â
He was more and more struck. âIâve only thatâas it wereâof the skin and the fingers?â he appealed.
âOh and that of the mind. And that of the soul. And some other kinds certainly. But not THE kind.â
âYesââhe wonderedââI suppose thatâs the only way one can name it.â It appeared to rise there before him. âTHE kind!â
âThe kind that would make me painful to you. Or rather not me perhaps,â she added as if to create between them the fullest possible light; âbut my situation, my exposureâall the results of them I show. Doesnât one become a sort of a little drain-pipe with everything flowing through?â
âWhy donât you call it more gracefully,â Mitchy asked, freshly struck, âa little aeolian-harp set in the drawing-room window and vibrating in the breeze of conversation?â
âOh because the harp gives out a sound, and WEâat least we try toâgive out none.â
âWhat you take, you mean, you keep?â
âWell, it sticks to us. And thatâs what you donât mind!â
Their eyes met long on it. âYesâI see. I DONâT mind. Iâve the most extraordinary lacunae.â
âOh I donât know about others,â Nanda replied; âI havenât noticed them. But youâve that one, and itâs enough.â
He continued to face her with his queer mixture of assent and speculation. âEnough for what, my dear? To have made me impossible for you because the only man you could, as they say, have ârespectedâ would be a man who WOULD have minded?â Then as under the cool soft pressure of the question she looked at last away from him: âThe man with âTHE kind,â as you call it, happens to be just the type you CAN love? But whatâs the use,â he persisted as she answered nothing, âin loving a person with the prejudiceâhereditary or otherâto which youâre precisely obnoxious? Do you positively LIKE to love in vain?â
It was a question, the way she turned back to him seemed to say, that deserved a responsible answer. âYes.â
But she had moved off after speaking, and Mitchyâs eyes followed her to different parts of the room as, with small pretexts of present attention to it, small bestowed touches for symmetry, she slowly measured it. âWhatâs extraordinary then is your idea of my finding any charm in Aggieâs ignorance.â
She immediately put down an old snuff-box. âWhyâitâs the one sort of thing you donât know. You canât imagine,â she said as she returned to him, âthe effect it will produce on you. You must get really near it and see it all come out to feel all its beauty. Youâll like it, Mitchyââand Nandaâs gravity was wonderfulââbetter than anything you HAVE known.â
The clear sincerity of this, even had there been nothing else, imposed a consideration that Mitchy now flagrantly could give, and the deference of his suggestion of difficulty only grew more deep. âIâm to do then, with this happy condition of hers, what you say YOUâVE doneâto âtryâ it?â And then as her assent, so directly challenged, failed an instant: âBut wonât my approach to it, however cautious, be just what will break it up and spoil it?â
Nanda thought. âWhy soâif mine wasnât?â
âOh youâre not me!â
âBut Iâm just as bad.â
âThank you, my dear!â Mitchy rang out.
âWithout,â Nanda pursued, âbeing as good.â She had on this, in a different key, her own sudden explosion. âDonât you see, Mitchy dearâ for the very heart of it allâhow good I BELIEVE you?â
She had spoken as with a flare of impatience at some justice he failed to do her, and this brought him after a startled instant close enough to her to take up her hand. She let him have it, and in mute solemn reassurance he raised it to his lips, saying to her thus more things than he could say in any other way; which yet just after, when he had released it and a motionless pause had ensued, didnât prevent his adding three words. âOh Nanda, Nanda!â
The tone of them made her again extraordinarily gentle. âDonât âtryâ anything then. Take everything for granted.â
He had turned away from her and walked mechanically, with his air of blind emotion, to the window, where for a minute he looked out. âIt has stopped raining,â he said at last; âitâs going to brighten.â
The place had three windows, and Nanda went to the next. âNot quite yet âbut I think it will.â
Mitchy soon faced back into the room, where after a brief hesitation he moved, as quietly, almost as cautiously, as if on tiptoe, to the seat occupied by his companion at the beginning of their talk. Here he sank down watching the girl, who stood a while longer with her eyes on the garden. âYou want me, you say, to take her out of the Duchessâs life; but where am I myself, if we come to that, but even more IN the Duchessâs life than Aggie is? Iâm in it by my contacts, my associations, my indifferencesâall my acceptances, knowledges, amusements. Iâm in it by my cynicismsâthose that circumstances somehow from the first, when I began for myself to look at life and the world, committed me to and steeped me in; Iâm in it by a kind of desperation that I shouldnât have felt perhaps if you had
Comments (0)