Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Personal Recollections of Joan of Arc — Volume 2 by Mark Twain (me reader TXT) 📖
- Author: Mark Twain
Book online «Personal Recollections of Joan of Arc — Volume 2 by Mark Twain (me reader TXT) 📖». Author Mark Twain
The duke and the Bastard wanted to follow, but Joan said:
“Not yet—wait.”
So they waited—impatiently, and fidgeting in their saddles. But she was ready—gazing straight before her, measuring, weighing, calculating—by shades, minutes, fractions of minutes, seconds—with all her great soul present, in eye, and set of head, and noble pose of body—but patient, steady, master of herself—master of herself and of the situation.
And yonder, receding, receding, plumes lifting and falling, lifting and falling, streamed the thundering charge of La Hire’s godless crew, La Hire’s great figure dominating it and his sword stretched aloft like a flagstaff.
“Oh, Satan and his Hellions, see them go!” Somebody muttered it in deep admiration.
And now he was closing up—closing up on Fastolfe’s rushing corps.
And now he struck it—struck it hard, and broke its order. It lifted the duke and the Bastard in their saddles to see it; and they turned, trembling with excitement, to Joan, saying:
“Now!”
But she put up her hand, still gazing, weighing, calculating, and said again:
“Wait—not yet.”
Fastolfe’s hard-driven battle-corps raged on like an avalanche toward the waiting advance-guard. Suddenly these conceived the idea that it was flying in panic before Joan; and so in that instant it broke and swarmed away in a mad panic itself, with Talbot storming and cursing after it.
Now was the golden time. Joan drove her spurs home and waved the advance with her sword. “Follow me!” she cried, and bent her head to her horse’s neck and sped away like the wind!
We went down into the confusion of that flying rout, and for three long hours we cut and hacked and stabbed. At last the bugles sang “Halt!”
The Battle of Patay was won.
Joan of Arc dismounted, and stood surveying that awful field, lost in thought. Presently she said:
“The praise is to God. He has smitten with a heavy hand this day.” After a little she lifted her face, and looking afar off, said, with the manner of one who is thinking aloud, “In a thousand years—a thousand years—the English power in France will not rise up from this blow.” She stood again a time thinking, then she turned toward her grouped generals, and there was a glory in her face and a noble light in her eye; and she said:
“Oh, friends, friends, do you know?—do you comprehend? France is on the way to be free!”
“And had never been, but for Joan of Arc!” said La Hire, passing before her and bowing low, the other following and doing likewise; he muttering as he went, “I will say it though I be damned for it.” Then battalion after battalion of our victorious army swung by, wildly cheering. And they shouted, “Live forever, Maid of Orleans, live forever!” while Joan, smiling, stood at the salute with her sword.
This was not the last time I saw the Maid of Orleans on the red field of Patay. Toward the end of the day I came upon her where the dead and dying lay stretched all about in heaps and winrows; our men had mortally wounded an English prisoner who was too poor to pay a ransom, and from a distance she had seen that cruel thing done; and had galloped to the place and sent for a priest, and now she was holding the head of her dying enemy in her lap, and easing him to his death with comforting soft words, just as his sister might have done; and the womanly tears running down her face all the time. (1)
(1) Lord Ronald Gower (Joan of Arc, p. 82) says: “Michelet discovered this story in the deposition of Joan of Arc’s page, Louis de Conte, who was probably an eye-witness of the scene.” This is true. It was a part of the testimony of the author of these “Personal Recollections of Joan of Arc,” given by him in the Rehabilitation proceedings of 1456. —TRANSLATOR.
31 France Begins to Live Again JOAN HAD said true: France was on the way to be free.
The war called the Hundred Years’ War was very sick to-day. Sick on its English side—for the very first time since its birth, ninety-one years gone by.
Shall we judge battles by the numbers killed and the ruin wrought? Or shall we not rather judge them by the results which flowed from them? Any one will say that a battle is only truly great or small according to its results. Yes, any one will grant that, for it is the truth.
Judged by results, Patay’s place is with the few supremely great and imposing battles that have been fought since the peoples of the world first resorted to arms for the settlement of their quarrels. So judged, it is even possible that Patay has no peer among that few just mentioned, but stand alone, as the supremest of historic conflicts. For when it began France lay gasping out the remnant of an exhausted life, her case wholly hopeless in the view of all political physicians; when it ended, three hours later, she was convalescent. Convalescent, and nothing requisite but time and ordinary nursing to bring her back to perfect health. The dullest physician of them all could see this, and there was none to deny it.
Many death-sick nations have reached convalescence through a series of battles, a procession of battles, a weary tale of wasting conflicts stretching over years, but only one has reached it in a single day and by a single battle. That nation is France, and that battle Patay.
Remember it and be proud of it; for you are French, and it is the stateliest fact in the long annals of your country. There it stands, with its head in the clouds! And when you grow up you will go on pilgrimage to the field of Patay, and stand uncovered in the presence of—what? A monument with its head in the clouds? Yes. For all nations in all times have built monuments on their battle-fields to keep green the memory of the perishable deed that was wrought there and of the perishable name of him who wrought it; and will France neglect Patay and Joan of Arc? Not for long. And will she build a monument scaled to their rank as compared with the world’s other fields and heroes? Perhaps—if there be room for it under the arch of the sky.
But let us look back a little, and consider certain strange and impressive facts. The Hundred Years’ War began in 1337. It raged on and on, year after year and year after year; and at last England stretched France prone with that fearful blow at Crecy. But she rose and struggled on, year after year, and at last again she went down under another devastating blow—Poitiers. She gathered her crippled strength once more, and the war raged on, and on, and still on, year after year, decade after decade. Children were born, grew up, married, died—the war raged on; their children in turn grew up, married, died—the war raged on; their children,
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