The Purse by Honoré de Balzac (most important books of all time txt) 📖

conviction to which the accent, the emphasis and the look of one we love lend so much weight, she asserted that a man who was obliged to expend his time and the charms of his wit on several women at once could not be the object of any very warm affection. Thus the painter was led, as much by the tyranny of his passion as by the exactions of a girl in love, to live exclusively in the little apartment where everything attracted him.

And never was there a purer or more ardent love. On both sides the same trustfulness, the same delicacy, gave their passion increase without the aid of those sacrifices by which many persons try to prove their affection. Between these two there was such a constant interchange of sweet emotion that they knew not which gave or received the most.

A spontaneous affinity made the union of their souls a close one. The progress of this true feeling was so rapid that two months after the accident to which the painter owed the happiness of knowing Adelaide, their lives were one life. From early morning the young girl, hearing footsteps overhead, could say to herself, "He is there." When Hippolyte went home to his mother at the dinner hour he never failed to look in on his neighbors, and in the evening he flew there at the accustomed hour with a lover's punctuality. Thus the most tyrannical woman or the most ambitious in the matter of love could not have found the smallest fault with the young painter. And Adelaide tasted of unmixed and unbounded happiness as she saw the fullest realization of the ideal of which, at her age, it is so natural to dream.

The old gentleman now came more rarely; Hippolyte, who had been jealous, had taken his place at the green table, and shared his constant ill-luck at cards. And sometimes, in the midst of his happiness, as he considered Madame de Rouville's disastrous position--for he had had more than one proof of her extreme poverty--an importunate thought would haunt him. Several times he had said to himself as he went home, "Strange! twenty francs every evening?" and he dared not confess to himself his odious suspicions.

He spent two months over the portrait, and when it was finished, varnished, and framed, he looked upon it as one of his best works. Madame la Baronne de Rouville had never spoken of it again. Was this from indifference or pride? The painter would not allow himself to account for this silence. He joyfully plotted with Adelaide to hang the picture in its place when Madame de Rouville should be out. So one day, during the walk her mother usually took in the Tuileries, Adelaide for the first time went up to Hippolyte's studio, on the pretext of seeing the portrait in the good light in which it had been painted. She stood speechless and motionless, but in ecstatic contemplation, in which all a woman's feelings were merged. For are they not all comprehended in boundless admiration for the man she loves? When the painter, uneasy at her silence, leaned forward to look at her, she held out her hand, unable to speak a word, but two tears fell from her eyes. Hippolyte took her hand and covered it with kisses; for a minute they looked at each other in silence, both longing to confess their love, and not daring. The painter kept her hand in his, and the same glow, the same throb, told them that their hearts were both beating wildly. The young girl, too greatly agitated, gently drew away from Hippolyte, and said, with a look of the utmost simplicity:

"You will make my mother very happy."

"What, only your mother?" he asked.

"Oh, I am too happy."

The painter bent his head and remained silent, frightened at the vehemence of the feelings which her tones stirred in his heart. Then, both understanding the perils of the situation, they went downstairs and hung up the picture in its place. Hippolyte dined for the first time with the Baroness, who, greatly overcome, and drowned in tears, must needs embrace him.

In the evening the old emigre, the Baron de Rouville's old comrade, paid the ladies a visit to announce that he had just been promoted to the rank of vice-admiral. His voyages by land over Germany and Russia had been counted as naval campaigns. On seeing the portrait he cordially shook the painter's hand, and exclaimed, "By Gad! though my old hulk does not deserve to be perpetuated, I would gladly give five hundred pistoles to see myself as like as that is to my dear old Rouville."

At this hint the Baroness looked at her young friend and smiled, while her face lighted up with an expression of sudden gratitude. Hippolyte suspected that the old admiral wished to offer him the price of both portraits while paying for his own. His pride as an artist, no less than his jealousy perhaps, took offence at the thought, and he replied:

"Monsieur, if I were a portrait-painter I should not have done this one."

The admiral bit his lip, and sat down to cards.

The painter remained near Adelaide, who proposed a dozen hands of piquet, to which he agreed. As he played he observed in Madame de Rouville an excitement over her game which surprised him. Never before had the old Baroness manifested so ardent a desire to win, or so keen a joy in fingering the old gentleman's gold pieces. During the evening evil suspicions troubled Hippolyte's happiness, and filled him with distrust. Could it be that Madame de Rouville lived by gambling? Was she playing at this moment to pay off some debt, or under the pressure of necessity? Perhaps she had not paid her rent. The old man seemed shrewd enough not to allow his money to be taken with impunity. What interest attracted him to this poverty-stricken house, he who was rich? Why, when he had formerly been so familiar with Adelaide, had he given up the rights he had acquired, and which were perhaps his due?

These involuntary reflections prompted him to watch the old man and the Baroness, whose meaning looks and certain sidelong glances cast at Adelaide displeased him. "Am I being duped?" was Hippolyte's last idea--horrible, scathing, for he believed it just enough to be tortured by it. He determined to stay after the departure of the two old men, to confirm or dissipate his suspicions. He drew out his purse to pay Adelaide; but carried away by his poignant thoughts, he laid it on the table, falling into a reverie of brief duration; then, ashamed of his silence, he rose, answered some commonplace question from Madame de Rouville, and went close up to her to examine the withered features while he was talking to her.

He went away, racked by a thousand doubts. He had gone down but a few steps when he turned back to fetch the forgotten purse.

"I left my purse here!" he said to the young girl.

"No," she said, reddening.

"I thought it was there," and he pointed to the card-table. Not finding it, in his shame for Adelaide and the Baroness, he looked at them with a blank amazement that made them laugh, turned pale, felt his waistcoat, and said, "I must have made a mistake. I have it somewhere no doubt."

In one end of the purse there were fifteen louis d'or, and in the other some small change. The theft was so flagrant, and denied with such effrontery, that Hippolyte no longer felt a doubt as to his neighbors' morals. He stood still on the stairs, and got down with some difficulty; his knees shook, he felt dizzy, he was in a cold sweat, he shivered, and found himself unable to walk, struggling, as he was, with the agonizing shock caused by the destruction of all his hopes. And at this moment he found lurking in his memory a number of observations, trifling in themselves, but which corroborated his frightful suspicions, and which, by proving the certainty of this last incident, opened his eyes as to the character and life of these two women.

Had they really waited till the portrait was given them before robbing him of his purse? In such a combination the theft was even more odious. The painter recollected that for the last two or three evenings Adelaide, while seeming to examine with a girl's curiosity the particular stitch of the worn silk netting, was probably counting the coins in the purse, while making some light jests, quite innocent in appearance, but no doubt with the object of watching for a moment when the sum was worth stealing.

"The old admiral has perhaps good reasons for not marrying Adelaide, and so the Baroness has tried----"

But at this hypothesis he checked himself, not finishing his thought, which was contradicted by a very just reflection, "If the Baroness hopes to get me to marry her daughter," thought he, "they would not have robbed me."

Then, clinging to his illusions, to the love that already had taken such deep root, he tried to find a justification in some accident. "The purse must have fallen on the floor," said he to himself, "or I left it lying on my chair. Or perhaps I have it about me--I am so absent-minded!" He searched himself with hurried movements, but did not find the ill-starred purse. His memory cruelly retraced the fatal truth, minute by minute. He distinctly saw the purse lying on the green cloth; but then, doubtful no longer, he excused Adelaide, telling himself that persons in misfortune should not be so hastily condemned. There was, of course, some secret behind this apparently degrading action. He would not admit that that proud and noble face was a lie.

At the same time the wretched rooms rose before him, denuded of the poetry of love which beautifies everything; he saw them dirty and faded, regarding them as emblematic of an inner life devoid of honor, idle and vicious. Are not our feelings written, as it were, on the things about us?

Next morning he rose, not having slept. The heartache, that terrible malady of the soul, had made rapid inroads. To lose the bliss we dreamed of, to renounce our whole future, is a keener pang than that caused by the loss of known happiness, however complete it may have been; for is not Hope better than Memory? The thoughts into which our spirit is suddenly plunged are like a shoreless sea, in which we may swim for a moment, but where our love is doomed to drown and die. And it is a frightful death. Are not our feelings the most glorious part of our life? It is this partial death which, in certain delicate or powerful natures, leads to the terrible ruin produced by disenchantment, by hopes and passions betrayed. Thus it was with the young painter. He went out at a very early hour to walk under the fresh shade of the Tuileries, absorbed in his thoughts, forgetting everything in the world.

There by chance he met one of his most intimate friends, a school-fellow and studio-mate, with whom he had lived on better terms than with a brother.

"Why, Hippolyte, what ails you?" asked Francois Souchet, the young sculptor who had just won the first prize, and was soon to set out for Italy.

"I am most unhappy," replied Hippolyte gravely.

"Nothing but a love affair can cause you grief. Money, glory, respect--you lack nothing."

Insensibly the painter was led into confidences, and confessed his love. The moment he mentioned the Rue de Suresnes, and a young girl living on the fourth