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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The New Jerusalem by G. K. Chesterton (christmas read aloud TXT) 📖

Book online «The New Jerusalem by G. K. Chesterton (christmas read aloud TXT) 📖». Author G. K. Chesterton



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a stranger experience to see the earth afar off. And few of us, strictly speaking, have ever seen the earth at all. In cultivated countries it is always clad, as it were, in green garments. The first sight of the desert is like the sight of a naked giant in the distance. The image is all the more natural because of the particular formation which it takes, at least as it borders upon the fields of Egypt, and as it is seen from the high places of Cairo. Those who have seen the desert only in pictures generally think of it as entirely flat. But this edge of it at least stands up on the horizon, as a line of wrinkled and hollow hills like the scalps of bald men; or worse, of bald women. For it is impossible not to think of such repulsive images, in spite of real sublimity of the call to the imagination. There is something curiously hostile and inhuman about the first appearance of the motionless surges of that dry and dreadful sea. Afterwards, if the traveller has happened to linger here and there in the outposts of the desert, has seen the British camp at Kantara or the graceful French garden town of Ismalia, he comes to take the desert as a background, and sometimes a beautiful background; a mirror of mighty reflections and changing colours almost as strange as the colours of the sea. But when it is first seen abutting, and as it were, advancing, upon the fields and gardens of humanity, then it looks indeed like an enemy, or a long line of enemies; like a line of tawny wild beasts thus halted with their heads lifted. It is the feeling that such vain and sterile sand can yet make itself into something like a mountain range; and the traveller remembers all the tragedies of the desert, when he lifts up his eyes to those accursed hills, from whence no help can come.

But this is only a first glimpse from a city set among green fields; and is concerned rather with what the desert has been in its relation to men than with what the desert is in itself. When the mind has grown used to its monotony, a curious change takes place which I have never seen noted or explained by the students of mental science. It may sound strange to say that monotony of its nature becomes novelty. But if any one will try the common experiment of saying some ordinary word such as "moon" or "man" about fifty times, he will find that the expression has become extraordinary by sheer repetition. A man has become a strange animal with a name as queer as that of the gnu; and the moon something monstrous like the moon-calf. Something of this magic of monotony is effected by the monotony of deserts; and the traveller feels as if he had entered into a secret, and was looking at everything from another side. Something of this simplification appears, I think, in the religions of the desert, especially in the religion of Islam. It explains something of the super-human hopes that fill the desert prophets concerning the future; it explains something also about their barbarous indifference to the past.

We think of the desert and its stones as old; but in one sense they are unnaturally new. They are unused, and perhaps unusable. They might be the raw material of a world; only they are so raw as to be rejected. It is not easy to define this quality of something primitive, something not mature enough to be fruitful. Indeed there is a hard simplicity about many Eastern things that is as much crude as archaic. A palm-tree is very like a tree drawn by a child—or by a very futurist artist. Even a pyramid is like a mathematical figure drawn by a schoolmaster teaching children; and its very impressiveness is that of an ultimate Platonic abstraction. There is something curiously simple about the shape in which these colossal crystals of the ancient sands have been cast. It is only when we have felt something of this element, not only of simplicity, but of crudity, and even in a sense of novelty, that we can begin to understand both the immensity and the insufficiency of that power that came out of the desert, the great religion of Mahomet.

In the red circle of the desert, in the dark and secret place, the prophet discovers the obvious things. I do not say it merely as a sneer, for obvious things are very easily forgotten; and indeed every high civilisation decays by forgetting obvious things. But it is true that in such a solitude men tend to take very simple ideas as if they were entirely new ideas. There is a love of concentration which comes from the lack of comparison. The lonely man looking at the lonely palm-tree does see the elementary truths about the palm-tree; and the elementary truths are very essential. Thus he does see that though the palm-tree may be a very simple design, it was not he who designed it. It may look like a tree drawn by a child, but he is not the child who could draw it. He has not command of that magic slate on which the pictures can come to life, or of that magic green chalk of which the green lines can grow. He sees at once that a power is at work in whose presence he and the palm-tree are alike little children. In other words, he is intelligent enough to believe in God; and the Moslem, the man of the desert, is intelligent enough to believe in God. But his belief is lacking in that humane complexity that comes from comparison. The man looking at the palm-tree does realise the simple fact that God made it; while the man looking at the lamp-post in a large modern city can be persuaded by a hundred sophistical circumlocutions that he made it himself. But the man in the desert cannot compare the palm-tree with the lamp-post, or even with all the other trees which may be better worth looking at than the lamp-post. Hence his religion, though true as far as it goes, has not the variety and vitality of the churches that were designed by men walking in the woods and orchards. I speak here of the Moslem type of religion and not of the oriental type of ornament, which is much older than the Moslem type of religion. But even the oriental type of ornament, admirable as it often is, is to the ornament of a gothic cathedral what a fossil forest is to a forest full of birds. In short, the man of the desert tends to simplify too much, and to take his first truth for the last truth. And as it is with religion so it is with morality. He who believes in the existence of God believes in the equality of man. And it has been one of the merits of the Moslem faith that it felt men as men, and was not incapable of welcoming men of many different races. But here again it was so hard and crude that its very equality was like a desert rather than a field. Its very humanity was inhuman.

But though this human sentiment is rather rudimentary it is very real. When a man in the desert meets another man, he is really a man; the proverbial two-legged fowl without feathers. He is an absolute and elementary shape, like the palm-tree or the pyramid. The discoverer does not pause to consider through what gradations he may have been evolved from a camel. When the man is a mere dot in the distance, the other man does not shout at him and ask whether he had a university education, or whether he is quite sure he is purely Teutonic and not Celtic or Iberian. A man is a man; and a man is a very important thing. One thing redeems the Moslem morality which can be set over against a mountain of crimes; a considerable deposit of common sense. And the first fact of common sense is the common bond of men. There is indeed in the Moslem character also a deep and most dangerous potentiality of fanaticism of the menace of which something may be said later. Fanaticism sounds like the flat contrary of common sense; yet curiously enough they are both sides of the same thing. The fanatic of the desert is dangerous precisely because he does take his faith as a fact, and not even as a truth in our more transcendental sense. When he does take up a mystical idea he takes it as he takes the man or the palm-tree; that is, quite literally. When he does distinguish somebody not as a man but as a Moslem, then he divides the Moslem from the non-Moslem exactly as he divides the man from the camel. But even then he recognises the equality of men in the sense of the equality of Moslems. He does not, for instance, complicate his conscience with any sham science about races. In this he has something like an intellectual advantage over the Jew, who is generally so much his intellectual superior; and even in some ways his spiritual superior. The Jew has far more moral imagination and sympathy with the subtler ideals of the soul. For instance, it is said that many Jews disbelieve in a future life; but if they did believe in a future life, it would be something more worthy of the genius of Isaiah and Spinoza. The Moslem Paradise is a very Earthly Paradise. But with all their fine apprehensions, the Jews suffer from one heavy calamity; that of being a Chosen Race. It is the vice of any patriotism or religion depending on race that the individual is himself the thing to be worshipped; the individual is his own ideal, and even his own idol. This fancy was fatal to the Germans; it is fatal to the Anglo-Saxons, whenever any of them forswear the glorious name of Englishmen and Americans to fall into that forlorn description. This is not so when the nation is felt as a noble abstraction, of which the individual is proud in the abstract. A Frenchman is proud of France, and therefore may think himself unworthy of France. But a German is proud of being a German; and he cannot be too unworthy to be a German when he is a German. In short, mere family pride flatters every member of the family; it produced the arrogance of the Germans, and it is capable of producing a much subtler kind of arrogance in the Jews. From this particular sort of self-deception the more savage man of the desert is free. If he is not considering somebody as a Moslem, he will consider him as a man. At the price of something like barbarism, he has at least been saved from ethnology.

But here again the obvious is a limit as well as a light to him. It does not permit, for instance, anything fine or subtle in the sentiment of sex. Islam asserts admirably the equality of men; but it is the equality of males. No one can deny that a noble dignity is possible even to the poorest, who has seen the Arabs coming in from the desert to the cities of Palestine or Egypt. No one can deny that men whose rags are dropping off their backs can bear themselves in a way befitting kings or prophets in the great stories of Scripture. No one can be surprised that so many fine artists have delighted to draw such models on the spot, and to make realistic studies for illustrations to the Old and New Testaments. On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures

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