Echoes of the War by Sir James Matthew Barrie (hardest books to read txt) 📖

took the countess in to dinner.

MRS. TWYMLEY. 'We should apologise. We're not meaning to stay.'

MRS. DOWEY. 'You are very welcome. Just wait'--the ostentation of this!--'till I get out of my astrakhan--and my muff--and my gloves--and' (it is the bonnet's turn now) 'my Excelsior.'

At last we see her in the merino (a triumph).

MRS. MICKLEHAM. 'You've given her a glory time, Mr. Dowey.'

DOWEY. 'It's her that has given it to me, missis.'

MRS. DOWEY. 'Hey! hey! hey! hey! He just pampers me,' waggling her fists. 'The Lord forgive us, but this being the last night, we had a sit-down supper at a restaurant!' Vehemently: 'I swear by God that we had champagny wine.' There is a dead stillness, and she knows very well what it means, she has even prepared for it: 'And to them as doubts my word--here's the cork.'

She places the cork, in its lovely gold drapery, upon the table.

MRS. MICKLEHAM. 'I'm sure!'

MRS. TWYMLEY. 'I would thank you, Mrs. Dowey, not to say a word against my Alfred.'

MRS. DOWEY. 'Me!'

DOWEY. 'Come, come, ladies,' in the masterful way that is so hard for women to resist; 'if you say another word, I'll kiss the lot of you.'

There is a moment of pleased confusion.

MRS. MICKLEHAM. 'Really, them sodgers!'

THE HAGGERTY WOMAN. 'The kilties is the worst!'

MRS. TWYMLEY. 'I'm sure,' heartily, 'we don't grudge you your treats, Mrs. Dowey; and sorry we are that this is the end.'

DOWEY. 'Yes, it's the end,' with a troubled look at his old lady; 'I must be off in ten minutes.'

The little soul is too gallant to break down in company. She hurries into the pantry and shuts the door.

MRS. MICKLEHAM. 'Poor thing! But we must run, for you'll be having some last words to say to her.'

DOWEY. 'I kept her out long on purpose so as to have less time to say them in.'

He more than half wishes that he could make a bolt to a public-house.

MRS. TWYMLEY. 'It's the best way.' In the important affairs of life there is not much that any one can teach a charwoman. 'Just a mere nothing, to wish you well, Mr. Dowey.'

All three present him with the cigarettes.

MRS. MICKLEHAM. 'A scraping, as one might say.'

THE HAGGERTY WOMAN. 'The heart,' enigmatically, 'is warm though it may not be gold-tipped.'

DOWEY. 'You bricks!'

THE LADIES. 'Good luck, cocky.'

DOWEY. 'The same to you. And if you see a sodger man up there in a kilt, he is one that is going back with me. Tell him not to come down, but--but to give me till the last minute, and then to whistle.'

It is quite a grave man who is left alone, thinking what to do next. He tries a horse laugh, but that proves of no help. He says 'Hell!' to himself, but it is equally ineffective. Then he opens the pantry door and calls.

'Old lady.'

She comes timidly to the door, her hand up as if to ward off a blow.

'Is it time?'

An encouraging voice answers her.

'No, no, not yet. I've left word for Dixon to whistle when go I must.'

'All is ended.'

'Now, then, you promised to be gay. We were to help one another.'

'Yes, Kenneth.'

'It's bad for me, but it's worse for you.'

'The men have medals to win, you see.'

'The women have their medals, too.' He knows she likes him to order her about, so he tries it again.

'Come here. No, I'll come to you.' He stands gaping at her wonderingly. He has no power of words, nor does he quite know what he would like to say. 'God!'

'What is it, Kenneth?'

'You're a woman.'

'I had near forgot it.'

He wishes he was at the station with Dixon. Dixon is sure to have a bottle in his pocket. They will be roaring a song presently. But in the meantime--there is that son business. Blethers, the whole thing, of course--or mostly blethers. But it's the way to please her.

'Have you noticed you have never called me son?'

'Have I noticed it! I was feared, Kenneth. You said I was on probation.'

'And so you were. Well, the probation's ended.' He laughs uncomfortably. 'The like of me! But if you want me you can have me.'

'Kenneth, will I do?'

'Woman,' artfully gay, 'don't be so forward. Wait till I have proposed.'

'Propose for a mother?'

'What for no?' In the grand style, 'Mrs. Dowey, you queer carl, you spunky tiddy, have I your permission to ask you the most important question a neglected orphan can ask of an old lady?'

She bubbles with mirth. Who could help it, the man has such a way with him.

'None of your sauce, Kenneth.'

'For a long time, Mrs. Dowey, you cannot have been unaware of my sonnish feelings for you.'

'Wait till I get my mop to you!'

'And if you're not willing to be my mother, I swear I'll never ask another.'

The old divert pulls him down to her and strokes his hair.

'Was I a well-behaved infant, mother?'

'Not you, sonny, you were a rampaging rogue.'

'Was I slow in learning to walk?'

'The quickest in our street. He! he! he!' She starts up. 'Was that the whistle?'

'No, no. See here. In taking me over you have, in a manner of speaking, joined the Black Watch.'

'I like to think that, Kenneth.'

'Then you must behave so that the ghost piper can be proud of you. 'Tion!' She stands bravely at attention. 'That's the style. Now listen, I've sent in your name as being my nearest of kin, and your allowance will be coming to you weekly in the usual way.'

'Hey! hey! hey! Is it wicked, Kenneth?'

'I'll take the responsibility for it in both worlds. You see, I want you to be safeguarded in case anything hap--'

'Kenneth!'

''Tion! Have no fear. I'll come back, covered with mud and medals. Mind you have that cup of tea waiting for me.' He is listening for the whistle. He pulls her on to his knee.

'Hey! hey! hey! hey!'

'What fun we'll have writing to one another! Real letters this time!'

'Yes.'

'It would be a good plan if you began the first letter as soon as I've gone.'

'I will.'

'I hope Lady Dolly will go on sending me cakes.'

'You may be sure.'

He ties his scarf round her neck.

'You must have been a bonny thing when you were young.'

'Away with you!'

'That scarf sets you fine.'

'Blue was always my colour.'

The whistle sounds.

'Old lady, you are what Blighty means to me now.'

She hides in the pantry again. She is out of sight to us, but she does something that makes Private Dowey take off his bonnet. Then he shoulders his equipment and departs. That is he laughing coarsely with Dixon.

We have one last glimpse of the old lady--a month or two after Kenneth's death in action. It would be rosemary to us to see her in her black dress, of which she is very proud; but let us rather peep at her in the familiar garments that make a third to her mop and pail. It is early morning, and she is having a look at her medals before setting off on the daily round. They are in a drawer, with the scarf covering them, and on the scarf a piece of lavender. First, the black frock, which she carries in her arms like a baby. Then her War Savings Certificates, Kenneth's bonnet, a thin packet of real letters, and the famous champagne cork. She kisses the letters, but she does not blub over them. She strokes the dress, and waggles her head over the certificates and presses the bonnet to her cheeks, and rubs the tinsel of the cork carefully with her apron. She is a tremulous old 'un; yet she exults, for she owns all these things, and also the penny flag on her breast. She puts them away in the drawer, the scarf over them, the lavender on the scarf. Her air of triumph well becomes her. She lifts the pail and the mop, and slouches off gamely to the day's toil.



THE NEW WORD

Any room nowadays must be the scene, for any father and any son are the _dramatis personae_. We could pick them up in Mayfair, in Tooting, on the Veldt, in rectories or in grocers' back parlours, dump them down on our toy stage and tell them to begin. It is a great gathering to choose from, but our needs are small. Let the company shake hands, and all go away but two.

The two who have remained (it is discovered on inquiry) are Mr. Torrance and his boy; so let us make use of them. Torrance did not linger in order to be chosen, he was anxious, like all of them, to be off; but we recognised him, and sternly signed to him to stay. Not that we knew him personally, but the fact is, we remembered him (we never forget a face) as the legal person who reads out the names of the jury before the court opens, and who brushes aside your reasons for wanting to be let off. It pleases our humour to tell Mr. Torrance that we cannot let him off.

He does not look so formidable as when last we saw him, and this is perhaps owing to our no longer being hunched with others on those unfeeling benches. It is not because he is without a wig, for we saw him, on the occasion to which we are so guardedly referring, both in a wig and out of it; he passed behind a screen without it, and immediately (as quickly as we write) popped out in it, giving it a finishing touch rather like the butler's wriggle to his coat as he goes to the door. There are the two kinds of learned brothers, those who use the screen, and those who (so far as the jury knows) sleep in their wigs. The latter are the swells, and include the judges; whom, however, we have seen in the public thoroughfares without their wigs, a horrible sight that has doubtless led many an onlooker to crime.

Mr. Torrance, then, is no great luminary; indeed, when we accompany him to his house, as we must, in order to set our scene properly, we find that it is quite a suburban affair, only one servant kept, and her niece engaged twice a week to crawl about the floors. There is no fire in the drawing-room, so the family remain on after dinner in the dining-room, which rather gives them away. There is really no one in the room but Roger. That is the truth of it, though to the unseeing eye all the family are there except Roger. They consist of Mr., Mrs., and Miss Torrance. Mr. Torrance is enjoying his evening paper and a cigar, and every line of him is insisting stubbornly that nothing unusual is happening in the house. In the home circle (and now that we think of it, even in court) he has the reputation of being a somewhat sarcastic gentleman; he must be dogged, too, otherwise he would have ceased long ago to