Vittoria — Complete by George Meredith (8 ebook reader .txt) 📖
- Author: George Meredith
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Carlo and Luciano fell hungrily upon dishes of herb-flavoured cutlets, and Neapolitan maccaroni, green figs, green and red slices of melon, chocolate, and a dry red Florentine wine. The countess let them eat, and then gave her son a letter that been delivered at her door an hour back by the confectioner Zotti. It proved to be an enclosure of a letter addressed to Vittoria by the Chief. Genoa was its superscription. From that place it was forwarded by running relays of volunteer messengers. There were points of Italy which the Chief could reach four-and-twenty hours in advance of the Government with all its aids and machinery. Vittoria had simply put her initials at the foot of the letter. Carlo read it eagerly and cast it aside. It dealt in ideas and abstract phraseology; he could get nothing of it between his impatient teeth; he was reduced to a blank wonder at the reason for her sending it on to him. It said indeed—and so far it seemed to have a meaning for her:
'No backward step. We can bear to fall; we cannot afford to draw back.'
And again:
'Remember that these uprisings are the manifested pulsations of the heart of your country, so that none shall say she is a corpse, and knowing that she lives, none shall say that she deserves not freedom. It is the protest of her immortal being against her impious violator.'
Evidently the Chief had heard nothing of the counterstroke of Barto Rizzo, and of Count Medole's miserable weakness: but how, thought Carlo, how can a mind like Vittoria's find matter to suit her in such sentences? He asked himself the question, forgetting that a little time gone by, while he was aloof from the tumult and dreaming of it, this airy cloudy language and every symbolism, had been strong sustaining food, a vital atmosphere, to him. He did not for the moment (though by degrees he recovered his last night's conception of her) understand that among the noble order of women there is, when they plunge into strife, a craving for idealistic truths, which men are apt, under the heat and hurry of their energies, to put aside as stars that are meant merely for shining.
His mother perused the letter—holding it out at arm's length—and laid it by; Luciano likewise. Countess Ammiani was an aristocrat: the tone and style of the writing were distasteful to her. She allowed her son's judgement of the writer to stand for her own, feeling that she could surrender little prejudices in favour of one who appeared to hate the Austrians so mortally. On the other hand, she defended Count Medole. Her soul shrank at the thought of the revolution being yielded up to theorists and men calling themselves men of the people—a class of men to whom Paolo her soldier-husband's aversion had always been formidably pronounced. It was an old and a wearisome task for Carlo to explain to her that the times were changed and the necessities of the hour different since the day when his father conspired and fought for freedom. Yet he could not gainsay her when she urged that the nobles should be elected to lead, if they consented to lead; for if they did not lead, were they not excluded from the movement?
'I fancy you have defined their patriotism,' said Carlo.
'Nay, my son; but you are one of them.'
'Indeed, my dearest mother, that is not what they will tell you.'
'Because you have chosen to throw yourself into the opposite ranks.'
'You perceive that you divide our camp, madame my mother. For me there is no natural opposition of ranks. What are we? We are slaves: all are slaves. While I am a slave, shall I boast that I am of noble birth? “Proud of a coronet with gems of paste!” some one writes. Save me from that sort of pride! I am content to take my patent of nobility for good conduct in the revolution. Then I will be count, or marquis, or duke; I am not a Republican pure blood;—but not till then. And in the meantime—'
'Carlo is composing for his newspaper,' the countess said to Luciano.
'Those are the leaders who can lead,' the latter replied. 'Give the men who are born to it the first chance. Old Agostino is right—the people owe them their vantage ground. But when they have been tried and they have failed, decapitate them. Medole looks upon revolution as a description of conjuring trick. He shuffles cards and arranges them for a solemn performance, but he refuses to cut them if you look too serious or I look too eager; for that gives him a suspicion that you know what is going to turn up; and his object is above all things to produce a surprise.'
'You are both of you unjust to Count Medole,' said the countess. 'He imperils more than all of you.'
'Magnificent estates, it is true; but of head or of heart not quite so much as some of us,' said Luciano, stroking his thick black pendent moustache and chin-tuft. 'Ah, pardon me; yes! he does imperil a finer cock's comb.
'When he sinks, and his vanity is cut in two, Medole will bleed so as to flood his Lombard flats. It will be worse than death to him.'
Carlo said: 'Do you know what our Agostino says of Count Medole?'
'Oh, for ever Agostino with you young men!' the countess exclaimed. 'I believe he laughs at you.'
'To be sure he does: he laughs at all. But, what he says of Count Medole holds the truth of the thing, and may make you easier concerning the count's estates. He says that Medole is vaccine matter which the Austrians apply to this generation of Italians to spare us the terrible disease. They will or they won't deal gently with Medole, by-and-by; but for the present he will be handled tenderly. He is useful. I wish I could say that we thought so too. And now,' Carlo stooped to her and took her hand, 'shall we see you at La Scala to-night?'
The countess, with her hands lying in his, replied: 'I have received an intimation from the authorities that my box is wanted.'
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