Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Lysbeth, a Tale of the Dutch by H. Rider Haggard (reading in the dark .TXT) 📖
- Author: H. Rider Haggard
Book online «Lysbeth, a Tale of the Dutch by H. Rider Haggard (reading in the dark .TXT) 📖». Author H. Rider Haggard
After this Foy could keep no count. Martin slashed with the sword, and when he found a chance Foy thrust with the pike, till at length there were none to thrust at, for this was more than the Spaniards had bargained. Two of them lay dead in the doorway, and others had been dragged or had tumbled down the ladder, while from the onlookers at the windows without, as they caught sight of them being brought forth slain or sorely wounded, went up shout upon shout of joy.
“So far we have done very well,” said Martin quietly, “but if they come up again, we must be cooler and not waste our strength so much. Had I not struck so hard, I might have killed another man.”
But the Spaniards showed no sign of coming up any more; they had seen enough of that narrow way and of the red swordsman who awaited them in the doorway round the corner. Indeed it was a bad place for attackers, since they could not shoot with arquebuses or arrows, but must pass in to be slaughtered like sheep at the shambles in the dim room beyond. So, being cautious men who loved their lives, they took a safer counsel.
The tank beneath the shot-tower, when it was not in use, was closed with a stone cover, and around this they piled firewood and peats from a stack in the corner of the yard, and standing in the centre out of the reach of arrows, set light to it. Martin lay down watching them through a crack in the floor. Then he signed to Foy, and whispered, and going to the iron baths, Foy drew from them two large buckets of molten lead, each as much as a man could carry. Again Martin looked through the crack, waiting till several of the burners were gathered beneath. Then, with a swift motion he lifted up the trap-door, and as those below stared upwards wondering, full into their faces came the buckets of molten lead. Down went two of them never to speak more, while others ran out shrieking and aflame, tearing at their hair and garments.
After this the Spaniards grew more wary, and built their fires round the oak piers till the flames eating up them fired the building, and the room above grew full of little curling wreaths of smoke.
“Now we must choose,” said Martin, “whether we will be roasted like fowls in an oven, or go down and have our throats cut like pigs in the open.”
“For my part, I prefer to die in the air,” coughed Foy.
“So say I, master. Listen. We can’t get down the stair, for they are watching for us there, so we must drop from the trap-door and charge through the fire. Then, if we are lucky, back to back and fight it out.”
Half a minute later two men bearing naked swords in their hands might be seen bursting through the barrier of flaming wood. Out they came safely enough, and there in an open space not far from the gateway, halted back to back, rubbing the water from their smarting eyes. On them, a few seconds later, like hounds on a wounded boar, dashed the mob of soldiers, while from every throat of the hundreds who were watching went up shrill cries of encouragement, grief, and fear. Men fell before them, but others rushed in. They were down, they were up again, once more they were down, and this time only one of them rose, the great man Martin. He staggered to his feet, shaking off the soldiers who tried to hold him, as a dog in the game-pit shakes off rats. He was up, he stood across the body of his companion, and once more that fearful sword was sweeping round, bringing death to all it touched. They drew back, but a soldier, old in war, creeping behind him suddenly threw a cloak over his head. Then the end came, and slowly, very slowly, they overmatched his strength, and bore him down and bound him, while the watching mob groaned and wept with grief.
IN THE GEVANGENHUIS
When Adrian left the factory he ran on to the house in the Bree Straat.
“Oh! what has happened?” said his mother as he burst into the room where she and Elsa were at work.
“They are coming for him,” he gasped. “The soldiers from the Gevangenhuis. Where is he? Let him escape quickly—my stepfather.”
Lysbeth staggered and fell back into her chair.
“How do you know?” she asked.
At the question Adrian’s head swam and his heart stood still. Yet his lips found a lie.
“I overheard it,” he said; “the soldiers are attacking Foy and Martin in the factory, and I heard them say that they were coming here for him.”
Elsa moaned aloud, then she turned on him like a tiger, asking:
“If so, why did you not stay to help them?”
“Because,” he answered with a touch of his old pomposity, “my first duty was towards my mother and you.”
“He is out of the house,” broke in Lysbeth in a low voice that was dreadful to hear. “He is out of the house, I know not where. Go, son, and search for him. Swift! Be swift!”
So Adrian went forth, not sorry to escape the presence of these tormented women. Here and there he wandered to one haunt of Dirk’s after another, but without success, till at length a noise of tumult drew him, and he ran towards the sound. Presently he was round the corner, and this was what he saw.
Advancing down the wide street leading to the Gevangenhuis came a body of Spanish soldiers, and in the centre of them were two figures whom it was easy for Adrian to recognise—Red Martin and his brother Foy. Martin, although his bull-hide jerkin was cut and slashed and his helmet had gone, seemed to be little hurt, for he was still upright and proud, walking along with his arms lashed behind him, while a Spanish officer held the point of a sword, his own sword Silence, near his throat ready to drive it home should he attempt to escape. With Foy the case was different. At first Adrian thought that he was dead, for they were carrying him upon a ladder. Blood fell from his head and legs, while his doublet seemed literally to be rent to pieces with sword-cuts and dagger-thrusts; and in truth had it not been for the shirt of mail which he wore beneath, he must have been slain several times over. But Foy was not dead, for as Adrian watched he saw his head turn upon the ladder and his hand rise up and fall again.
But this was not all, for behind appeared a cart drawn by a grey horse, and in it were the bodies of Spanish soldiers—how many Adrian could not tell, but there they lay with their harness still on them. After these again, in a long and melancholy procession, marched other Spanish soldiers, some of them sorely wounded, and, like Foy, carried upon doors or ladders, and others limping forward with the help of their comrades. No wonder that Martin walked proudly to his doom, since behind him came the rich harvest of the sword Silence. Also, there were other signs to see and hear, since about the cavalcade surged and roared a great mob of the citizens of Leyden.
“Bravo, Martin! Well fought, Foy van Goorl!” they shouted, “We are proud of you! We are proud of you!” Then from the back of the crowd someone cried, “Rescue them!” “Kill the Inquisition dogs!” “Tear the Spaniards to pieces!”
A stone flew through the air, then another and another, but at a word of command the soldiers faced about and the mob drew back, for they had no leader. So it went on till they were within a hundred yards of the Gevangenhuis.
“Don’t let them be murdered,” cried the voice. “A rescue! a rescue!” and with a roar the crowd fell upon the soldiers. It was too late, for the Spaniards, trained to arms, closed up and fought their way through, taking their prisoners with them. But they cost them dear, for the wounded men, and those who supported them, were cut off. They were cut off, they were struck down. In a minute they were dead, every one of them, and although they still held its fortresses and walls, from that hour the Spaniards lost their grip of Leyden, nor did they ever win it back again. From that hour to this Leyden has been free. Such were the first fruits of the fight of Foy and Martin against fearful odds.
The great doors of oak and iron of the Gevangenhuis clashed to behind the prisoners, the locks were shot, and the bars fell home, while outside raved the furious crowd.
The place was not large nor very strong, merely a drawbridge across the narrow arm of a moat, a gateway with a walled courtyard beyond, and over it a three-storied house built in the common Dutch fashion, but with straight barrel windows. To the right, under the shadow of the archway, which, space being limited, was used as an armoury, and hung with weapons, lay the court-room where prisoners were tried, and to the left a vaulted place with no window, not unlike a large cellar in appearance. This was the torture-chamber. Beyond was the courtyard, and at the back of it rose the prison. In this yard were waiting the new governor of the jail, Ramiro, and with him a little red-faced, pig-eyed man dressed in a rusty doublet. He was the Inquisitor of the district, especially empowered as delegate of the Blood Council and under various edicts and laws to try and to butcher heretics.
The officer in command of the troops advanced to make his report.
“What is all that noise?” asked the Inquisitor in a frightened, squeaky voice. “Is this city also in rebellion?”
“And where are the rest of you?” said Ramiro, scanning the thin files.
“Sir,” answered the officer saluting, “the rest of us are dead. Some were killed by this red rogue and his companion, and the mob have the others.”
Then Ramiro began to curse and to swear, as well he might, for he knew that when this story reached headquarters, his credit with Alva and the Blood Council would be gone.
“Coward!” he yelled, shaking his fist in the face of the officer. “Coward to lose a score or more of men in taking a brace of heretics.”
“Don’t blame me, sir,” answered the man sullenly, for the word stirred his bile, “blame the mob and this red devil’s steel, which went through us as though we were wet clay,” and he handed him the sword Silence.
“It fits the man,” muttered Montalvo, “for few else could wield such a blade. Go hang it in the doorway, it may be wanted in evidence,” but to himself he thought, “Bad luck again, the luck that follows me whenever I pit myself against Lysbeth van Hout.” Then he gave an order, and the two prisoners were taken away up some narrow stairs.
At the top of the first flight was a solid door through which they passed, to find themselves in a large and darksome place. Down the centre of this place ran a passage. On either side of the passage, dimly lighted by high iron-barred windows, were cages built of massive oaken bars, and measuring each of them eight or ten feet square, very dens such as might have served for wild beasts, but filled with human beings charged with offences against the doctrines of the Church. Those who chance to have seen the prison of the Inquisition at The Hague as it still stands to-day, will know what they were like.
Into one of these dreadful holes they were thrust, Foy, wounded as he was, being thrown roughly upon a heap of dirty straw in the corner. Then, having bolted and locked the door of their den, the soldiers left them.
As soon as his eyes grew accustomed to the light, Martin stared about him. The conveniences of the dungeon were not many; indeed, being built above the level of the ground, it struck the imagination as even more terrible than any subterranean vault devoted to the same dreadful purpose. By good fortune, however, in one corner of it stood an earthenware basin and a large jug of water.
“I will take the risk of its being poisoned,” thought Martin to himself, as lifting the jug he drank deep of it, for
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